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LEWSBERG

Lewsberg

Out And About

    Dutch four-piece Lewsberg are set to release their fourth studio album, Out And About, in September 2023. Since forming in 2016, Lewsberg have gone from strength to strength. Despite never really considering themselves as a ‘productive band’, together they have released three LPs, one EP and a series of cassettes and 7''’s, including 2022’s Six Hills, which was released via Dan Carey’s Speedy Wunderground single series.

    Lewsberg are named after writer and fellow Rotterdammer Robert Loesberg, famous for his dangerous novel Enige Defecten from 1974. This is one of the band’s main sources of inspiration: the counterculture and big-city cynicism of the 1960s and 1970s. Yet there is also a softer side to Lewsberg’s music and lyrics. On their upcoming album Out And About, this side is more present than ever. Rudimentary pop and rock songs are deliberately kept bare, only occasionally embellished with a violin or organ part. In the lyrics, the tendency towards existentialism and black humour is nuanced with an almost naive openness and engagement.

    Recorded in Amsterdam in the early spring of 2023 with producer Yulya Divakova, Out And About sees founding members Shalita Dietrich (vocals, bass guitar), Michiel Klein (guitar) and Arie van Vliet (vocals, guitar, violin) joined for the first time on record by drummer and vocalist Marrit Meinema, who joined the band in the autumn of 2021.

    “Our first two records were pretty much our take on the music and literature that Arie and I had been talking about for years,” says guitarist Michiel. “Our third album, In Your Hands, was about keeping things small, quiet and intimate, partly in reaction to some of the unease we occasionally felt when Lewsberg was being lumped in with these muscular testosterone filled rock bands,” he continues. “For this album I was inspired by how I saw the personalities in the band when we became a quartet again, with the addition of Marrit,” he continues.

    Out And About embraces a collaborative spirit, allowing each member to contribute their unique songwriting talents. The result is a collection of tracks that capture the band’s collective creative energy and their individual perspectives. The lyrics for A Different View were written via a text exchange between Arie and Marrit, Arie being responsible for the first half and Marrit for the second. “It was a bit intimidating but also a very gratifying experience to write something for a band whose lyricism you have admired for quite a while,” she says.

    The album also showcases the continued expansion of Lewsberg’s sonic palette, with Arie van Vliet’s violin playing adding a rich texture to tracks like Going Places and Canines. “The violin part for Canines had been in my head for almost a decade already, but it never translated into a song before. I’m happy Michiel found a way to make it work,” he says. “The lyrics for Canines were written by Shalita. I really like how they seem to be a bit more dreamlike and remote than the things I write, but at the same time are still very concrete, matter-of-fact and to the point,” he continues. Dietrich also wrote the lyrics for Without A Doubt, the first single to come from the new album.

    Compared to their first three albums, Out And About feels lighter, calling to mind the laid back sound of bands like The Feelies, Marine Girls and Young Marble Giants, whilst remaining distinctly Lewsberg. The album is set to be self-released everywhere (apart from North America where it will be released via 12XU) on September 15th. To mark the release, Lewsberg will be hitting the road, with live dates lined up across Europe and North America.

    TRACK LISTING

    Angle Of Reflection
    Without A Doubt
    An Ear To The Chest
    A Different View
    Going Places
    Communion
    Canines
    The Joy Of Spring
    Out For Milk
    There’s A Poet In The Bushes
    Debbie

    Lewsberg

    In Your Hands

      Sometimes change comes with big shocks, sometimes it comes with small steps. On ‘In Your Hands’ Lewsbeg’s new album a bit of both seems to be happening. Take the second song, ‘The Corner’. A remarkably discreet song; a violin plays a simple melody, a gentle drum loop keeps its finger on the pulse. “This brick is a brick to build”, it sounds, though a little later: “This brick is a brick to throw”. A brick offers many possibilities, for those who want to see it. One time as a part of something bigger to come, the next time just as a simple stone, left on the ground. After all, most things are relative. Sometimes one can achieve more by breaking something than by building something. If you think you can determine which of these two is needed, you’d be fooling yourself.

      ‘In Your Hands’ embodies the moment when all the bricks are there, but the wall has yet to be built. It’s a moment with perspective, a moment where everything still seems possible, but caution is advised. The album sounds both smaller and more spacious than the previous albums. Guitar chords are plucked instead of fiercely struck, the bass guitar is given more room for melodic explorations, the drum kit is dismantled to just a tom and a tambourine. There is doubt in the lyrics, but it’s a strong kind of doubt. A doubt that can stand in the way of a wrong decision, but can also invite for a good conversation.

      The old Lewsberg has been professionally demolished and the building blocks are on display. Ready for future applications and already finished at the same time. ‘In Your Hands’ is therefore an ode to the potential and a call to carefully give way to it.

      “Skewed, defiantly left-field indie rock” - Clash.

      "Van Vliet's idiosyncratic lyrics and buttoned-up delivery complement the bracing, no-frills performances." - Uncut
      “Stripped down.. clever rock and roll of the highest quality” - Louder Than War
      "You should get on board with Rotterdam’s answer to Velvet Underground" - NME

      STAFF COMMENTS

      Barry says: Swimming with a sort of unattainable artiness, The Netherlands' Lewsberg mix moody vocal performance and understated instrumentation into a mixture of post-punk, indie and understated folk. It's a minimalstic but strikingly effective journey.

      TRACK LISTING

      1. Departure
      2.The Corner
      3. In Your Hands
      4. Getting Closer
      5. Sweets
      6. Dependency
      7. Table For Two
      8. All Things
      9. All Things (Continued)


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