Emile Mosseri is an Oscar and GRAMMYnominated artist, earning acclaim for his scores for the films ‘Minari’ (2021) and ‘The Last Black Man In San Francisco’ (2019).

Recently worked with Kaitlyn Aurelia Smith on the critically acclaimed album, ‘I Could Be Your Dog / I Could Be Your Moon’ (2022).

On ‘Heaven Hunters’, Emile Mosseri looks inwards, using his distinctive sound and gift for musical storytelling for his most personal work.

Produced by The Haxan Cloak, ‘Heaven Hunters’ explores the weight of choosing one path in life, putting to death every other possible future, and finding comfort in redefining happiness. 

For Mosseri, the search for Heaven - a concept of perpetual happiness void of suffering - is a fruitless effort that blocks us from finding peace and balance in life as it really is.

Driven by Mosseri’s poignant lyrics and intimate singing, ‘Heaven Hunters’ is a celebration of the highs and lows that create that equilibrium, built around songs of longing, love, heartbreak, familial struggle, and domestic bliss. It is a vulnerable, heartfelt album that is both expansive and cinematic in its dynamic scope and deeply stripped down and exposed in its emotional core, ready to be experienced as intimately as possible.

TRACK LISTING

Heaven Hunters
Oklahoma Baby
My Greedy Heart
Home For The Summer
Some Kind Of Sting
All For The Bliss
Where The Waters Warm
Two Heaven Hunters
In The Shadows
Rosewater

“His music filled me with the urge to connect with the world,” Kaitlyn Aurelia Smith says of Emile Mosseri. She first heard his work while watching the 2019 film The Last Black Man In San Francisco; just minutes in, she paused it to look up who did the score and wrote to him immediately. “I love Emile’s ability to create melodies that feel magically scenic and familiar like they are reminding you of the innocence of loving life.” Those talents saw recognition in 2020 with an Oscar nomination for Mosseri’soriginal score to the film Minari. He was already a fan of Smith’s and became increasingly intrigued by her impressionistic process as they started to talk. “The music feels so spiritual and alive and made from the earth,” Mosseri says. “I think of her as the great conductor, summoning musical poetry from her orchestra of machines.” I Could Be Your Dog / I Could Be Your Moon, their two-part collaborative album, introduces an uncanny fusion of their sonics. Constructed using synthesizer, piano, electronics, and voice, this soft-focus dream world is lush, evocative, and fleeting. It finds two composers tuning their respective styles inward as an ode to mutual inspiration, a celebration of the human spirit and its will to surrender to the currents of life.

Early into their correspondence, Smith and Mosseri realized they were neighbors in Los Angeles and met up for a few hikes. Their conversations led to a musical exchange over email. The exercise became a sketch, the start of their first song together, “Log In Your Fire,” with Mosseri finding flourishes in Smith’s cathartic synth lines to intonate and harmonize alongside. Lyrically, it’s a beautiful, open-ended sentiment. “Being a log in someone’s fire, to me, means letting go, and surrendering to that feeling,” says Mosseri. From there, the pair composed a series of musical foundations, trading files from afar, nurturing the eventual expansion as the remote days of 2020 set in. Smith likens the collaborative experience to the exciting uncertainty of starting a garden, “doing what I can to facilitate growth while enjoying the process of being surprised by what will actually grow.”

In the summer of 2021, the duo finished work on the sequel, I Could Be Your Moon, expanding their musical language as the first part reached its September release. Songs from these more recent exchanges find them even more synced, forging into percussive and harmonic experiments, leaning further into their “unused musical muscles,” as Smith and Mosseri put it. A unified vocal presence emerged. “As the friendship grew I think we both learned how to support each other more and musically that was communicated through singing together,” adds Smith.

Now taken as a full album set, I Could Be Your Dog / I Could Be Your Moon moves fluidly from track to track, panning through textural vi- gnettes. Two roughly 17-minute halves, the set evokes the bittersweet sense of something too bright or rare to last, a short-lived glimpse into a golden hour. There is a dreamy, elemental intention to this music, which Smith and Mosseri say came naturally, as they both embraced intuitive interplay throughout their creative back-and-forth. The stylistic threads of each composer are recognizable yet become more ambiguous as the album progresses, sewn into a singular vision. “I’m so grateful that my musical ideas could dance with hers with some grace and harmony,” says Mosseri. Smith adds that this experience helped her “remember that mu- sic can be a connecting layer of friendship, especially in a time when the usual ways were out of reach.”

STAFF COMMENTS

Barry says: An absolutely stunning collection of nigh-choral electronic pieces, imbued with Aurelia Smith's mastery of the synthesiser and Mosseri's expertise in the soundtrack field. A collection of unexpected, organic compositions that are from neither one world nor the other but perfectly at home in both.

TRACK LISTING

01. Log In Your Fire
02. Moon In Your Eye
03. Brush
04. I Could Be Your Dog
05. Glendora
06. Blink Twice
07. Moonweed
08. Green To You
09. Amber
10. Standing In Your Light
11. Shim Sham
12. Golden Cow
13. Radio Replacement