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BRIAN AUGER'S OBLIVION EXPRESS

Brian Auger's Oblivion Express

A Better Land - 2026 Reissue

Strut presents the second studio album from Brian Auger’s Oblivion Express and a firm favourite with Auger aficionados, the “little known masterpiece” 'A Better Land' from 1971. Marking a clear evolution from their more jazz-rock leaning debut, the band shifts into a mellower direction on these tracks, echoing the feel of Befour released in the Trinity's later years. 'A Better Land' embraces warmer, more melodic and understated compositions, primarily written by guitarist Jim Mullen. With its languid and spacious approach, the album brings an grounded message to make the most of the simple pleasures in life with a hopeful, but wary, eye to the future. Musically, Auger brings acoustic guitars, country rock melodies and three-part vocal harmonies into his musical palette. Key tracks include the groove-driven title track ‘A Better Land’, the sparse ‘Dawn of Another Day,’ (sampled by Air and Black Milk among others) while ‘Fill Your Head With Laughter’ returns to Auger's trademark driving Hammond-led sound, akin to early Traffic.

The record features the Brian Auger’s unique sound on organ and electric piano, joined by Jim Mullen on guitar, Barry Dean on bass and Robbie McIntosh on drums and percussion, with Auger, Mullen and Dean all contributing vocals. Mullen co-wrote seven of the album’s nine tracks, with additional contributions from Alan Gorrie (later of Average White Band). These songwriters should take immense pride in their work as Auger’s favourite singer of all time, Sarah Vaughan, recognised the quality of these compositions by covering three of them; ‘Trouble’, ‘On “Thinking It Over’, and ‘Tomorrow City’ for her 1972 album 'A Time in My Life'. This new official Strut reissue is curated by Greg Boraman of Impressive Collective in collaboration with Brian and Karma Auger. Fully remastered by Cosmic Audio, it is presented as a high-quality single LP replica edition.


TRACK LISTING

1. Dawn Of Another Day
2. Marai's Wedding
3. Trouble
4. Women Of The Seasons
5. Fill Your Head With Laughter
6. On Thinking It Over
7. Tomorrow City
8. All The Time There Is
9. A Better Land

Brian Auger's Oblivion Express

Reinforcements - 2026 Reissue

Strut Records presents a brand new reissue of the 1975 Brian Auger’s Oblivion Express original album 'Reinforcements'. A gem from the later years of the Oblivion Express band, 'Reinforcements' sees Auger evolve from his early ‘70s jazz-rock fusions towards smoother jazz funk sophistication, continuing his journey from the previous year’s 'Straight Ahead'.

With two former Oblivion Express drummers joining Average White Band, there are obvious comparisons to draw as several tracks lean into groove-driven arrangements and polished mid-’70s production.Never one to follow a predictable path, Auger crafts a steadfast, stylish album that captures the evolving sound of the era, offering a rich snapshot of mid-’70s British soul and jazz-funk.

A fan favourite, the album also marks the return of vocalist Alex Ligertwood (later of Santana), whose soulful delivery is a highlight of many Oblivion Express recordings.

He is joined by Jack Mills (guitar), Lennox Langton (percussion), Dave Dowle (drums), and new addition Clive Chaman (bass, flute) – a family affair with their various kids joining for the cover shoot, the full cast adorned in an array of fine mid-‘70s tank tops.

Album highlights include the heavy funk instrumental jam ‘Brain Damage,’ a dynamic, keyboard-driven showcase of Auger’s virtuosity alongside the burning latin jazz workout ‘Something Out of Nothing’ and soaring closer ‘Future Pilot’ taking us from our present day troubles to “thread the skies to a new location.”

‘Big Yin’ is a heartfelt tribute to former drummer Robbie McIntosh following his untimely death. As with all Auger albums, the energy is nothing but positive and soulful – his back cover quote states “May the love you bring to this world be reflected upon you.”

This new Strut reissue of 'Reinforcements' is curated by Greg Boraman of Impressive Collective in collaboration with Brian and Karma Auger. Fully remastered from the original tapes by United Archiving’s Bill Smith, it is presented as a high-quality single LP replica edition.


TRACK LISTING

1. Brain Damage
2. Thoughts From Afar
3. Foolish Girl
4. The Big Yin
5. Plum
6. Something Out Of Nothing
7. Future Pilot

Brian Auger’s Oblivion Express

Second Wind - 2026 Reissue

Strut Records highlights a landmark in British jazz-rock with 'Second Wind', the 1972 album from keyboard visionary Brian Auger and his powerhouse group Oblivion Express. Capturing a fully matured lineup, the record finds Auger expanding his fusion language - bridging jazz sophistication, funk-driven rhythm, and soul-infused songwriting with the clarity and fire that defined his early ’70s work.

Though Auger’s roots lie in the lineage of hard-swinging jazz organ and the improvisational fire of the ’60s British scene, he has never been an artist content with tradition. With 'Second Wind', he moves further into a hybrid language that fuses rhythm with harmonic depth and groove, without sacrificing sophistication. His playing is expansive yet precise, translating the electricity of live performance into a studio work that breathes with immediacy.

At the heart of this era of Oblivion Express is the telepathic rapport among its members. Vocalist Alex Ligertwood (in one of his earliest major recordings before Santana fame) brings a soulful intensity that feels both grounded and forward- looking. Second Wind contains tracks that have become deeply significant in Auger’s discography - original compositions 'Second Wind', and 'Truth' to name a few - but it was Auger's high octane revisioning of Eddie Harris' 'Freedom Jazz Dance', (adding new lyrics to the original instrumental) that genuinely broke barriers. The track became a DJ friendly classic and highlighted the groups deeply original approach.

The rhythm section of Barry Dean and Robbie McIntosh balances weight and fluidity, giving Auger the space to stretch across Hammond organ, Rhodes, and keys with characteristic boldness. Their collective sound is one of seamless motion: jazz-inflected lines swelling into rock-driven crescendos, funk-leaning grooves locking with vocal hooks, moments of quiet clarity emerging between bursts of improvisation.

'Second Wind' stands as a pivotal moment in Auger’s discography: a record that bridges the exploratory spirit of his earlier projects with the more groove-oriented approach that would soon bring international attention. More than five decades later, it remains a vivid document of a band carving out its own language. Music born of instinct, collaboration, and a restless desire to push beyond the expected.

TRACK LISTING

1. Truth
2. Don’t Look Away
3. Somebody Help Us
4. Freedom Jazz Dance
5. Just Me Just You
6. Second Wind

Brian Auger’s Oblivion Express

Oblivion Express - 2026 Reissue

Strut Records presents a fresh look at 'Oblivion Express', the 1971 album that marked Brian Auger’s shift into a new musical frontier. After years spent shaping the sound of British jazz-soul with the Trinity, Auger stepped into the new decade with a leaner, electrified ensemble and a renewed sense of purpose. This record captures the moment that transformation took shape.

'Oblivion Express' introduced a sound that was distinctly Auger’s own. Rather than echoing the fusion emerging in the United States, Auger developed a language rooted in the UK’s jazz underground, culminating in a spaced out jazz- rock / prog-fusion album awash with larger than life drum fills and Auger’s virtuosic organ playing. Between bassist Barry Dean and drummer Robbie McIntosh the album moves effortlessly between tight, articulated phrases and broader, improvisational passages. The trio’s interplay forms the backbone of the album and sets the tone for the sound that would define the early years of the Express.

Album opener 'Dragon Song' launches with a restless drive that immediately signals Auger’s new direction. Auger chose to record this version of John McLaughlin’s piece (his friend and former bandmate in 'The Niddy Griddys') after hearing McLaughlin’s album Devotion during its mix at New York’s Record Plant Studios. Auger was blown away, recalling, “Oh my god, this is amazing. I wanted to record that myself - and I did!”. Pieces like 'Total Eclipse' demonstrate the 'Oblivion Express’ command of dynamic contrast, and title track 'Oblivion Express' explores the cinematic and compositional prowess of the group through stripped back, building moments vs. explosive melodic breakdowns. Riff-heavy 'The Sword' later became known through Madlib’s usage in 2014 tracks 'Yeti Movie' and 'Parodies'.

In retrospect, 'Oblivion Express' stands as a jazz leaning, prog-rock masterpiece and foundational moment in Auger’s catalogue. It captures the starting point of a new sound that is more focused, more urgent, and fully committed to the possibilities of jazz-rock at the dawn of the seventies. The album remains a vivid document of a band discovering its identity and setting the stage for the further array of influential releases that would follow.

TRACK LISTING

1. Dragon Song
2. Total Eclipse
3. The Light
4. On The Road
5. The Sword
6. Oblivion Express

Brian Auger’s Oblivion Express

Straight Ahead - 2025 Reissue

When 'Straight Ahead' hit the shelves in 1974, it marked another bold chapter for Brian Auger’s Oblivion Express. The band—Steve Ferrone on drums, Barry Dean on bass, Jack Mills on guitar, and Lennox Langton on congas— was firing on all cylinders, pushing jazz fusion into fresh, uncharted territory.

Critics took notice, with Billboard praising the album as “excellent in development and inventiveness, ” and it found its way onto multiple charts at once.

The journey begins with 'Beginning Again', a lively opener built on Langton’s congas and Ferrone’s muscular groove. Auger’s electric piano sparkles here, immediately setting the album’s adventurous tone. Then comes their take on Wes Montgomery’s 'Bumpin’ On Sunset'.  Darker in mood and drenched in atmosphere, Auger stretches out into improvisation while still honoring Montgomery’s spirit. The interpretation struck such a chord that, years later, Wes’s widow wrote to Auger to tell him it was her husband’s favorite version of his much-loved tune.

The title track, 'Straight Ahead', shifts gears into funk, showcasing the group’s ability to slide effortlessly between genres. 'Change' pushes further, blending rock’s raw energy with jazz’s improvisational freedom, driven by Auger’s command of the Hammond organ. To close, 'You’ll Stay in My Heart' brings the tempo down with a tender, soulful ballad—an intimate ending to an album full of bold explorations.

At the time, reviewers hailed the record as a gem. One called it “a minor masterpiece of incredibly engaging and melodic keyboard-centric jazz-rock fusion. ” Another singled out 'Bumpin’ On Sunset' as “the best reason to own this recording.”

Half a century later, 'Straight Ahead' still resonates. It captures that fertile moment in the 1970s when jazz, rock, and funk were colliding, and artists like Auger were busy redrawing the map. To this day, it stands as proof of Auger’s fearless curiosity and his knack for breaking boundaries—music that looked forward then, and still feels ahead of its time now.

TRACK LISTING

1. Beginning Again
2. Bumpin' On Sunset
3. Straight Ahead
4. Change
5. You'll Stay In My Heart

Brian Auger's Oblivion Express

Closer To It - 2025 Reissue

Brian Auger formed The Oblivion Express in 1970 after the demise of his chart topping jazz & R&B combo Julie Driscoll, Brian Auger, and The Trinity. Deciding he would continue to defy creative expectations with his genre bending vision, Auger even based the groups name around this precarious anti-commercial approach; “I decided that I would like to push on and see whether I could develop that music" he recalls, "but maybe I’m headed the quickest way to oblivion!”.

Auger needn't have worried, the bands first slew of albums; the heavy, jazz rock influenced debut 'Oblivion Express', 1971s laconic, folky 'A Better Land', the proto jazz funk of 'Straight Ahead' released in 1972, all made serious inroads into the United States, which proved to particularly fertile ground for the group.

By 1973, the London born Auger felt his various American influences of jazz, R&B, funk and soul had fermented into his own brand of fusion, and upon listening to the final mixes, was confident he was approaching his original musical mission, hence naming the album 'Closer To It'.

It's predecessor, 'Straight Ahead' had hit the US charts, and awoken RCA Records to the crossover potential of this somewhat undefinable music, who stepped up their game in regards the follow up, which broke out in the Tri State area, where it received major radio and press support and billboard advertising whilst the band were touring. All these factors combined favourably and resulted in Closer To It entering the Billboard Jazz, R&B and Rock charts simultaneously!

For a British multi-racial group composed of fans of African American music, this was both creatively and commercially satisfying. This acceptance of the Oblivion Express’ sound and style also led to the band touring with Herbie Hancock's Head-hunters and Earth Wind & Fire, and Brian receiving a US Congressional Certificate of Special Recognition for his ‘contribution to the American art form of Jazz’.

Regarded as his masterpiece, 'Closer To It' features some of Augers' most inventive and beautiful Hammond Organ and Fender Rhodes playing, on tunes that become the defining tracks of his career, especially the anthemic opener Whenever You're Ready, co-written with bass player Barry Dean. Happiness Is Just Around The Bend was later covered by Cuba Gooding Snrs' band The Main Ingredient who had a major hit with their version. Auger also saluted his soul and jazz hero's with his versions of Marvin Gays Inner City Blues and Eddie Harris, Les McCann's classic Compared To What.

With an iconic cover featuring the Oblivion Express train logo designed by Auger's wife Ella. Closer To It remains a highpoint in Auger's recording career.


TRACK LISTING

1. Whenever You’re Ready
2. Happiness Is Just Around The Bend
3. Light On The Path
4. Compared To What
5. Inner City Blues
6. Voices Of Other Times

Brian Auger's Oblivion Express

Live Oblivion Vol.2

Live albums are often a ‘hit or miss’ affair but ‘Live Oblivion’ 1 & 2 buck that trend, Recorded across 2 nights in 1974 at the Hollywood venue The Whisky A Go Go. The group were finishing off a huge US tour that had roared down the east coast then across the Midwest and by the time they hit LA, as Brian recalls “we were all absolutely performing at our height. So I decided that I really needed to record the band live at that point”. Utilising the Wally Heider Mobile Truck, the scene was set for one of the greatest jazz-fusion live recordings to be made. The show opens with a hyper fast version of Beginning Again due to drummer Steve Ferrone being almost an hour late and running high on adrenaline, Brian remembers thinking “I don’t even know if I can play it that fast!” Fortunately, he and the Oblivion Express including stellar vocalist Alex Ligertwood rise to the challenge and the result is akin to some frenetic jazzy drum & bass but also pushes the group onto another level altogether for the rest of the show. Across both volumes there are no fillers and the highlights are many - Bumpin’ On Sunset, Freedom Jazz Dance, and Inner City Blues are all stunning, but especially the epic version of Maiden Voyage which Mos Def sampled on his 1997 'If You Can Huh! You Can Hear', and both DJ Mitsu in 2004 and 2017 Crimeapple both dipped into Live Oblivion to sample that fire for their own projects.

Auger, in the original liner notes opines how live recordings can often have drawbacks but "I hope that spirit shines through" Live Oblivion 1 & 2, 50 years on from being committed to tape, certainly achieve that and much more. 

TRACK LISTING

1. Freedom Jazz Dance
2. Happiness Is Just Around The Bend
3. Maiden Voyage
4. Second Wind
5. Whenever You're Ready
6. Inner City Blues
7. Straight Ahead
8. Compared To What 


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