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Joseph Talbot (IDLES)

IDLES X Magda Archer - Brutalism : Illustrated Lyrics

Thames & Hudson Ltd

A striking and thought-provoking collaboration between IDLES frontman Joe Talbot and artist Magda Archer, containing all the lyrics from IDLES' first album Brutalism alongside provocative artwork by Archer. Toxic masculinity. Class divisions.

Mental health. Bristol-formed band IDLES started recording their first album, Brutalism, in 2015. In the two years that followed, frontman Joe Talbot’s mother passed away, resulting in a turbulent state of grief that would come to shape the verbally blazon and emotionally raw album that then appeared in 2017.

In the seven years since the release of Brutalism, Talbot’s words, in the context of the band’s music, have grown to represent a liberated show of vulnerability and an aggressive response to the societal ‘masculine’ ideal of silencing and withholding emotion. IDLES’ first ever book marks a new and exciting form of creative collaboration for the band. Breathing a different kind of life into Talbot’s fiery lyricism – with expressive typography, hot-pink ink and Magda Archer’s unique artworks – it shows that a book can be a work of art in itself.

In this celebration and reinterpretation of the band’s first album, Magda Archer’s artwork enters a joyful and liberating shouting match with Talbot’s lyrics – an unexpected and bold conversation between two like-minded artists.

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Johnny Marr

Marr's Guitars

Thames & Hudson Ltd

A stunning photographic presentation of the guitars that defined the distinctive sounds and style of Johnny Marr with personal reflections and insights from the legendary guitarist himself. 'Guitars have been the obsession of my life ... they've been a mission and sometimes a lifeline' - Johnny Marr The guitarist's guitarist, Johnny Marr redefined music for a generation.

His ringing arpeggios and chordal innovations helped elevate The Smiths to be one of the most influential and important British bands of all time. Tracing Marr's career from his teenage years to his recent work on the Bond soundtrack, Marr's Guitars showcases the most significant of Marr's superb collection of electric and acoustic guitars, revealing through them the evolution of his iconic sound and style of playing. Each guitar is identified with a crucial moment, a specific song or a particular sound, and each embodies a key aspect of Marr's lifelong passion.

Renowned photographer Pat Graham presents each instrument as a full portrait, supported by micro shots highlighting the specific details that make each one unique, while Johnny Marr himself reveals in his accompanying commentary on what tracks and at which shows the guitars were played. Many of the guitars are closely associated with Marr, such as the Rickenbacker 330, the Gibson ES-355 and the Johnny Marr Signature Fender Jaguar. Some were passed down to him, including Nile Rodgers' Stratocaster, Bryan Ferry's Roxy Music Hagstrom and Bert Jansch's Yamaha.

Others are guitars once owned by Marr that have since been passed on to the next generation of guitar heroes, including the Stratocaster used by Noel Gallagher on 'Wonderwall' and the Gibson Les Paul Goldtop used on In Rainbows by Radiohead's Ed O'Brien. Punctuating the photography of the guitars and the accompanying commentary are contextual studio, backstage and onstage shots. Together, they make Marr's Guitars a unique cultural history of modern music and guitar playing told through the prism of Johnny Marr's experiences and achievements.

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Paul Gorman

Totally Wired : The Rise And Fall Of The Music Press

Thames & Hudson Ltd

A raucous yet reflective look back at the evolution of the music press and the passionate rock and pop journalists who defined the music of the 20th century. Totally Wired is the definitive story of the music press on both sides of the Atlantic, tracing its rise and fall from humble beginnings nearly 100 years ago. Along the way, this potent creative breeding ground for scores of writers, publishers, photographers, designers and music-makers tested the very limits of journalistic endeavour and influenced the wider worlds of film, media and pop.

Focusing on developments from the 1950s to the 2000s, a period that witnessed rock 'n' roll, mod, the Summer of Love, glam, punk, pop, reggae, dance music, R&B and hip-hop, Paul Gorman chronicles the stories of individual magazines from their Tin Pan Alley beginnings and the countercultural foundation of Rolling Stone and the underground press. He explores the 1970s heyday of NME, Melody Maker and Sounds plus such punk-rock publications as Sniffin' Glue and Temporary Hoarding; tracks the emergence of dedicated monthlies Q, The Face and Mojo as well as dance-culture independents like Boy's Own and Jockey Slut; and spotlights feminist and Riot Grrrl 'zines Ben Is Dead and Girlfrenzy along with the rise of media by and for people of colour, from Black Music and Black Echoes in the 1970s to The Source, Vibe and XXL in the 1990s. Evoking the music press's kaleidoscopic visual identities, Totally Wired is illustrated with rare and legendary magazine artwork throughout.

Painting a complete picture of the scene, Gorman discusses the role played by such writers as Lester Bangs, Charles Shaar Murray and Nick Kent in the development of the careers of, among others, David Bowie, the Clash and Led Zeppelin. He also tackles the entrenched sexism and racism faced by women and those from marginalized communities by highlighting publications and individuals whose contributions have been unfairly overlooked. The resulting narrative, containing stories of unbound talent, blind ambition and sometimes bitter rivalry, makes Totally Wired a riveting and roller-coaster read.

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