Search Results for:


The Prodigy

The Fat Of The Land 25th Anniversary - Remixes

    Continuing the celebrations around the 25th anniversary of The Prodigy’s game-changing third studio album The Fat Of The Land, XL Recordings announce a stacked new remix package. The Fat Of The Land 25th Anniversary – Remixes features exclusive new remixes from Mefjus and Camo & Krooked, Gydra and René LaVice alongside Andy C’s iconic “Firestarter” remix 

    Following its 1997 release, The Fat of the Land became a global phenomenon, debuting at number one on album charts around the world and going on to sell over 10 million copies. The first single to be released from the album was the incendiary “Firestarter” which saw Keef Flint take centre stage on vocals for the first time. It was released alongside the groundbreaking video shot deep under the streets of London, directed by Walter Stern. Stern’s video was recently remastered and is now available officially in HD for the very first time.


    A1: Breathe (Mefjus & Camo & Krooked Remix)
    A2: Diesel Power (Gydra Remix)
    B1: Firestarter (Andy C Remix)
    B2: Mindfields (René LaVice Remix)

    The Prodigy

    The Fat Of The Land - 25th Anniversary Edition

      Thursday 30 June 2022 - marks 25 years since the release of The Prodigy’s ‘The Fat of the Land’; an album so iconic it turned the sound of underground rave music into a global force; capturing the world's attention and dominating the charts. In celebration XL Recordings releases a limited edition 2LP silver 12” vinyl package of the original album with a reimagined version of Alex Jenkin’s artwork.


      1 Smack My Bitch Up
      2 Breathe
      3 Diesel Power
      4 Funky Shit
      5 Serial Thrilla
      6 Mindfields
      7 Narayan
      8 Firestarter
      9 Climbatize
      10 Fuel My Fire


      Music For The Jilted Generation

        The band's Mercury-nominated second album from 1994.


        1. Intro
        2. Break & Enter
        3. Their Law
        4. Full Throttle
        5. Voodoo People
        6. Speedway (Theme From Fastlane)
        7. The Heat (The Energy)
        8. Poison
        9. No Good (Start The Dance)
        10. One Love (Edit)
        11. 3 Kilos
        12. Skylined
        13. Claustrophobic Sting

        The Prodigy

        No Tourists

          The Prodigy's seventh studio album, "No Tourists" is released on their Take Me To The Hospital label.

          In a career approaching 30 unpredictable, uncompromising years, The Prodigy have become that rare artist whose influence can be felt across all walks of life. Continually defining (and re-defining) electronic music, the band have clocked up a staggering 6 number 1 albums, played to many millions around the world, and remain as relevant and respected as ever.

          Though much has changed in the musical and social landscape, what remains a constant is The Prodigy's resolute focus on following their own path, their own way. This, perhaps, is the true meaning of "No Tourists", and in 2018 the anger, urgency, and irrepressible spirit of The Prodigy has no doubt never been more needed. 

          Big brash rock guitars still pepper hefty, club rocking breakbeats while some of those iconic synths and keyboards from "Music For The Jilted Generation" make a much welcome return to the rave. 


          Need Some1
          Ligjht Up The Sky
          We Live Forever
          No Tourists
          Fight Fire With Fire
          Timebomb Zone
          Champions Of London
          Boom Boom Tap
          Give Me A Signal

          The Prodigy

          The Day Is My Enemy

            The Prodigy have always cut a solitary path through the noise-scapes of electronic dance music. They’ve dropped five epoch defining studio albums and delivered unforgettable live performances that have taken electronic beats into unchartered territories. Throughout this time they’ve remained resolutely focused on their own vision, inspiring legions of artists along the way.

            'The Day Is My Enemy' is probably the most British sounding album you’ll hear this year. Not British in the flag waving jingoistic sense, but in a way that understands that the nighttime spaces of urban Britain are a multi-hued cacophony of cultures. If Invaders Must Die was the sound of the rusted urban sprawl decaying like an open wound in the British countryside, then 'The Day is My Enemy' is about the angry humanity existing in the decay of the urban nightmare.

            The Prodigy

            Invaders Must Die

              "Invaders Must Die" is The Prodigy's fifth album and is 40 minutes of having your head battered by future nostalgia, serotonin levels twisted by feel-good horrorcore and your synapses snapped by whiplash attitude. It's the sound of The Prodigy mixing up genres, contorting the past and rewiring the future, ram-raiding through the tranquility of music's status quo like a blot on the landscape of England's dreaming. The first thing you notice about "Invaders Must Die" is how complete it sounds, a consistent collection of bangers all firing from the same cannon. The next thing you notice about the album is just how melodic it is. Not just melody in the vocal sense but in the heyday-of-hardcore keyboard-hookline sense. Yes, if The Prodigy have learned anything from the hugely successful live shows it was that those old skool rave anthems still rock hard - and are every bit as iconic to their generation as punk was to the nation's forty-somethings. So "Invaders Must Die" is awash with references to the free party generation, thundering along like the mother of all E-rushes, all hair-tingling, spine-jumping and lips buzzing. But not a retroactive arms-in-the-air, water-sharing nostalgia trip, but a set fuelled by punk's saliva-dripping rabid snarl. Grrr!

              Latest Pre-Sales

              241 NEW ITEMS

              E-newsletter —
              Sign up
              Back to top