Gondwana Records are delighted to announce the 6th release of our '7" Series', our first ever 7" vinyl collection series. Featuring bespoke artwork from Gondwana Records designer Daniel Halsall, cut at Calyx in Berlin, and manufactured at Optimal. This one is limited to strictly 500 copies and housed in a reverse board printed sleeve with classic 'dinked' centre holes.

Last Words and Fanfares were GoGo Penguin's breakthrough tracks, taken from their first album, Fanfares, they first introduced the band's trademark mix of jazz, dance and classical music influences to the world outside of Manchester. For this this very special release we feature two breathtaking alternate versions. Recorded in 2013 they feature the now classic line-up of GoGo Penguin with pianist Chris Illingworth, drummer Rob Turner and bassist Nick Blacka (replacing Grant Russsell) together with producer Joe Reiser - they are released here for the first and only time.

FORMAT INFORMATION

Ltd 7" Info: Limited to 500 copies, comes with a limited edition postcard

PICCADILLY EXCLUSIVE SIGNED COPIES.

Originally released in March 2014, v2.0, was GoGo Penguin's breakthrough album and the first to feature the rebooted line-up with new bassist Nick Blacka, pianist Chris Illingworth and drummer Rob Turner. It was named a Mercury Prize album of the year 2014 alongside albums from Damon Albarn, Young Fathers and Jungle. The extended version was first released on 2xLP for RSD 18 on clear vinyl.

This version features the same extended tracklist on translucent orange vinyl.

Newly remastered for vinyl (by the original engineer)
2xLP deluxe gatefold edition.
A percentage of sales on this edition will be donated to NHS Charities Together.

v2.0 includes the hit singles, Hopopono, Garden Dog Barbecue and Kamaloka as well as the remarkable One Percent and live favourite To Drown in You. Included here for the first time is theincessant 'Break' featuring a killer groove that offers a notdto the one and only Squarepusher, 'Wash', a haunting slice of the band at their most ambient and the wonderful 'In Amber', the first track that the new line-up wrote completely together.

FORMAT INFORMATION

2xColoured LP Info: A strictly limited translucent orange vinyl Deluxe remastered gate-fold double-LP featuring the entire v2.0 sessions.
500 copies only.

155 g 100% Combed Organic Cotton / Earth Positive T shirt

White Chest Logo on Black T shirt with arm detail.

Designed by Chris Illingworth

When a musical ensemble chooses to self-title an album mid-career, it usually signifies their conviction that they’ve struck upon the motherlode, hit the jackpot, stepped up and generally arrived at a point they’ve always striven for but never quite attained before.

Coming from GoGo Penguin at this stage in the game, it’s quite a bold statement: the instrumental trio from Manchester, England have fielded plaudits and rave reviews for inspiration and originality at every turn since 2013,when they settled on their dream line-up of Chris Illingworth (piano), Rob Turner (drums) and Nick Blacka (bass).

Fusing jazz, classical and electronic influences(amongst others) with a thirst for innovation, they’ve been garlanded as makers of one of the Mercury Prize album of the year (in ’14) and have enjoyed success on record and in the live arena matched by precious few vocal-free groups post-millennium.

FORMAT INFORMATION

2xColoured LP Info: Indies exclusive double clear coloured vinyl.

GoGo Penguin present Ocean in a Drop (music for film), a 5 track EP drawing from music originally written for their original live score to Godfrey Reggio’s cult film Koyaanisqatsi. Expect music that moves from fragile beauty to powerful themes that offer both a stand-alone snapshot of the trio’s world and echoes of the images that inspired the music.

Signed to Matthew Halsall's Gondwana Records and championed by DJs from Mike Chadwick to Gilles Peterson and Jamie Cullum GoGo Penguin's skittering break-beats, telepathic interplay and a penchant for anthemic melody all contribute to a sound that's wholly their own. Pianist Chris Illingworth's yearning classical influenced melodies are filtered through the dance music energy of bassist Nick Blacka and drummer Rob Turner.

Brilliantly recorded by their long-term sound engineer Joe Reiser and studio engineer Brendan Williams the band have taken full advantage of the increased recording budget, the success of their debut afforded, to record a statement of real intent. 'v2.0' is a gloriously vibrant technicolor snap-shot of a band finding their own voice - as drawing on a heady brew of influences from Brian Eno, John Cage and Squarepusher to Manchester's grey rain-streaked urban streets they create a brave new sound all their own.

"A really brilliant modern piano trio that takes in the whole history of music. I think they're really special." - Jamie Cullum

"That is a little bit special, brand new album, it's been a year now GoGo Penguin working on their latest material, out of Manchester, 'Kamaloka' the name of this track." - Gilles Peterson

FORMAT INFORMATION

Deluxe CD Info: Reissued with three new tracks recorded at the original sessions.

Shop favourites (2016 end-of-year chart high-rollers) Gogo Penguin return for their latest outing on legendary jazz label, Blue Note. The thing about Gogo penguin is, they're a jazz band, but without all the things you'd associate with a jazz band. The beards are as few as their years, and the chin-stroking is not only minimal, but actively discouraged. Their last outing (the stunning 'Man Made Object') mixed the subtle downtempo percussion and slowly unfurling progressions of traditional jazz with tender, minimalistic electronics and ambient textures reminiscent of modern-classical contemporaries liberally littered around the Erased Tapes roster.

Whilst their compositions are completely instrumental, there seems to be a wealth of outside influence making itself known through the phrasing and keys used. While 2015 / 2016 were in no way dream years for society in general, it was clear that there was a playfulness in their delivery of songs like 'Quiet Mind' (incidentally, this particular piece reminded me of the other 'Penguin' band, no bad thing).

As soon as we finish the frenetic buzzing and claustrophobic atmospheres of 'Prayer', it becomes clear that the rather torrid world climate has indeed osmosed into their compositions, swapping out the languid bobbing atmospheres of yesteryear for a highly charged, powerfully visceral sound experience. While the melodic counterpoints are as ever, impeccably realised (and perfectly accentuated by Turner's mindblowing skin-smacking), the euphoric peak is often hidden behind a flurry of call-response dialogue, the peak only being reached through an intentionally laboured conversational swell.

While throughout the album, the simmering malaise invariably breaks through into a grand and sweeping relief, it is in pieces like 'A Hundred Moons' that we get the full-force of their compositional genius, breaking through the residual gloom with airy, tropical percussion and a cleansing palate of major-key lifts and twinkling plucks. Without waxing lyrical about every song in turn, there really isn't much more that can be said, you'll just have to listen to it yourself. Truth of the matter is, Gogo Penguin are one of a kind, and continue to pioneer their own spellbinding brand of electronic jazz. 

Black t-shirt featuring artwork from the V2.0 LP in white on front. Nice!

It’s been an astonishing couple of years for GoGo Penguin, the UK trio of drummer Rob Turner, double bassist Nick Blacka and pianist Chris Illingworth. Their trademark mash-up of minimalist piano themes, deeply propulsive bass lines and electronica-inspired drums has seen their 2014 album 'v2.0' shortlisted for the Mercury Prize. Drawing on a heady brew of influences from Brian Eno, John Cage, Massive Attack and Aphex Twin, GoGo Penguin has created a brave new sound that is wholly their own.

Now signed to iconic jazz label Blue Note Records the trio release their new album. 'Man Made Object is the sound of a band confidently pursuing their own path. “The title is partly inspired by my fascination with ideas of robotics, transhumanism and human augmentation,” says pianist Illingworth, a statement that begs for elaboration. “We’re recreating electronic music on acoustic instruments. It’s like a man-made object that has become humanized and it seemed like a good album title, one that also means something different to each of us, and hopefully to each listener.”

Indeed, although they're predominately an acoustic piano trio, GoGo Penguin’s music draws from many areas of contemporary electronic music, one where you can hear arcade game bleeps, glitchy breakbeats, hypnotic Aphex-style melodies, grinding bass lines and a rumbling low-end. It has been described as “acoustic electronica”, a term which perfectly sums up their modus operandi. “Many of the songs on this album started out as electronic compositions that I made on sequencing software like Logic or Ableton,” says drummer Turner. “I’ll then play it to the band and we’ll find ways of replicating it acoustically.”