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GOGO PENGUIN

GoGo Penguin present Ocean in a Drop (music for film), a 5 track EP drawing from music originally written for their original live score to Godfrey Reggio’s cult film Koyaanisqatsi. Expect music that moves from fragile beauty to powerful themes that offer both a stand-alone snapshot of the trio’s world and echoes of the images that inspired the music.

Shop favourites (2016 end-of-year chart high-rollers) Gogo Penguin return for their latest outing on legendary jazz label, Blue Note. The thing about Gogo penguin is, they're a jazz band, but without all the things you'd associate with a jazz band. The beards are as few as their years, and the chin-stroking is not only minimal, but actively discouraged. Their last outing (the stunning 'Man Made Object') mixed the subtle downtempo percussion and slowly unfurling progressions of traditional jazz with tender, minimalistic electronics and ambient textures reminiscent of modern-classical contemporaries liberally littered around the Erased Tapes roster.

Whilst their compositions are completely instrumental, there seems to be a wealth of outside influence making itself known through the phrasing and keys used. While 2015 / 2016 were in no way dream years for society in general, it was clear that there was a playfulness in their delivery of songs like 'Quiet Mind' (incidentally, this particular piece reminded me of the other 'Penguin' band, no bad thing).

As soon as we finish the frenetic buzzing and claustrophobic atmospheres of 'Prayer', it becomes clear that the rather torrid world climate has indeed osmosed into their compositions, swapping out the languid bobbing atmospheres of yesteryear for a highly charged, powerfully visceral sound experience. While the melodic counterpoints are as ever, impeccably realised (and perfectly accentuated by Turner's mindblowing skin-smacking), the euphoric peak is often hidden behind a flurry of call-response dialogue, the peak only being reached through an intentionally laboured conversational swell.

While throughout the album, the simmering malaise invariably breaks through into a grand and sweeping relief, it is in pieces like 'A Hundred Moons' that we get the full-force of their compositional genius, breaking through the residual gloom with airy, tropical percussion and a cleansing palate of major-key lifts and twinkling plucks. Without waxing lyrical about every song in turn, there really isn't much more that can be said, you'll just have to listen to it yourself. Truth of the matter is, Gogo Penguin are one of a kind, and continue to pioneer their own spellbinding brand of electronic jazz. 


GoGo Penguin

Black V2.0 T-Shirt

    Black t-shirt featuring artwork from the V2.0 LP in white on front. Nice!

    Manchester has produced some of the UK's greatest rock bands from Joy Division to the Stone Roses, but it isn't just the indie scene that thrives here, from the likes of Jon Thorne and Stuart McCallum to the Beats & Pieces Big Band and trumpeter Matthew Halsall, Manchester's jazz scene has produced some of the UK's brightest and most original jazz groups. Now with its eighth release Matthew Halsall's Manchester based Gondwana record label shines a light on another of Manchester's expansive, brilliant piano trio GoGo Penguin. Featuring pianist Chris Illingworth, bassist Grant Russell and drummer Rob Turner (all still in their twenties), GoGo Penguin, draw on a heady brew of influences from Aphex Twin to Brian Eno, Debussy to Shostakovich and Massive Attack to EST.

    STAFF COMMENTS

    David says: GoGo Penguin have a terrible name admittedly but don't let that put you off. Signed to Matthew Halsall's Manchester based label, Gondwana, this is their first (and best) album. Piano heavy and big with Gilles. Essential.

    It’s been an astonishing couple of years for GoGo Penguin, the UK trio of drummer Rob Turner, double bassist Nick Blacka and pianist Chris Illingworth. Their trademark mash-up of minimalist piano themes, deeply propulsive bass lines and electronica-inspired drums has seen their 2014 album 'v2.0' shortlisted for the Mercury Prize. Drawing on a heady brew of influences from Brian Eno, John Cage, Massive Attack and Aphex Twin, GoGo Penguin has created a brave new sound that is wholly their own.

    Now signed to iconic jazz label Blue Note Records the trio release their new album. 'Man Made Object is the sound of a band confidently pursuing their own path. “The title is partly inspired by my fascination with ideas of robotics, transhumanism and human augmentation,” says pianist Illingworth, a statement that begs for elaboration. “We’re recreating electronic music on acoustic instruments. It’s like a man-made object that has become humanized and it seemed like a good album title, one that also means something different to each of us, and hopefully to each listener.”

    Indeed, although they're predominately an acoustic piano trio, GoGo Penguin’s music draws from many areas of contemporary electronic music, one where you can hear arcade game bleeps, glitchy breakbeats, hypnotic Aphex-style melodies, grinding bass lines and a rumbling low-end. It has been described as “acoustic electronica”, a term which perfectly sums up their modus operandi. “Many of the songs on this album started out as electronic compositions that I made on sequencing software like Logic or Ableton,” says drummer Turner. “I’ll then play it to the band and we’ll find ways of replicating it acoustically.”


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