Revered producer and composer Daniel Avery shares 'Midnight Versions Part 1', deeper, darker reworkings of his latest singles from his sixth studio album 'Tremor'.

In Avery’s own words,“for every tremor there’s a reaction. These are the Midnight Versions. Songs reimagined and sent directly into the night. Club edits aimed squarely at the strobe light.”

TRACK LISTING

1. Rapture In Blue (Midnight Version)
2. Greasy Off The Racing Line (Midnight Version)
3. The Ghost Of Her Smile W/ Julie Dawson (Midnight Version)

On 'Tremor', Avery has welcomed an inspiring cast of collaborators, including the likes of Alison Mosshart (The Kills), Walter Schreifels(Quicksand / Rival Schools), bdrmm, Julie Dawson (NewDad), yeule, Ellie, Art School Girlfriend, yunè pinku, and Cecile Believe. Each artist leaves their indelible mark, yet the record’s true power lies in the communal spirit at its core.

Channelling every corner of his sound, 'Tremor' is a bold and transportive body of work through euphoric shoegaze, submerged techno, ambient soundscape and industrial bliss. It remains unmistakably Avery, yet dramatically evolved. An immersive and deeply textured journey, Tremor unfolds like a lucid dream—an expansive, collaborative creation.

STAFF COMMENTS

Barry says: Tremor takes all of the moody atmospheric techno and rippling, crackling shoegaze heft we've come to expect from Avery and injects it with a notable stadium melodicism and soaring, pop-forward production. Once again showing that Avery transcends the boundaries of electronic and acoustic music, forging something wonderfully unique but easily recognisable.

TRACK LISTING

1. Neon Pulse
2. Rapture In Blue 1/ Cecile Believe
3. Haze W/ Ellie
4. A Silent Shadow W/ Bdrmm
5. New Life W/ Yune Pinku
6. Greasy Off The Racing Line W/ Alison Mosshart
7. Until The Moon Starts Shaking
8. The Ghost Of Her Smile W/ Julie Dawson
9. Disturb Me W/ Yeule
10. In Keeping (Soon We'll Be Dust) W/ Walter Schreifels
11. Tremor
12. A Memory Wrapped In Paper And Smoke
13. I Feel You W/ Art School Girlfriend 

When three of the most forward-thinking minds in electronic and alternative music collide, the result is bound to be expansive. Demise Of Love is the thrilling new project from Daniel Avery, James Greenwood's Ghost Culture, and Working Men’s Club—a studio collaboration forged from mutual admiration and an unrelenting drive to break new ground. Born from a shared desire to create something raw, boundary-pushing and deeply emotive, the trio entered the studio with no expectations, only a love for each other’s work and a fearless approach to sound. The result is a heady fusion of industrial dreamscapes, acid house intensity, and starkly beautiful melodies. Shaped by the combined creative forces of the trio’s masterful production and brooding presence, Demise Of Love carves out its own uncompromising space in electronic music.

TRACK LISTING

1. Strange Little Consequence
2. Carry The Blame
3. Be A Man
4. Like I Loved You

Long-time friends and collaborators, musician Daniel Avery, alongside photographer Keffer are proud to present Techno Is Boring, a new book that collects a decade of work chronicling club culture in visceral form.

Techno Is Boring also includes short written essays and notes from Avery and fellow DJ, writer and collaborator John Loveless, who also provides an introduction, appearing alongside guest contributions from friends and allies.

“I’m in the middle of something I can’t wake up from. And you’re part of it” - Ache Ultra Truth finds me in a very different place to where I’ve been before. My previous albums have all focused on the idea of music being an escape or a distraction from the world but that’s not the case this time. For me this album is about looking directly into the fire, not running away from it. There’s a way through but it involves keeping the important people in your life close to you and navigating the darkness together. This is an intentionally heavy and dense album, the edges frayed by flames. There are hooks but finding them all requires effort from the listener. I want to be incredibly clear that this is not a club album made by a DJ - I couldn’t feel further away from that description right now. I’m no longer dealing in a misty-eyed euphoria. Ultra Truth is a distorted fever dream of a record: noisy, determined and alive. 

David Lynch, Nine Inch Nails, Bjork, David Fincher, Silent Hill, Wu-Tang, Chris Cunningham, Nick Cave, PJ Harvey, Deftones, Portishead, Massive Attack, Silent Hill, Hype Williams, Smashing Pumpkins, Kid A….

There’s a running theme through all of these influences, something that could crudely described as futuristic gothic noir. It all has a dark, often aggressive edge to it but, importantly, it all has a certain swagger that I was so captivated by in my younger years. That’s where the power lies: it says “this is a leftfield corner of culture but there’s a place here for you here if you want it.” That’s what I felt as a teenager and something I’m carrying through with Ultra Truth. A walk through the darkness together. In every way possible, I’d like to position this album in the world of artists and bands, well away from nightclubs.

“Beyond the silent shadow Under the weight of a collapsing sky Close your eyes, and look to the light”

- Ultra Truth

This is the first time I’ve brought together so many people to join me on the journey and each guest plays a crucial role. I’ve always loved Marie Davidson’s punk approach so she was an obvious choice to open the album; Kelly Lee Owens returns, ten years after being the voice of Drone Logic and now a bona fide superstar in her own right; HAAi is an amazing friend and supernova artist whose beautiful singing voice I’m incredibly proud to feature twice on the record; Matty Healy is a figure I feel isn’t afraid to publicly look into the darkness himself, despite being a huge pop star; Sherelle is probably the most exciting DJ in the world right now and someone who does things entirely on her own terms; Jonnine is the singer from HTRK, one of my favourite bands of all time - having her on Only feels like a dream; James Massiah is a poet whose words feel like they shake the floor when spoken - I needed someone to finish the record with that weight; AK Paul is a soulful force of nature in the studio and the track Ache is just one of the things we’ve been working on; James Greenwood aka Ghost Culture has been my writing/studio partner for over ten years and I’ve always wanted to get his saxophone playing on a track; Manni Dee’s inimitable, burning touch can be felt on literally every second of the record as can that of mixing genius Marta Salogni. This is a collective effort throughout.

“The reprise of promise is here Fresh with broken haze Atop the Shadow Mountain Burns the fire of better days”

- Chaos Energy

STAFF COMMENTS

Barry says: 'Ultra Truth' takes all of Avery's melodic expertise and subverts it beneath a crashing wave of shuddering percussion and sidechained pads. It's like some of Alessandro Cortini's fractured synth gloom rubbed off on Avery after their superb collaborative LP from 2020, and it's a wonderful divergence. Uncompromising and wholly mesmerising.

TRACK LISTING

New Faith
Ultra Truth
Wall Of Sleep
The Slow Bullet
Devotion
Only
Spider
Near Perfect
Higher
Ache
Collapsing Sky
Lone Swordsman
Overflowing With Escape
Chaos Energy
Heavy Rain
Trip (vinyl Only)
Time Takes A While (cd Only)
Out Of Silence (cassette Only)

Love + Light arrives unexpectedly, following Avery’s recent collaborations with Alessandro Cortini on the critically acclaimed Illusion of Time LP (“a record that suggests Godspeed You! Black Emperor in drone mode, reimagining Music For Airports as if the runways were covered in gravel and air traffic control was on strike,” said Loud & Quiet, while Q hailed it “lush mood music to get lost in”) and alongside Roman Flügel under the alias of Noun. Avery’s previous solo album Song For Alpha was released in 2018 to similar acclaim.

Avery shares, “This record has been a real positive force of energy in my life, to the point where it almost formed itself in front of me. In that same spirit, I wanted to share it with you now, as soon as it was finished. As I started to collect the pieces together, it was apparent that the album would be split into two distinct halves but halves that were inexorably tied together. One could not have existed without the other. Music has always been a source of personal strength for me yet I remain fascinated by the power it can possess of its own volition. Releasing the record in this way, just a couple of weeks after the final note had fallen, felt like a decision made by an outside force yet one I agreed with entirely. Stay safe, friends and I’ll see you on the other side soon. DA xxx”

STAFF COMMENTS

Barry says: You only need to stop paying attention for a few short months (since Avery's stunning LP with Allesandro Cortini), and Daniel Avery surprises us with exactly the sound we need to bring us through the cold winter months. Glacial atmospherics mix perfectly with warm saturated synth lines and euphoric pads. Classic Avery and as ever, essential.

TRACK LISTING

CD
London Island
Dusting For Smoke
Dream Distortion
Katana
Darlinnn
Depth Wish
Searing Light, Forward
Motion
Infinite Future
After The Fire
Into The Arms Of Stillness
Fuzzwar
Pure Life
A Story In E5
One More Morning

LP
London Island
Dusting For Smoke
Depth Wish
Searing Light, Forward
Motion
Infinite Future
After The Fire
Into The Arms Of Stillness
Fuzwar
Pure Life
A Story In E5
One More Morning

With his now sold out, seated and socially distanced live show Together In Static set to take place at London’s recently restored Hackney Church on 29th May across two sittings, matinee and evening, Daniel Avery announces an 11-track album of the same name, comprised of music created exclusively for the performance.

The London-based artist and producer also announces a live stream from the church on 27th May, allowing more fans to experience the immersive performance of previously unheard music combined with the refined and creatively ambitious production Avery has become renowned for. ‘As with many things this past year, the project took on a power and a life of its own right in front of me,’ he explains. ‘The original idea was to simply play a couple of intimate gigs at Hackney Church during the last lockdown. I started to make music specifically for the shows yet, as plans continued to shift, I fell deeper into the waves. I considered a 12’ or an EP but by the time I came up for air, I realised I had a complete record I wanted to share. I feel it’s some of my best work and I’m gassed for you all to hear it.’

“Together in Static” comes almost a year to the day after Avery’s surprise third studio album “Love + Light”, released last June in the midst of the coronavirus crisis. Where his previous record was hailed by NME as ‘a heartfelt eulogy for the hedonism we’re missing this summer,’ hope and expectation course through the new album. There is joy in communion, and change is coming.

STAFF COMMENTS

Sil says: A live performance specially written and performed during the madness of the last 18 months gets a nice vinyl release for anyone who couldn't witness it live. I love Daniel Avery so this is a must-listen for me.

TRACK LISTING

Side A
Crystal Eyes
Yesterday Faded
Nowhere Sound
The Pursuit Of Joy
Fountain Of Peace

Side B
Together In Static
A Life That Is Your Own
Hazel And Gold
Endless Hours
The Midnight Sun

Renowned UK producer Daniel Avery and acclaimed experimental musician and Nine Inch Nails synth artist Alessandro Cortini release their debut full-length collaboration, ‘Illusion Of Time’, on Avery's long time home Phantasy Sound.

Beginning as a collaborative experiment before the pair had even met, Avery and Cortini then worked remotely and free of concept or deadline over several years. The result, finally completed when both artists were touring with Nine Inch Nails in 2018, is a quietly powerful album rooted in trust, process and experimentation.

“It was very much a shared process,” notes Avery. “I would like to credit Alessandro with his belief that music has a life of its own, as well as the importance he places on the first take... That even something that may be considered out-of-step by some should be respected. Some of the tracks were borne simply out of a tiny synth part, or a bit of tape hiss that we had recorded. And that approach taught me a lot. It’s a record that’s been worked on hard, but not laboured over.”

“I was a big fan of Daniel’s, and his work always spoke to me in a certain way,’’ explains Cortini. “Then, when we started working together, it just clicked. It’s very hard to explain, but I can always hear the love in his work, and that is true on this record. After our first collaboration, we just kept sending each other music and maintaining that dialogue. Next thing you know, we’re sitting in a hotel room in New York and had finished the record in three hours.”

TRACK LISTING

Sun
Illusion Of Time
CC Pad
Space Channel
Inside The Ruins
At First Sight
Interrupted By The Cloud of Light
Enter Exit
Water
Stills

Remixes from Chris Carter’s "Chemistry Lessons Volume One.1: Coursework" alongside a new piece - "Bongo Glow".

A work in progress at the time the album was completed, "Bongo Glow" was completed using the same processes as the rest of "CCCLV1", and it juusst about made the cut for the Japanese release date. But for you lucky listeners Mute have ensured its inclusion here. A slowly morphing, elasticated track with mangled, computerized vox, playful melodies and push-pull rhythms; it's deliciously quirky and textured and should appeal to both die hard electronica fans and lovers of leftfield pop.

The additional three reworkings included here were created without direct instruction as an experiment to see how they changed with input from external sources. Daniel Avery’s remix of "Usyring" is a slow building, mesmerizing industrial pounder which fits perfectly with the producer's current MO. 

Meanwhile The Radiophonic Workshop took "Blissters" and created a more experimental reworking exectued in their unique style and Chris Liebing gives "Tones Map" a brooding end-of-world type feel, adding his 'Slow Burn' remix technique.

TRACK LISTING

Bongo Glow
Uysring (Daniel Avery Remix)
Blissters (Radiophonic Workshop Remix)
Tones Map (Chris Liebing Burn Slow Remix)

Five years after his critically acclaimed debut Drone Logic, London-based producer Daniel Avery announces his highly anticipated second album Song For Alpha, set for release on March 9th 2018 through Phantasy. The album is preceded on January 19th by a 4-track limited edition 12” vinyl EP titled Slow Fade.

The new long player, on which the track ‘Slow Fade’ will appear, follows 2013’s incendiary debut Drone Logic. Upon its release the latter was called “A mesmerising debut" by Mixmag, “Exceptional” by the Times and "A benchmark for so many other dance albums to aspire to" by Dummy, while Pitchfork proclaimed “Avery owns this space.” “Underground dance music with this sort of ambition hasn’t been heard in quite a while", noted Resident Advisor, and Q hailed  "The arrival of a new left­field dance superstar."

In the years since, Avery has helmed a DJ-Kicks mix CD, resided over a monthly radio show for NTS Live, curated an extensive remix compilation and collaborated on a series of side-projects including a recent collaboration with Nine Inch Nails synth specialist Alessandro Cortini; he has toured relentlessly, cementing a reputation as one of the defining techno DJs of the decade. He has also worked studiously on what he wanted to say next as a producer. 

With newfound energy and time to develop, Avery’s sonic vocabulary has expanded. Here, the booming sound of the big room is brilliantly countered by the music of the small hours. Where celestial ambient lullabies ‘First Light’ and ‘Days From Now’ sit perfectly next to the mesmeric techno assault of ‘Diminuendo’ and ‘Sensation’; where both ‘Projector’ and ‘Clear’ evoke early rave records, only ones engulfed by waves of beautiful cyclonic distortion. William Basinski, Warp’s Artificial Intelligence, Brian Eno plus his own excursions with Alessandro Cortini all serve as touchstones for a record that sees Avery take his signature psychedelic-electronic sound to new dimensions, a sound that plays to the head as much as the body.

STAFF COMMENTS

Barry says: Delicately presented electroacoustic compositions, supported with a finely honed backbone of melodic suggestion and hypnotic rhythmic pulse, Avery once again proves he is one of the masters of his craft.

TRACK LISTING

First Light
Stereo L
Projector
TBW17
Sensation
Citizen // Nowhere
Clear
Diminuendo
Days From Now
Embers
Slow Fade
Glitter
Endnote
Quick Eternity

A Daniel Avery DJ mix pressed on white vinyl! Avery picks some cuts from Because Music, Phantasy Sound and Ed Banger and turns them into a continuous mix. We've only got  eight copies, so it's first come first served. One per person please!

TRACK LISTING

A1 Sebastian – Fauve (Prelude)
A2 Mr. Oizo & Gaspard Auge – Dump
A3 Charlotte Gainsbourg – Anna (Tom Furse Remix)
A4. Babe, Terror – A Capital Federal (Appleblim Remix)
A5. Charlotte Gainsbourg – Paradisco (Joakim's Paradisco Garage Remix)
A6. Amadou & Mariam – Ce N'est Pas Bon (DJ Aero Remix)
A7. Django Django – Default (Walls Remix)
AA1. Boys Noize & Erol Alkan – Lemonade (Justin Robertson's Deadstock 33s Remix)
AA2. Cassius – Les Enfants (Gessafelstein Remix)
AA3. Django Django – Waveforms (Wild Geese Remix)
AA4. Justice – Canon (Erol Alkan Rework)
AA5. Mickey Moonlight – Come On Humans! (Daniel Avery Remix)
AA6. Connan Mockasin – Faking Jazz Together (Michael Mayer Remix)
AA7. Metronomy – Everything Goes My Way (Ewan Pearson Dub)