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VAMPIRE WEEKEND

Vampire Weekend

Only God Was Above Us

    Only God Was Above Us is the fifth studio album from Vampire Weekend. The album is inspired by and infused with the essence of the band’s birthplace of New York City, though recorded all over the world, from New York to Los Angeles to London and Tokyo. The album was produced by Ezra Koenig, and longtime collaborator Ariel Rechtshaid. The album title is lifted directly from the album artwork, which is a photo taken from a Subway graveyard in New Jersey in 1988 by photographer Steven Siegel.

    Only God Was Above Us includes universal themes ranging from the urge to question the world in which we live, and the quest for peace that can only be found through acceptance. The album is equal parts as direct yet complex as anything the band has ever released, as beautiful and melodic as they’ve ever sounded but also at their grittiest.

    STAFF COMMENTS

    Barry says: There's something unmistakeable about the way Vampire Weekend form their songs, and it's been the case since they first burst onto the scene with their debut LP in 2008. 'Only God...' has all of the pitch-shifted guitar lines and rolling basslines of their early work with Koenig's vocals working away beautifully over the top, but there's a sense of a more mature songwriting drive, and results in possibly their greatest work yet.

    TRACK LISTING

    1. Ice Cream Piano
    2. Classical
    3. Capricorn
    4. Connect
    5. Prep-School Gangsters
    6. The Surfer
    7. Gen-X Cops
    8. Mary Boone
    9. Pravda
    10. Hope

    Vampire weekend return for their newest full-length since 2013's 'Modern Vampires Of The City', this time choosing to go further down the Americana route hinted at on their first LP. We kick things off with the acoustic-heavy duo of 'Hold You Now' and 'Harmony Hall', the former stripping back everything to vox and guitar, accentuated with airy vocal samples and lo-fi hissing only to bring in a choral accompaniment, knocking things into grand orchestral territory. The latter of the two flits between melodic piano and insistent percussion, all accentuated with perfectly phased vocals and flickering acoustic guitar. The technique of stripping things back only to bring it all back in is not a new idea, but the way it's handled here is beautifully done, with filter fades and instrumental shifts clearly highlighting the differing sections without resorting to the usual verse-chorus tropes. 

    Move things along a little and we get a bit of synthpop atmospherics ('Unbelievably White'), plaintive jazzy progressions ('My Mistake') and funky angular soul ('Sunflower'), whilst still retaining the underlying sound that makes Vampire Weekend unique. At the heart of things, we still have the same playful progressions and flickering momentum of their earlier work (along with that unmistakeable vocal style and harmonic accompaniment), but brought up to date with a more mature outlook and delicate balance between beautiful harmony and patchwork construction of sound. Brilliantly inventive and warmingly original, this is Vampire Weekend but brought into the present. 

    STAFF COMMENTS

    Barry says: Vampire Weekend have always stood out from the crowd with their own particular brand of dreamy melodic indie, characterised by rapid changes in direction and richly textured instrumental passages. What we have here is a classic distillation of their sound, spread across a hefty 18 tracks. It was well worth the wait.

    TRACK LISTING

    1. "Hold You Now"
    2. "Harmony Hall"
    3. "Bambina" 
    4. "This Life" 
    5. "Big Blue" 1:48
    6. "How Long?" 3:32
    7. "Unbearably White" 4:40
    8. "Rich Man" 2:29
    9. "Married In A Gold Rush" (featuring Danielle Haim) 3:42
    10. "My Mistake" 3:18
    11. "Sympathy" 3:46
    12. "Sunflower" (featuring Steve Lacy)  2:17
    13. "Flower Moon" (featuring Steve Lacy) 3:57
    14. "2021"  1:38
    15. "We Belong Together" (featuring Danielle Haim) 3:10
    16. "Stranger" 4:08
    17. "Spring Snow" 2:41
    18. "Jerusalem, New York, Berlin"

    Vampire Weekend

    Contra

      Some bands stay in a holding pattern their whole careers. Others jerk the steering wheel hard and fly off the road. On their second album, Vampire Weekend do neither. Or maybe they do both. “I think we sound more like Vampire Weekend than we did on the first record,” says drummer Christopher Tomson.

      "Contra" pulls off a series of impressive feats: It’s bustling with fresh ideas and yet it sounds immediately familiar; it’s heavily layered but taut and kinetic; it chews ravenously through sound palettes and rhythms, and yet it’s nimble and assured; it’s still breezy, and yet it smolders with a newfound emotional heft. “It’s sadder than the first one, a bit more sentimental,” says singer Ezra Koenig. The songs are catchy, fast, twinkling, clattering – the darker themes of loss, doubt and regret accumulate almost imperceptibly, but they land a powerful blow.


      TRACK LISTING

      1 Horchata
      2 White Sky
      3 Holiday
      4 California English
      5 Taxi Cab
      6 Run
      7 Cousins
      8 Giving Up The Gun
      9 Diplomat’s Son
      10 I Think Ur A Contra

      Vampire Weekend

      Vampire Weekend

        Dealing in genres the band have dubbed 'Cape Cod Kwassa Kwassa' and 'Upper West Side Soweto', Vampire Weekend is a breath of fresh air, both musically and lyrically, with this New York band endeavouring to make music that is anything but straight ahead rock. This is indie-rock that isn't indie-rock, a joyously exuberant carnival of melody and rhythm. Strings. Organs. Afro-funk guitars. Courtly 18th century harpsichord. A bit of post-punk (maybe Franz Ferdinand crossed with the Bhundu Boys?). Lyrics about grammar and architecture and preferred bus routes and the British Imperial origins of American preppie fashion. With fleet-footed pizzazz Vampire Weekend deploy all these to craft a tinglingly refreshing sound. Anyone for brainy party music?

        TRACK LISTING

        1 Mansard Roof
        2 Oxford Comma [Explicit]
        3 A-Punk
        4 Cape Cod Kwassa Kwassa [Explicit]
        5 M79
        6 Campus
        7 Bryn
        8 One (Blake's Got A New Face)
        9 I Stand Corrected
        10 Walcott [Explicit]
        11 The Kids Don't Stand A Chance


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