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    Recorded at the UK’s most remote studio in the Outer Hebrides, Less follows London slowcore band deathcrash's critically acclaimed 2022 album, Return with a statement in reduction that turns out to be as powerful and potent as it is tender and introspective.

    “The mission statement was to be super minimal,” says deathcrash singer Tiernan Banks. “Just simple and beautiful guitar parts and to be really bare. To be….less.”

    Swiftly following Return, the band initially had no plans to make a full length. “The last thing we felt like doing was making another album,” says bassist Patrick Fitzgerald. “It was like, ‘let's do this little EP that's aesthetically quite different and pared down’.” Less was always planned to be a statement in reduction but it soon became apparent that the songs the band were writing were significant, personal and, despite the intentions to strip things back, bigger. “As time went on, we started putting much more emotional weight into it and it became more important to us,” says Banks.

    The result is a record that is as powerful and potent as it is tender and introspective, with arrangements that manage to feel refined yet detailed and with a deep emotional resonance at the core of the record. Banks’ voice shifts from hushed whispers to guttural screams, one minute tapping into the kind of fragile beauty that artists like Elliott Smith managed so well, on tracks such as ‘Duffy’s’ before unleashing a doom metal growl in thundering unison with the band on ‘Empty Heavy’.


    Barry says: Effortlessly weaving together the brittle twinkling guitar of post-rock with crashing waves of distortion and cracked vocal musing, deathcrash have forged an album that's both disarming and hypnotic. Atonal progressions and uneven dynamic turns are offset beautifully with soft vocal harmonies and shining riffs.


    1. Pirouette
    2. Empty Heavy
    3. Duffy’s
    4. And Now I Am Lit
    5. Distance Song
    6. Turn
    7. Dead, Crashed


    Return - 2023 Repress

      “deathcrash’s Return is an embarrassment of musical riches that is only matched by the depth of evocations that haunt the record, its power both life-affirming and oddly absent, like a photo of a happier time that’s starting to fade. In its totality, Return feels like a keepsake for when the world truly ends” Loud and Quiet, 9/10 After selling 1000 copies in the first couple of months after its release, and after a slew of critical acclaim, deathcrash’s debut album ‘Return’ is back in stock. The re-press comes the same year as their second record ‘Less’ received broad support from Pitchfork, Brooklyn Vegan, Line of Best Fit and Loud & Quiet.

      First and foremost, deathcrash approached the task of putting together their debut album as music lovers. To all four members, a good album seemed to stamp out periods of their life, capturing a time, a feeling, a mood. This was their approach when trying to make whole two-years-worth of fragmented songwriting. Their songs may differ from each other in certain ways, but they manage to conjure similar feelings. ‘Return’ captures many of the difficult moments of the last couple years in the band members’ personal lives and yet, as a whole its complexity emerges as a beautiful and hopeful message. Amongst other things, writing the album was a cathartic process for the band, and so it can be for the listener too. The first parts of ‘Return’ came from quite a dark and jaded place. To get better can be a path marred by self-sabotage and a desire to hide. It can be easier to have no faith in something new, and rely on the comfort of an old feeling, even if it hurts. There is a reassurance in pain, a familiarity in its narrative. Return asks when things heal, where does the wound go? deathcrash recorded Return with their close friend and producer Ric James, who they’ve worked with since their early recordings. The album was recorded live, with an emphasis on dynamics, bringing together tense intimacy with atmospheric vastness. 


      American Metal
      Matt’s Song
      Wrestle With Jimmy
      Metro 1
      Was Living
      What To Do
      The Low Anthem

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