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TY SEGALL

Ty Segall

"Hello, Hi"

    The man in the tree has a guitar, he’s gonna sing. But the sun shining through the branches— are those rays yellow or hazy gray? What day is today? When are you not going to feel this way again? “Hello, Hi”: welcome in to a new room to play the styles and feels that lie under Ty Segall’s fingers, easing fresh air into acoustic space with an assortment of love songs flowering in righteous unconsciousness. Plaintive and wistful, but unafraid. Like rain washing away yesterday, “Hello, Hi” pushes open the door, inviting the new to pass through all the old shades and degrees of hot and cold. Dark paths turn off abruptly into absurd darkness, then wind back through the broken rocks, ecstatic again.

    Absurdity again. It happens everyday. “Hello, Hi” is expansively rendered by Ty, mostly by himself, at home. The isolation suits the songs: you’re only ever as “at home” as you are with yourself in the mirror. Ty’s acoustic and electric guitars and vocal harmonies layer self upon self, forming a spiny backbone for the album. Textures at once gentle and dissonant root the songs as they make their move: melodic arcs convulsing in doubt and bliss and rage. Busting out of the endless gridlock into open space, these spirits pass on through. “Hello, Hi”’s flickering awakening to this trip: the opening three tracks’ train of sweet and salty reflections, before the abrupt crunch of the title track electrifies the senses. Good morning’s turned to good mourning in nothing flat, but there’s still a way up from the doldrums, to try again. Why can’t it be just as simple as “Hello, Hi”? What to do with yourself when love triggers loathing? How many more times do you have to go back there again?

    Pulling at the scratchy wool threads of an old sweater favored for warmth, comfort, protection, rejection, denial, blindness etc, Ty Segall dives from a clear, open sky, down through the marine layer and the shimmering waves of all the years. Radiating from the same mind fields as Goodbye Bread and Sleeper, mixed with shard edges of contrast and contradiction from things like Freedom’s Goblin, Manipulator, and First Taste, “Hello, Hi” is Ty’s most relaxed and complete production to date, an ebb-and flow fusion of words and music offering abstraction and acceptance as it wrestles itself through a fucked-up time. Your life and what you make of it — throughout “Hello, Hi,” Ty Segall charts a passage through its enduring tangles honestly, with clarity and confusion.

    TRACK LISTING

    1. Good Morning
    2. Cement
    3. Over
    4. Hello, Hi
    5. Blue
    6. Looking At You
    7. Don't Lie
    8. Saturday Pt.1
    9. Saturday Pt.2
    10. Distraction

    Ty Segall

    Whirlybird (Original Motion Picture Soundtrack)

      Drag City grandly presents Whirlybird (Original Motion Picture Soundtrack), featuring all-new music by Ty Segall, created for Matt Yoka’s compelling new documentary.

      Released to great acclaim in Summer 2021, Whirlybird tells the story of Zoey Tur and Marika Gerrard, former partners and founders of the Los Angeles News Service, and deftly tracks their extraordinary and often-reckless pursuit of breaking news throughout the 80s and 90s — a time in which they pioneered the use of a helicopter to report on Los Angeles at its most chaotic, capturing historical moments like the 1992 riots and the O.J. Simpson slow speed pursuit.

      Through striking interviews and one-of-a-kind archival footage,Yoka’s documentary expertly tells the story of Zoey and Marika’s unraveling marriage as they singlehandededly changed broadcast news forever. These two arcs intertwine to create an electric view of the encroaching intensities of that era, when the 24-hour news cycle first rose up to dominate our national consciousness.

      Ty Segall has previously scored scenes and interstitial bits for film and video things here and there — but this is his first full-on feature film score, a work done in collaboration with the director, whose friendship and creative partnership with Ty has grown over a decade-plus of music videos and other projects. Working off notes and feels from Matt and responding to the images and story on screen, Ty crafted some of his most creative arrangements to date, using synth, drum machine, Wurlitzer keyboard, guitars, drums and percussion (plus saxes played by Mikal Cronin, who also cowrote the title track with Ty) to articulate a multitude of tones running through the film. For a shape-shifter like Ty, this apex of tone color is no mean feat, an achievement further highlighted by the full set of pieces. Rather than simply throw a bunch of songs-with-singing at the project, Ty’s score perfectly epitomizes the film’s ethos, providing an instrumental counterpart that dialogues with and helps frame the film’s provocative themes and images.

      As both Matt and Ty are natives to the Southern Californian milieu, particularly the era Whirlybird depicts, their collaboration involved a journey through their past. In realizing the music, they revisited their own Los Angeles awakenings, adding another personal layer to the deeply felt meditations and elegies sighted by the remarkable Whirlybird — now an equally thrilling counterpart to be experienced through the original soundtrack.

      TRACK LISTING

      1. Whirlybird
      2. First Date
      3. Los Angeles News Service
      4. Getting The Story
      5. Sky Duo
      6. Lawrence Welk III
      7. First Pursuit
      8. 1992
      9. High
      10. News Junkies
      11. Story Of The Century
      12. Whirly Suite
      13. Last Flight

      Ty Segall

      Sentimental Goblin EP

        It’s tough to keep up with garage rock’s wunderkind Ty Segall. Between his steady release schedule of LPs, raucous side projects like Fuzz and GØGGS, and collaborations with fellow songwriters Mikal Cronin and Tim Presley, it’s as if a season can’t pass without Segall dropping a new record. And that’s not even taking his cassettes, splits, and EPs into consideration. Fortunately, Segall’s bottomless well of creativity, production savvy, and boundless fascination with the various niches of the rock world makes every new release an occasion to celebrate. Suicide Squeeze Records is proud to offer the latest entry in Ty’s impressive canon with the Sentimental Goblin 7”. Side A features “Pan”, a fuzz-soaked proto-metal jam that links Beatles’ pioneering guitar dirge “I Want You (She’s So Heavy)” to later lurch classics by Sir Lord Baltimore and Pentagram. In true Segall fashion, he switches gears on side B and conjures the erudite pop appeal of T. Rex and Bowie with the lush glam rocker “Black Magick”. Suicide Squeeze Records is proud to release Sentimental Goblin to the world on March 17, 2017. 

        Burying 60s sing-alongs and dance crazes beneath waves of reverb and giddy thud, Ty Segall has carved out his own shelf in the San Francisco neo-psych garage alongside local compatriots and collaborators Sic Alps and Thee Oh Sees. After shattering the Bay Area underground as a frantic one-man band that was devoured by the local press, Segall has now given up the solo act for a three-piece group that destroys sonic and melodic boundaries with manic glee. This new live set-up is a better reflection of his studio work. As an exploration of the space between Cro-Magnon fuzz and atmospheric acoustic psych, "Lemons" is the natural next step after his celebrated self-titled 2008 debut on Castle Face.

        Ty Segall

        Harmonizer

          With Harmonizer, his first album in two years, Ty glides smoothly into unexpected territory, right where he likes to find himself! Responding to the challenge his new songs gave him: a synthtastic production redesign, Ty kicks back with bottom-heavy creativity, dialing up a wealth of guitar and keyboard settings to do the deed. Harmonizer is a glossy, barely-precedented sound for him, and truth, it enraptures the ear — but in Ty’s hands, the sound is also a tool that allows him to cut through dense undergrowth, making for some of his cleanest songs and starkest ideas to date. Harmonizer’s production model couches tightly-controlled beats in thick keyboard textures, with direct-input guitar signal whining and buzzing purposefully from left to right. The Freedom Band appear all over the record, but often one at a time, their contributions leaving a distinctive footprint on the proceedings wherever they appear. Operating in this airtight environment with an eye towards precision, feel, and explosive mass, Ty’s crafted a formidable listening encounter — and once you get between the lines, the need to know more grows more compelling with every song.

          The thing about closed doors is they need opening again, no matter what happens. You open them and then you can pass through them. And there’s light on the other side. That’s what this album is about.

          Bursting with transcendent energy, Harmonizer is an extension of the classic style of Emotional Mugger and Sleeper, revisiting the lonely days and loathsome nights of the alienated, grown-up-wrong soul, to make it all right in the end.

          TRACK LISTING

          Side A
          Learning
          Whisper
          Erased
          Harmonizer
          Pictures

          Side B
          Ride
          Waxman
          Play
          Feel Good
          Changing Contours

          Ty Segall

          Pig Man Lives, Volume 1: Demos 2007-2017

            WHAT. It’s almost 2020!? Face it, the last ten years or so have been a BLUR – so much shit going down, good and bad - and a lot of music too. It doesn’t look like its gonna get any easier for ANYBODY to get their bearing, so Ty Segall and Sea Note have gotten together a special box to help you reorient your head, no matter where you are.

            Yeah, this one’s for the freak, the fan, the head. Pig Man Lives is a stack of raw germs that were blown up in the world as Ty Segall releases over this last golden decade or so – specifically, the demos that bred Manipulator, Freedom’s Goblin, Emotional Mugger, Twins, Ty Segall, Slaughterhouse and Sleeper Each finished record had its own unique aim and intention, but when you hear tracks from 2007 next to 2015. then 2012 cutting in after 2017, the splatter allows you to hear the continuum of a whole body of work exploding over and over again in the burst of freedom that comes with the initial sketch of a song.

            Non-linear reorientation, taking you back and forward over the course of eight sides and 47 songs. There’s even a few that haven’t seen the light of day before. You’re bound to feel different after you’ve spent any kind of quality time with The Pig Man.

            Whether he’s recording alone at home or in a studio with the band, Ty’s goal in putting something on tape isn’t just to log the song, it’s to make a whole thing that’s rad. For some of these songs, further evolution brought even more out of them. And some are perfect this way, with rough edges and little details you’re not gonna believe you’ve lived without.

            As sure Pig Man Lives, you won’t have to anymore.

            TRACK LISTING

            Squealer
            Don’t You Want To Know
            The Magazine II
            Take Care (To Comb Your Hair)
            Mister Main
            Feel
            Green Belly
            Breakfast Eggs
            Manipulator
            Papers
            Freedom I
            My Lady’s On Fire
            Diversion
            Tall Man Skinny Lady
            Orange Color Queen
            Fanny Dog
            Meaning
            She Don’t Care
            The Fakir
            Untitled #6
            Who’s Producing You?
            Stick Around
            You’re The Doctor
            California Hills
            DAG8LR
            Warm Hands
            Break A Guitar 2
            Every1’s A Winner
            Candy Man
            Handglams
            It’s Over
            Golden One (Only One)
            Pan
            Alta
            The Singer
            The Hill
            Thank God For The Sinners
            Shoot You Up
            The Feels
            Connection
            Thank You Mr. K
            When Mommy Kills You
            She
            Slaughterhouse
            Sue Thumb
            Talkin’ About Yourself
            5 Ft. Tall

            It’s a year and a half since the release of Freedom’s Goblin. A winter of rain has buried the recent times of drought. Now voices from the garden cry of desire and disaster, but outside the gates, rebirth is happening.

            “Our salivating makes it all taste worse,” croons Ty Segall in the first salvo of First Taste. He’s talking about us: how we’re the masters of our own destiny, tellers of our own prophecy, makers of our own sickened choices. It’s a warning, but this time, the finger is pointing back at him too. He’s one with us.

            Contradictions are rife. First Taste is an introspective set after the extroversions of Freedom’s Goblin — yet just as steeped in party beats somehow, even as Ty trails through his back pages, reflecting on family, re-encountering pasts, anticipating futures. Feeling, like it was the first time, the duplexity of core truths. Lines of struggle wind through the songs. “My life is a mystery / I’d look inside but I can’t see,” as one goes — and yet, such promisingly oblique reflections act to unravel the onion, lifting the veil. Ty skates through oneness, self-esteem, the parents — all the joys of a rain-filled childhood — while reaching outward in the here and now, feeling for a shared pulse. To go on, we need to feel it.

            These are serious indoor moods, but with Ty, there’s a moment that always comes, a joke or something to crack the bubble and let some air in. It all comes together with volcanic energy — who knows what it means? One disaster ends another; mudslides down the hills into gaping canyons, freeways blocked, the sky filled with smoke. Then we go on.

            Meanwhile, the sounds — what are they? This production is INSANE, far-out, stranger than known, tones and rhythms that expand before our ears. These colors are weird. Together, they float like a flag, flashing binary lines like sirens to our eyes. There’s tons of drums, and acoustic . . . . things of all kinds. Horns, synth pads. Pianny. Boiling overtime, Ty’s creative juices suggested that First Taste be written and executed with some radical new instrumentation — koto, recorder, bouzouki, harmonizer, mandolin, saxophones and brass, voices, and sure, a sprinkling of keys. And the drumkit(S!), a position Ty occupies whenever it’s heard on the left speaker, while Freedom Band drummer (and SO much more) Charles Moothart plays the kit on the right side. Those two get DOWN together. Whatever the mood is, the pedal is pushed cleanly to the metal — and that means to the max of the lightest ballads ever, OR through the most raging rocks yet. Ty’s vocal prowess, always a highlight, sits in fresh relief against his mutant orchestra, spooling tension through some of his most patient songs, his feral scream in complete control. Taking us through it.

            First Taste is arch, full of high-energy jams, with a thing in each mix always insistently different. Ty’s song design’s all over the place — not even a surprise anymore — but unlike the freewheeling feast style of Freedom’s Goblin, these twelve numbers form a tightly revolving cycle of song and sound that focuses thoughts. First Taste isn’t really the first for Ty, or you or me. But for the latest, it’s a remarkably fresh taste. Maybe it’s the first for today — and when tomorrow is today, then too.

            STAFF COMMENTS

            Barry says: It's their first since last year's 'Freedom Goblin', and Ty Segall have once again pulled a stormer out of the bag (would it ever have gone any differently?). Incendiary, rawkous, ingenious and not unexpected in the slightest. One of the most confounding and reliable bands out there at the moment. Brilliant.

            TRACK LISTING

            1 Taste
            2 Whatever
            3 Ice Plant
            4 The Fall
            5 I Worship The Dog
            6 The Arms
            7 When I Met My Parents (Part 1)
            8 I Sing Them
            9 When I Met My Parents (Part 3)
            10 Radio
            11 Self Esteem
            12 Lone Cowboys

            Ty Segall & The Freedom Band

            Deforming Lobes - Live

              In 2018, Ty Segall’s Freedom’s Goblin hit with a watershed feeling. A feeling like, how much longer will rock albums like this even exist? An epic epoch double-LP that took the heroic arc of Ty’s populist masterpiece Manipulator and wadded it up into a much more aerodynamic (and harder-hitting) ball (or 20-sided D&D die), FG was also the continued work of the Freedom Band, Ty’s crew of choice since 2016. Storming the world playing songs from throughout his catalog in a series of ecstatic setlists, they sought freedom for themselves and the audience, even it if was just one night of emancipation from world’s numbing chill. Then they went and did it again the next night!

              An all analog production, recorded live on stage at Teragram Ballroom in Los Angeles by Steve Albini (via mobile unit onto two-inch tape!) and mixed with Steve in Chicago at Electrical Audio, Deforming Lobes witnesses the blunt-force traumpact of The Freedom Band in full effect, updating (and upending) numbers from Melted, Emotional Mugger, Twins, Manipulator, $ingle$ 2 and Self-Titled. From the start, the “Warm Hands” suite shows the growth of the group since recording the original version for the 2017 Self-Titled album—the jam has a new life all its own, and the band explores every song with similar unrestrained curiosity, never forgetting the collective experience they’re sharing. The feeling between audience and band at Los Angeles’ Teragram Ballroom on those January nights was its own special thing; here, the band is somehow even more front and center, making Deforming Lobes the first wholly original statement from The Freedom Band and bookending the Goblin experience with a fuck of an exclamation point.

              A year-plus later, another rock album exists—but what’s to be done with the guitar? These guys did everything they could get away with to a certain degree of (well-focused) depravity. Maybe now it’s time for a transition, away from live band rawk into whatever, who knows? But before you grieve your speculative future loss too hard, you really oughta get Deforming Lobes.

              STAFF COMMENTS

              Barry says: By all accounts, Ty Segall are one of the most dominant forces in live music around today, and this perfectly captures the energy and visceral heft of this momentous experience. Grooves are stretched out and worked around, turning a simple riff into a multi-layered tapestry, rich with distortion and so huge you can almost feel the sweat dripping off the stage.

              TRACK LISTING

              1 Warm Hands
              2 Squealer
              3 Breakfast Eggs
              4 The Crawler
              5 Finger
              6 They Told Me Too
              7 Cherry Red
              8 Love Fuzz

              Take a tour through Ty Segall’s musical psyche with his new solo album, Fudge Sandwich, a collection of Segall’s take on eleven songs that were originally done by other people. These aren’t just cover versions. Cover versions happen at weddings and high school band battles. The songs here are what happens when someone loves a song so much, they need to get inside it and let it propagate and transform into what it would have been if they had actually written it. Equal parts reverence and reimagination, this album shows Segall inhabiting the world of a song’s intent, filtering it through the muse that drove this year’s exceptional Freedom’s Goblin. Cluttered, passionate and inspired, the songs are barely recognizable, irresistible and by album’s end, present a cohesive collection that stands proudly alongside the best of Segall’s considerable output.

              Covers album includes songs by War, The Spencer Davis Group, John Lennon, Funkadelic, The Dils, Neil Young, Gong, Amon Düül, Rudimentary Peni, The Grateful Dead, and Sparks.

              STAFF COMMENTS

              Barry says: As you'd expect from Ty Segall, this is a fuzzed-out, head-bobbing collection of throbbing jams and screaming vocals, what you possibly wouldn't expect is it to be songs originally written by a number of the worlds greatest rock and / or roll bands, all given that familiar and comforting Segall twist. Brilliant re-imaginings of some stone-cold classics.

              TRACK LISTING

              1. Low Rider
              2. I’m A Man
              3. Isolation
              4. Hit It And Quit It
              5. Class War
              6. The Loner
              7. Pretty Miss Titty
              8. Archangel Thunderbird
              9. Rotten To The Core
              10. St. Stephen
              11. Slowboat

              Ty Segall & White Fence

              Joy

                Blonde and brunette. Dog and cat. Lemon and onion. Friend and foam. The change has been made! You can scratch your seven-year itch freely now: Ty Segall and White Fence are become one again, regrooving what we once called Hair into what is now Joy.

                Hair grew out of a simpler time, man! If, as the dyphrenic duo indeed affi rm on Joy, rock in 2018 is dead, don’t come around here looking for no burial. Instead, fi nd Joy caught up in the commencement of on-beyond rock; music made with the old tools, but emitted from a fresh new, single-celled organism. This time, the old “one and one make one” line does not apply. Hair had the quality of emulsion — drops of Segall suspended in Fence; a compound of White dispersed over sheets of Ty. With Joy, Tim and Ty arrive without travelling from the same place, occupy one single headspace, fi nishing the other’s phrases, pulling licks from each other’s places. Singing and thinking and laughing as one. Calling themselves from inside the house. C-c-c-creepy!

                Both these fellows have been known to trifl e with tropic pasts and reactivate vintage visions within their new music. Not now. Now is the only time this time — Joy is their own sound of today, a shared individuality, prisming all possible stances into an unseamly metastasis that FLOWS for 15 ebbcentric tracks. Plus, since it ends at the beginning, it never has to stop. LOOP that shit!

                STAFF COMMENTS

                Barry says: Ty Segall and White Fence bring it back for more of their collaborative journey through foggy psychedelia, simmering rock and roll and lysergic arm-swaying riffage. Yet another superb meeting of minds from these two top talents. Superb.

                TRACK LISTING

                1 Beginning
                2 Please Don't Leave This Town
                3 Room Connector
                4 Body Behavior
                5 Good Boy
                6 Hey Joel, Where You Going With That?
                7 Rock Flute
                8 A Nod
                9 Grin Without Smile
                10 Other Way
                11 Prettiest Dog
                12 Do Your Hair
                13 She Is Gold
                14 Tommy's Place
                15 My Friend

                Freedom’s Goblin is the new Ty Segall album: 19 tracks strong, filling four sides of vinyl nonstop, with an unrestricted sense of coming together to make an album. It wants you to get your head straight — but first, the process will make your head spin! Back in the Twins days, we talked about the schizophrenia of Ty’s outlook; today, it’s super-dual, with loads of realities all folding back on each other. On any given side, we’re tracking five or six full-blown personalities, unconcerned with convention or continuity.

                So drop the needle — who can say what it’ll sound like where it lands? This is Freedom’s Goblin — one track engendering, the next one oppressing, violence up in the mix — a look at everything around that Ty used to make the songs. What will you use it for when you listen? The songs came in the flow of the year: days of vomit and days of ecstasy and escape too, and days between. The rulebook may have been tossed, but Freedom’s Goblin is thick with deep songwriting resources, be it stomper, weeper, ballad, screamer, banger or funker-upper, all diverted into new Tydentities — each one marking a different impasse, like a flag whirling into a knot, exploding and burning on contact, in the name of love and loathing. Freedom’s Goblin wears a twisted production coat: tracks were cut all around, from L.A. to Chicago to Memphis, whether chilling at home or touring with the Freedom Band. Five studios were required to get all the sounds down, engineered by Steve Albini, F. Bermudez, Lawrence “Boo” Mitchell and of course, Ty himself.

                The goal was getting free, embracing any approach necessary to communicate new heights and depths, new places for the fuzz to land among octaving harmonies, dancefloor grooves, synths, saxes and horns, jams, post-Nicky-Hopkins r’n’b electric piano vibes, children-of-the-corn psycho-rebellions, old country waltzes and down-by-the-river shuffles. Basically, the free-est pop songs Ty’s ever put on tape. And one about his dog, too! We’re ALL Goblins and we ALL want our Freedom. The freedom to love or to be alone; to be pretty or pretty ugly; the freedom to turn the other cheek or to turn up the volume. And of course, the freedom to make just about any kind of song you think will free people when they hear it. But there’s that goblin of freedom too — and once you let it out of the bottle, it can fuck with you, so . . . take it or leave it. Go away or go all the way in. Live free and die! BUT be careful what you wish for . . . .

                TRACK LISTING

                1 Fanny Dog
                2 Rain
                3 Every 1’s A Winner
                4 Despoiler Of Cadaver
                5 When Mommy Kills You
                6 My Lady’s On Fire
                7 Alta
                8 Meaning
                9 Cry Cry Cry
                10 Shoot You Up
                11 You Say All The Nice Things
                12 The Last Waltz
                13 She
                14 Prison
                15 Talkin’ 3
                16 The Main Pretender
                17 I’m Free
                18 5 Ft. Tall
                19 And, Goodnight

                Life is a Rorschach, life is a Rashomon. Fuck your facts. Throw ‘em out with yesterday’s webpages. Lives lie beyond the equations of currency, border lines and government —  and truth is just a drop in the beholder’s eye.

                Ty Segall has made whole records that wrestle with realities — fighting against some, pulling mightily to bring others into being. Of late, he’s thrown up his hands and donned clown shoes, dancing merrily in the dual role of oppressed/oppressor! His hands aren’t any more or less dirty than anyone else’s — but amidst the thunder and the chaos of the ongoing storm, he’s looking for the eye within.

                The new self-titled record — the next record after Emotional Mugger, Manipulator, Sleeper, Twins, Goodbye Bread, Melted, Lemons, and the first self-titled album that started it up in the now-distant year of 2008 — is a clean flow, a wash of transparency falling into a world that needs to see a few things through clearly, to their logical end. It’s got some of the most lobe-blasting neckwork since the Ty Segall Band’s Slaughterhouse (from way back in the long, hot summer of 2012), but it also features a steep flight of fluent acoustic settings, as Ty’s new songs range around in their search for freedom without exorcism, flying the dark colors high up the pole in an act of simple self-reclamation. All he wants is some truth!

                The construction and destruction of his chosen realities has, until now, been a luxury Ty has rightfully reserved for himself, striping overdubs together to form the sound — but for this new album, he entered a studio backed by a full band — Emmett Kelly, Mikal Cronin, Charles Moothart and Ben Boye — to get a read on this so-called clarity. This leads to a new departure in group sound, as well as some of the most visceral and penetrating vocal passages yet heard from Ty Segall.

                “Freedom/Warm Hands” puts the “sweet” back into suite; “Orange Color Queen” is a supreme moment of tenderness; “Talkin’,” a roots-infused truth-attack. “Papers,” looks behind the doors of Ty’s process; “Break A Guitar” is a brutal fun-fest pitched to the back of the house. Ty Segall keeps you guessing, bracing your skin with a welcome astringency, seeking to stem the bleeding with chunks and splashes of guitar, tight beats, audio-verité toilet smashes, a Wurlitzer electric piano in a jam, blazing harmonies, and LOTS of songs to sing. There’s no concept beyond that; finding the right places to be is a momentary thing. Ty Segall is the sum of his songs — and about getting the free. The free to be!

                STAFF COMMENTS

                Barry says: Ty’s latest LP is more punky than sludgy, with more in common with early Pixies than his recent output. Driven, rocking and absolutely essential.

                TRACK LISTING

                1 Break A Guitar
                2 Freedom
                3 Warm Hands (Freedom Returned)
                4 Talkin'
                5 The Only One
                6 Thank You Mr. K
                7 Orange Color Queen
                8 Papers
                9 Take Care (To Comb Your Hair)
                10 Untitled

                From the press release for ‘Emotional Mugger’:
                “Get in the booth -
                punch in the number
                when they pick up
                don’t say a word
                just listen
                shout at the double
                from the damned
                from a dry throat
                dry eye chuckle
                insistent / elastic (but never plastic)
                thick / butt jump pierced by the kids
                sweet angel voice sinister (what are they thinking)
                guitars sliced with scribble
                graffiti sprawled across the hemispheres; stuttered, stunted, dual-mono machine dreams flashing sudden stereophobic and back again / two screens alone together squeezing shaking oozing metallic pool like brain blood, slowly draining away all mental life. shaking ass / nihility at most corrodes candy’s gone no more fun.”

                TRACK LISTING

                1. Squealer
                2. Californian Hills
                3. Emotional Mugger/Leopard Priestess
                4. Breakfast Eggs
                5. Diversion
                6. Baby Big Man (I Want A Mommy)
                7. Mandy Cream
                8. Candy Sam
                9. Squealer Two
                10. W.U.O.T.W.S.
                11. The Magazine

                You thought Ty Segall’s ‘Manipulator’ was the money album of the year? Think again. ‘Singles 2’ is here.

                ‘Singles 2’ sweeps out the ashes of the breakneck days (and nights) of 2011 - 2013 and burns down the house all over again in the process - but not by accident. ‘Singles 2’ slinks low and flat-out sprints behind the scenes of the ‘Goodbye Bread’ / ‘Twins’ / ‘Sleeper’ trilogy, collecting all the now-out-of print sides that totally work amazingly well together when placed back-to-back-to-back as an album.

                The super-deadly ‘Spiders’ single is spun again here in full, along with the epically pop B-sides for ‘I Can’t Feel It’, ‘The Hill’ and ‘Would You Be My Love’. Plus there are tracks for other righteous labels too like Permanent, Castleface and Famous Class.

                Covering The Groundhogs, the Velvets and GG Allin, Ty reps for a good array of punk godheads too. Between the covers and the originals, ‘Singles 2’ is also a run through the SF 388 scene circa 2010 - 2013, with various local heroes like King Riff, Mike Donovan and Ty himself at the board.

                ‘Singles 2’ is really about the rush of getting a single for the A-side and then finding a total sunshine jewel like ‘Children Of Paul’ or ‘Mother Lemonade’ on the flip. Or a stone-solid jam on a classic like the complete retooling of ‘Femme Fatale’ or the Mackay-style sax bleatings of ‘Fucked Up Motherfucker’.

                Closing the album with the seemingly unlikely (‘Music For A Film’) and the seemingly inevitable (‘Pettin The Dog’, a mighty hardcore slamming of the lid) cleanses the palate for... what? Another spin, probably! Singles 2 has been designed to withstand obsessive flipping.

                TRACK LISTING

                Spiders
                Hand Glams
                Cherry Red
                Falling Hair
                Children Of Paul
                It’s A Problem
                Mother Lemonade
                For Those Who Weep
                Fucked Up Motherfucker
                Femme Fatale
                Music For A Film
                Pettin The Dog

                Five short years into the Ty Segall expedition and we’re farther and farther out with each and every record. Between two minds, between two places, beyond previous album ‘Twins’, ‘Sleeper’ envisions a world of haves and have-nots, but the currency that separates them is psychic.

                With ‘Sleeper’, Ty Segall explores your mind, coming through his own head to slip inside with thought sharing. Ty engineered this one from beginning to end, and his ultimate sonics were accessed with a freaky hand and an instinct for what makes something perfect. ‘Sleeper’ flows more colours through your mind’s eye than ever before, pushing the walls of the universe out just a micron further, making everything heavier and lighter all at once, to allow for one moment that will live forever.

                STAFF COMMENTS

                Andy says: Cracked, slightly fried, acoustic psych...a glorious departure for this most prolific artist. His best yet?

                TRACK LISTING

                Sleeper
                The Keepers
                Crazy
                The Man Man
                She Don’t Care
                Come Outside
                6th Street
                Sweet C.C.
                Queen Lullabye
                The West


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