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Clark

In Camera

    Clark has expanded his score for Naqqash Khalid’s award-winning debut feature film ‘In Camera’, into a mesmerising new album. Containing timeless synth instrumentals like ‘Running Dreams’, a bittersweet cover of the Carpenters / Sonic Youth classic ‘Superstar’, and the first single, epic, rising builder ‘Green Breaking’, it’s a deeply rewarding listen.

    Further honing his experiments in sound as subconscious vernacular, Clark’ original score was created in close collaboration with director Naqqash Khalid, whereby music and picture become an inextricable whole. Evoking the modern malaise, thematically ‘In Camera’ fits perfectly alongside Clark’s last two albums ‘Playground In A Lake’ and ‘Sus Dog’, also marking a new addition to his formidable canon of soundtracks.

    “I knew from the outset I wanted to work with an artist and have the soundtrack not be something that acts in support of the film, not as an aid or crutch, but be this whole new layer of writing – a layer of storytelling that is in a dialogue and dance with the images and characters on-screen, and going further. So much of making a film is about articulating something inarticulate in collaboration with other people; You’re building something with someone where there are no words – and in doing so, in going on a shared journey together, you invent your own language. This soundtrack feels like another character – like an extension of the film’s atmosphere and interiority, Chris has drawn out something that felt like it’d always been lurking, waiting, under the surface of the film.” Naqqash Khalid

    “I loved how precise Naqqash wanted everything to be. Precise but also extremely keen to hear suggestions and not flinch at curveballs. The palette needs to become laser focused through a period of free play and experimentation. Using my vocals but abstracted in a way that tonally matched the film was the most unique challenge. I was going to just include the cues, which are all on there, but got far too into recording new stuff that fitted the tone and emotion of the film. The record has a very distinct colour/feel. It’s drenched in muted joy/dark euphoria.” Clark 

    TRACK LISTING

    1. Green Wash
    2. Green Breaking
    3. Superstar
    4. Bleeding Building
    5. Running Dreams
    6. It's 450
    7. Probe
    8. Bo
    9. Head Phone Hospital
    10. Sensual Dismay
    11. Aden Murmur
    12. Captive Bliss
    13. Vending Machine/Portal
    14. Non Specific Interview
    15. Tangent Cloak 1
    16. Tangent Cloak 2
    17. Exhausted
    18. Green Blood
    19. Blue Blood
    20. Blood

    Clark

    Sus Dog

      Ex-Warp artist Clark recruits none other than Thom Yorke as Exec Producer for his first album on his label centred on his own singing. It combines his trademark searing synth melodies and beats with vocal hooks.

      Thom says "the way he approached it all wasn't the usual singer songwriter guff thank god; it mirrored the way he approached all his composition and recording, but this time it had a human face. His face." Chris says "I kept on thinking what would it sound like if The Beach Boys took MDMA and made a rave record".

      STAFF COMMENTS

      Barry says: Chris Clarke has been slowly morphing his finely detailed productions from the thumping technoid excursions of the early days into the thoughtful, brittle ambient electronica we hear today. While there are still moments of fiery drive, it's a much more crystalline and focused end result, placing more emphasis on the quieter parts, and the silence between the notes than his (still) impeccable priduction aesthetic.

      TRACK LISTING

      1. Alyosha
      2. Town Crank
      3. Sus Dog (feat. Anika)
      4. Clutch Pearlers
      5. Over Empty Streets
      6. Wedding
      7. Forest
      8. Dolgoch Tap
      9. Bully
      10. Dismissive
      11. Medicine (feat. Thom Yorke)
      12. Ladder


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