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STEVE MASON

Steve Mason

About The Light

    Having written most of his previous albums alone, About The Light marks a change in approach for Steve.

    “I decided with this album that I wanted to get my live band involved at every stage because I wanted to capture the energy that we produce when we play live shows, so this time the band and myself worked on a collection of songs over the course of last year,” he explains.

    Picking Stephen Street to produce the album, and with a very clear plan in mind, from the off the goal was to capture the songs live and draw out their soulful elements.

    Talking about the process, Stephen Street says, “Steve explained that he wanted to make this album with his band playing more ‘live’ than on some of his previous offerings and also to augment the songs with brass and female backing vocalists. I felt this approach of first stripping back the songs to a more ‘live’ feel to create more space for the more ‘soulful’ elements to breathe in was an interesting one and we got down to work!”

    Recorded at studios in London and Brighton, About The Light, sees a subtle yet noticeable evolution in Steve’s sound.

    “When I listen to this album it feels and sounds like the first ‘legitimate’ record that I have ever made. It’s hard to explain but it sounds like a ‘real’ album. I think that is partly the production, the playing and the work that I did with the band for all those months in our rehearsal room on the South Coast,” says Steve.

    “It’s a beautiful, confident, positive, angry, loving and gentle album which once again moves what I do forward,” he adds. “David Bowie said that you should always be slightly out of your comfort zone if you want to achieve greatness, and for the first time perhaps ever, I deliberately pushed myself into that place. Who doesn’t want greatness?”

    FORMAT INFORMATION

    Coloured LP Info: Limited indies exclusive silver vinyl edition.

    Written at home by Mason, the tracks were then rehearsed in Brighton with touring band mates Steve Duffield and Greg Nielson, before being recorded with Elbow keyboardist and producer Craig Potter at Blueprint Studios in Salford. Recorded in the studios ‘big room’, an ex-factory space with floor to ceiling windows, the album took shape during a smooth and enjoyable six weeks in the early summer of 2015.

    Following from his ‘double political concept album’ ‘Monkey Minds In The Devil’s Time’ this album is a move towards a more simple ethic; ‘an album where each song is a separate entity, where there is no great narrative running through it.’

    ‘Meet The Humans’ is shot through with a sense of renewal following Steve’s recent move to Brighton, swinging musically across dance, pop, folk, dub, and deep house influences. It’s a record which repeatedly returns to core themes, the possibility of others to redeem the self, the opportunity of change for the better in the individual, the joy of life and the world we inhabit, it’s arguably the most complete and direct of Steve’s long discography - eleven personal stories combined into one positive and proper whole, the sweep of the human condition written large and full of love and hope and joy.


    STAFF COMMENTS

    Andy says: The funky ex Beta Band maestro returns with a buoyant encapsulation of all that is good in his groovesome world. The lush production and airy vibes make this pretty close to a pop record, but as ever, there's always the melancholy in the melody for Mr. Mason. However, certain tracks on here take us right back to those glorious baggy days of 1989, which I always thought was Steve's musical template. Combining these with the more introspective moments make this possibly the best album of his career so far. Inspirational.


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