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DOUBLE SIX

"Volume One" introduces a boy and girl choir making music the old-fashioned way: by hand and with as few machines as humanly possible. The She & Him story begins when in 2006 when renowned one man band M. Ward, recorded a duet with a girl named Zooey Deschanel. A delightful recording session, the experience led to a dialogue between the two about collaborating further. This, in turn, led to Deschanel admitting to secretly making dozens of home demos and hoarding them like acorns for the winter. Realising that if songs were acorns then this was indeed her wintertime, Deschanel sent the recordings to Ward and the demos became the basis for their first record, entitled "Volume One". Aiming to achieve the warmth and charm of pop and country records from the early and mid twentieth century, Ward, who also produced the record, and Deschanel, who wrote most of the music, called upon the help of a number of extraordinary musicians including: Rachel Blumberg, Adam Selzer, Mike Coykendall, Tom Hagerman, Peter Broderick, Mike Mogis, and Paul Brainerd.

All We Are

Providence

    ‘Providence’, released on Double Six, is All We Are’s most euphoric and propulsive work to date, underpinned with a warmth that runs through everything the Liverpool-based trio do. With ‘Providence’, All We Are have created an album celebrating the universal virtues of love, loss, sex, friendship and dance.

    Ireland’s Richard O’Flynn (drums), Norway’s Guro Gikling (bass) and Brazil’s Luis Santos (guitar), recorded their third record in Liverpool in a retired school building. Where its predecessor had been clouded by anxieties, manifesting in drone-indebted guitars and a dark heaviness, ‘Providence’ lands with a lighter touch aided by working with producer Dave McCracken (Depeche Mode, dEUS).

    Offering respite from the gloom, the album’s driving force is the power of music to heal, no matter what your beliefs or worries.

    TRACK LISTING

    1. Providence
    2. Heart Of Mine
    3. Not Your Man
    4. L Is For Lose
    5. Beauty In Loss
    6. When You Cry
    7. How You Get Me
    8. Elegy
    9. Bad Advice
    10. Deliver It

    Having written most of his previous albums alone, About The Light marks a change in approach for Steve.

    “I decided with this album that I wanted to get my live band involved at every stage because I wanted to capture the energy that we produce when we play live shows, so this time the band and myself worked on a collection of songs over the course of last year,” he explains.

    Picking Stephen Street to produce the album, and with a very clear plan in mind, from the off the goal was to capture the songs live and draw out their soulful elements.

    Talking about the process, Stephen Street says, “Steve explained that he wanted to make this album with his band playing more ‘live’ than on some of his previous offerings and also to augment the songs with brass and female backing vocalists. I felt this approach of first stripping back the songs to a more ‘live’ feel to create more space for the more ‘soulful’ elements to breathe in was an interesting one and we got down to work!”

    Recorded at studios in London and Brighton, About The Light, sees a subtle yet noticeable evolution in Steve’s sound.

    “When I listen to this album it feels and sounds like the first ‘legitimate’ record that I have ever made. It’s hard to explain but it sounds like a ‘real’ album. I think that is partly the production, the playing and the work that I did with the band for all those months in our rehearsal room on the South Coast,” says Steve.

    “It’s a beautiful, confident, positive, angry, loving and gentle album which once again moves what I do forward,” he adds. “David Bowie said that you should always be slightly out of your comfort zone if you want to achieve greatness, and for the first time perhaps ever, I deliberately pushed myself into that place. Who doesn’t want greatness?”

    STAFF COMMENTS

    Laura says: Wearing his heart on his sleeve both emotionally and politically, the former Beta Band front man brings us his best and most direct album to date. As ever he dabbles with different genres, be it folky ballads, melodica tinged dub, Stones-ey southern Soul or big hook filled pop songs, but this time around, more than ever, he’s managed to meld everything into a cohesive, uplifting whole.

    TRACK LISTING

    1. America Is Your Boyfriend
    2. Rocket
    3. No Clue
    4. About The Light
    5. Fox On The Rooftop
    6. Stars Around My Heart
    7. Spanish Brigade
    8. Don’t Know Where
    9. Walking Away From Love
    10. The End

    George FitzGerald

    All That Must Be

      Double Six and Domino Records present ‘All That Must Be’, the second full length album from George FitzGerald. It features collaborations with Lil Silva, Hudson Scott, Bonobo and Tracey Thorne.

      ‘All That Must Be’ is a record with its psychological roots in two cities - Berlin and London. It documents a period of time when FitzGerald’s decade-long stint in the German capital came to an abrupt end, seeing him back in his hometown of London and becoming a father for the first time. It was against this backdrop that ‘All That Must Be’ started to form and the result is a record that deals with the processes of upheaval, change, acceptance and renewal that affect us all.

      TRACK LISTING

      Two Moons Under
      Frieda
      Burns
      Roll Back (+ Lil Silva)
      Siren Calls
      Nobody But You (+ Hudson Scott)
      Outgrown (+ Bonobo)
      Half-Light (Night Version) (+ Tracey Thorn)
      The Echo Forgets
      Passing Trains

      All We Are

      Sunny Hills

      All We Are are Guro Gikling from Norway (vocals, bass), Luis Santos from Brazil (guitars) and Richard O’Flynn from Ireland (drums/vocals). It hasn’t escaped them that the world seems to be spiraling into a period of darkness and through their music; they want to say it’s ok not to belong and it’s ok to feel different.

      The resulting Sunny Hills is an irresistibly danceable, dark yet uplifting record about what it means to be alive right now and the power of friendship and togetherness in a world intent on driving us apart.

      The artwork echoes this sentiment, the band explain “it shows an old house sandwiched between two large buildings under development. The woman who owned the house refused to sell to a number of developers including Donald Trump. She resisted for years while the developers even bought the space above the house. She finally won the case and stayed there for a further decade until her death. Before that, she watched Donald Trump’s casino fail and close its doors. There is a feeling of powerful resistance in this story that we relate to along with a real sense of defiance and eventual victory against a bigger power.”

      Whilst political, Sunny Hills also documents the emotional rollercoaster the three-piece have been on in the past two years. Their adopted city Liverpool affected the album as well, it’s “an immigrant city with a proud history of welcoming everyone” they state, it’s also a singularly radical and resistant city and the band see a parallel between today’s climate of alienation and fear and the era of Thatcher.

      Political, poetic, danceable and affirming - for all the proud citizens of nowhere, All We Are give you Sunny Hills.

      TRACK LISTING

      1. Burn It All Out
      2. Human
      3. Animal
      4. Dance
      5. Down
      6. Dreamer
      7. Youth
      8. Waiting
      9. Punch

      Written at home by Mason, the tracks were then rehearsed in Brighton with touring band mates Steve Duffield and Greg Nielson, before being recorded with Elbow keyboardist and producer Craig Potter at Blueprint Studios in Salford. Recorded in the studios ‘big room’, an ex-factory space with floor to ceiling windows, the album took shape during a smooth and enjoyable six weeks in the early summer of 2015.

      Following from his ‘double political concept album’ ‘Monkey Minds In The Devil’s Time’ this album is a move towards a more simple ethic; ‘an album where each song is a separate entity, where there is no great narrative running through it.’

      ‘Meet The Humans’ is shot through with a sense of renewal following Steve’s recent move to Brighton, swinging musically across dance, pop, folk, dub, and deep house influences. It’s a record which repeatedly returns to core themes, the possibility of others to redeem the self, the opportunity of change for the better in the individual, the joy of life and the world we inhabit, it’s arguably the most complete and direct of Steve’s long discography - eleven personal stories combined into one positive and proper whole, the sweep of the human condition written large and full of love and hope and joy.


      STAFF COMMENTS

      Andy says: The funky ex Beta Band maestro returns with a buoyant encapsulation of all that is good in his groovesome world. The lush production and airy vibes make this pretty close to a pop record, but as ever, there's always the melancholy in the melody for Mr. Mason. However, certain tracks on here take us right back to those glorious baggy days of 1989, which I always thought was Steve's musical template. Combining these with the more introspective moments make this possibly the best album of his career so far. Inspirational.

      TRACK LISTING

      1. Water Bored
      2. Alive
      3. Alright
      4. Another Day
      5. Ran Away
      6. To A Door
      7. Hardly Go Through
      8. Through My Window
      9. Planet Sizes
      10. Like Water
      11. Words In My Head

      Spiritualized

      Sweet Heart Sweet Light

        “When you make a record, it has to be the single most important thing in your world. This time around, I wanted to do something that encompassed all I love in rock ‘n roll music. It’s got everything from Brotzmann and Berry right through to Dennis and Brian Wilson. I’m obsessed with music and the way you put it together and I don’t believe there are any rules.” - J. Spaceman.

        Recorded during the past two years, in Wales, LA and Reykjavik, and mixed in his own home, 'Sweet Heart Sweet Light' will be Spiritualized’s seventh studio album. The last was a concert album recorded at Radio City Music Hall, where Spiritualized rendered the ’97 game changer 'Ladies And Gentlemen We Are Floating In Space' in full.

        STAFF COMMENTS

        Andy says: If you were feeling as weary as Jason Pierce occasionally sounds, on what is basically his seventh solo LP, then you may be forgiven for thinking... oh here we go again: death, drugs, destruction and Jesus!? That is, if his usual lyrical world wasn't married to his best collection of songs since the almighty "Ladies and Gentleman" LP of 1997. Apparently it was the revisiting and touring of that record, in 2009, coupled with a serious liver ailment that made Jason decide that anything he now put out would have to reach those standards. Yes he's wracked with pain (and this is genuine; his voice is now so cracked, weak even, soulful!) but there's glory and majesty in the music. "Little Girl" and "Too Late" would be massive radio hits in an alternative universe, whilst "So Long You Pretty Things" is , for me, the greatest thing he's ever done.

        TRACK LISTING

        01. Huh? (Intro)
        02. Hey Jane
        03. Little Girl
        04. Get What You Deserve
        05. Too Late
        06. Headin' For The Top Now
        07. Freedom
        08. I Am What I Am
        09. Mary
        10. Life Is A Problem
        11. So Long You Pretty Things


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