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DOUBLE SIX

"Volume One" introduces a boy and girl choir making music the old-fashioned way: by hand and with as few machines as humanly possible. The She & Him story begins when in 2006 when renowned one man band M. Ward, recorded a duet with a girl named Zooey Deschanel. A delightful recording session, the experience led to a dialogue between the two about collaborating further. This, in turn, led to Deschanel admitting to secretly making dozens of home demos and hoarding them like acorns for the winter. Realising that if songs were acorns then this was indeed her wintertime, Deschanel sent the recordings to Ward and the demos became the basis for their first record, entitled "Volume One". Aiming to achieve the warmth and charm of pop and country records from the early and mid twentieth century, Ward, who also produced the record, and Deschanel, who wrote most of the music, called upon the help of a number of extraordinary musicians including: Rachel Blumberg, Adam Selzer, Mike Coykendall, Tom Hagerman, Peter Broderick, Mike Mogis, and Paul Brainerd.

FORMAT INFORMATION

CD Info: Presented here on CD with jewelcase packaging.

George FitzGerald

All That Must Be

    Double Six and Domino Records present ‘All That Must Be’, the second full length album from George FitzGerald. It features collaborations with Lil Silva, Hudson Scott, Bonobo and Tracey Thorne.

    ‘All That Must Be’ is a record with its psychological roots in two cities - Berlin and London. It documents a period of time when FitzGerald’s decade-long stint in the German capital came to an abrupt end, seeing him back in his hometown of London and becoming a father for the first time. It was against this backdrop that ‘All That Must Be’ started to form and the result is a record that deals with the processes of upheaval, change, acceptance and renewal that affect us all.

    All We Are

    Sunny Hills

    All We Are are Guro Gikling from Norway (vocals, bass), Luis Santos from Brazil (guitars) and Richard O’Flynn from Ireland (drums/vocals). It hasn’t escaped them that the world seems to be spiraling into a period of darkness and through their music; they want to say it’s ok not to belong and it’s ok to feel different.

    The resulting Sunny Hills is an irresistibly danceable, dark yet uplifting record about what it means to be alive right now and the power of friendship and togetherness in a world intent on driving us apart.

    The artwork echoes this sentiment, the band explain “it shows an old house sandwiched between two large buildings under development. The woman who owned the house refused to sell to a number of developers including Donald Trump. She resisted for years while the developers even bought the space above the house. She finally won the case and stayed there for a further decade until her death. Before that, she watched Donald Trump’s casino fail and close its doors. There is a feeling of powerful resistance in this story that we relate to along with a real sense of defiance and eventual victory against a bigger power.”

    Whilst political, Sunny Hills also documents the emotional rollercoaster the three-piece have been on in the past two years. Their adopted city Liverpool affected the album as well, it’s “an immigrant city with a proud history of welcoming everyone” they state, it’s also a singularly radical and resistant city and the band see a parallel between today’s climate of alienation and fear and the era of Thatcher.

    Political, poetic, danceable and affirming - for all the proud citizens of nowhere, All We Are give you Sunny Hills.

    Written at home by Mason, the tracks were then rehearsed in Brighton with touring band mates Steve Duffield and Greg Nielson, before being recorded with Elbow keyboardist and producer Craig Potter at Blueprint Studios in Salford. Recorded in the studios ‘big room’, an ex-factory space with floor to ceiling windows, the album took shape during a smooth and enjoyable six weeks in the early summer of 2015.

    Following from his ‘double political concept album’ ‘Monkey Minds In The Devil’s Time’ this album is a move towards a more simple ethic; ‘an album where each song is a separate entity, where there is no great narrative running through it.’

    ‘Meet The Humans’ is shot through with a sense of renewal following Steve’s recent move to Brighton, swinging musically across dance, pop, folk, dub, and deep house influences. It’s a record which repeatedly returns to core themes, the possibility of others to redeem the self, the opportunity of change for the better in the individual, the joy of life and the world we inhabit, it’s arguably the most complete and direct of Steve’s long discography - eleven personal stories combined into one positive and proper whole, the sweep of the human condition written large and full of love and hope and joy.


    STAFF COMMENTS

    Andy says: The funky ex Beta Band maestro returns with a buoyant encapsulation of all that is good in his groovesome world. The lush production and airy vibes make this pretty close to a pop record, but as ever, there's always the melancholy in the melody for Mr. Mason. However, certain tracks on here take us right back to those glorious baggy days of 1989, which I always thought was Steve's musical template. Combining these with the more introspective moments make this possibly the best album of his career so far. Inspirational.

    FORMAT INFORMATION

    LP includes MP3 Download Code.

    ‘Fading Love’ is the debut album from British DJ and producer George FitzGerald and was recorded and produced both in London and George’s Berlin studio.

    FitzGerald made his name DJing on the world’s most prestigious club and festival stages and has also held a residency at Radio 1 for the past two years. He's also released records on labels such as Aus Music, Hotflush and Hypercolour as well as his own ManMakeMusic imprint. 

    ‘Fading Love’ offers deep tech-house tracks that would work equally well (if not better) at home as in a club. Mid-tempo rhythms, nods to EDM in the synths, nods to synthwave in the treated and filtered emotive vocals combine to create a smooth ride.

    “Slot it next to the kind of cerebral, intimate electronic music of Caribou and Jon Hopkins.” - Stereogum 

    FORMAT INFORMATION

    LP includes MP3 Download Code.

    Cole Williams is the Child of Lov, with the 'Lov' standing for 'Light, Oxygen and Voltage', which touches on the cosmic nature of COV's soul sound. On this, his debut album, he heads back to the future as both modern soul man and funk revivalist. The album was recorded at Damon Albarn’s studio 13 in London and features contributions from Albarn, Erykah Badu / Flying Lotus bassist Thundercat and DOOM, and features artwork designed by The Child of Lov himself.

    With treated and slurred soul vocals woven into layered synth textures and riding hip hop / dubstep beats, the Child of Lov comes across like Gnarles Barkley remade by Jamie Lidell on a heafty amount of barbiturates. Synthwave soul for the post-dubstep massive.


    “When you make a record, it has to be the single most important thing in your world. This time around, I wanted to do something that encompassed all I love in rock ‘n roll music. It’s got everything from Brotzmann and Berry right through to Dennis and Brian Wilson. I’m obsessed with music and the way you put it together and I don’t believe there are any rules.” - J. Spaceman.

    Recorded during the past two years, in Wales, LA and Reykjavik, and mixed in his own home, 'Sweet Heart Sweet Light' will be Spiritualized’s seventh studio album. The last was a concert album recorded at Radio City Music Hall, where Spiritualized rendered the ’97 game changer 'Ladies And Gentlemen We Are Floating In Space' in full.

    STAFF COMMENTS

    Andy says: If you were feeling as weary as Jason Pierce occasionally sounds, on what is basically his seventh solo LP, then you may be forgiven for thinking... oh here we go again: death, drugs, destruction and Jesus!? That is, if his usual lyrical world wasn't married to his best collection of songs since the almighty "Ladies and Gentleman" LP of 1997. Apparently it was the revisiting and touring of that record, in 2009, coupled with a serious liver ailment that made Jason decide that anything he now put out would have to reach those standards. Yes he's wracked with pain (and this is genuine; his voice is now so cracked, weak even, soulful!) but there's glory and majesty in the music. "Little Girl" and "Too Late" would be massive radio hits in an alternative universe, whilst "So Long You Pretty Things" is , for me, the greatest thing he's ever done.

    Threatmantics

    Big Man

    Double Six release "Big Man", the first single to be taken from Threatmantics' forthcoming album, "Upbeat Love". For those new to the three-piece, Threatmantics are a rock and roll band from Cardiff. However, they are not quite like other rock and roll bands. This is mainly and probably due to their lead guitar being a viola and their drummer and keyboardist being the same person. At the same time. Featuring distorted vocals from lead singer (and viola player) Heddwyn Davies, loud scuzzy guitars from Ceri Mitchell and lusty drumming from Huw Davies, "Big Man" is a three minute disjointed foot-stomping corker.

    White Williams is Joe Williams – a 24-year old who spent his teenage years within the arson-prone Cleveland DIY scene. The past few years have seen White Williams tour with Gregg Gillis' Girl Talk and Dan Deacon, and gradually gravitate from noise to electronica with a strong hint of pop. Since he started releasing his own music on Tigerbeat6 in the US, he has become something of an underground cult hero across blog sites and US press alike. White Williams is one of America's hottest rising stars, having won over the heavily influential blog world early in his career, and press and online in the US alike.


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