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RIOT SEASON

Cover of The Animals Are Coming by Black Helium.

Black Helium

The Animals Are Coming

Riot Season

    With this, their fourth album Black Helium find themselves widening the parameters of their take on heavy psychedelic rock, with probably their most baked and hook-laden material to date.

    From the no-safety-net freak out of ‘Return the Curse’, to the sawtooth groove of ‘Up on a Hill’, ‘The Animals Are Coming’ LP is Black Helium at their most exploratory and focused.

    Recorded one sun-drenched week in late June 2024, this time at Axe and Trap Studios with Ben Turner (Hey Colossus, Part Chimp). ‘The Animals Are Coming’ is the band sweating it out in a room, fueled by “party foods “and vintage amps. Digging deeper towards the source, no matter how transcendent, no matter how dark.

    Black Helium are a psychedelic power trio, based in London. Never afraid to stray from the beaten path, they traverse aural hallucinatory soundscapes; from detuned Neanderthal rock to deep oceans of introspective blissed out psychedelia.

    The band consistently gig across the UK (including a two week tour with Japanese label mates Hibushibire late 2024), and have recently started ventures into mainland Europe. And plan to continue throughout 2025.


    TRACK LISTING

    A1. Return The Curse (11:44)
    A2. Saviour Destroyer (6:23)
    A3. Worm Vision (4:00)
    B1. They Have Bodies (6:27)
    B2. On A Hill (4:37)
    B3. Inside The Horror Mask (10:11)

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    Cover of Children In The Darkness by Dope Purple.

    Dope Purple

    Children In The Darkness

    Riot Season

      Psychedelic rock in the dark!

      Dope Purple's new album 'Children In The Darkness’ was recorded when the band hosted a live midnight recording session at Revolver, Taipei City, Taiwan on Friday 3rd March 2023.

      Amidst the tense silence of the middle of the night, the five members of Dope Purple, two guest musicians: saxophonist Yong Yandsen from Malaysia, British drummer Darren Moore from Singapore, and a familiar audience, came together to produce the album 'Children In The Darkness’.

      The album is a ferocious space psychedelic rock, no starlight, no glamourous psychedelic paradise, just a meditative journey of infinite darkness and ear-splitting tinnitus. Unlike our last album, I didn't have a specific theme or idea for this album, however I named it 'Children In The Darkness’ because all the songs on this album share the same lonely, disorientating chaos that reminds me of children forgotten in the darkness, and Dope Purple has always been a messenger for those children, playing sedative music for their ghosts.

      At the end of each performance, I can clearly feel my furious brain melting away and only the calming spirit remains in my body.


      TRACK LISTING

      A. New Psyche & Beyond The Body (23:33)
      B1. Night Flying (14:18)
      B2. Children In The Darkness (11:09)

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      Cover of An Orphan Form by Ivan The Tolerable.

      Ivan The Tolerable

      An Orphan Form

      Riot Season

        Following his two sold out releases ‘Vertigo’ & ‘Water Music’ on Riot Season last year, the ever prolific Ivan The Tolerable returns with ‘An Orphan Form’
        A beautifully strange and immersive suite that feels both otherworldly and rooted in something organic. Drawing on kosmische drift, loose-limbed jazz, and warped psychedelic textures, the record moves like a half-remembered dream.

        Field recordings and nature sounds weave in and out, grounding the swirling synths and off-kilter rhythms in real earth and air. It's a record that doesn’t follow a straight line, but instead wanders, curious, alive, and quietly spellbinding.

        Recorded in winter 2024 in Middlesbrough, UK and Utrecht, Netherlands.

        Oli Heffernan: bass/guitars/synths/drones/field recordings/electric piano
        Mees Siderius: drums/percussion/vibraphone
        Elsa Van Der Linden: saxophones/flutes

        Sleeve design by Ack! Ack! Ack!


        TRACK LISTING

        A. Three Shafts Of Light (16:55)
        B. Cut Pale White Line (15:52)

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        Cover of Die Underground by Over-Gain Optimal Death.

        Over-Gain Optimal Death

        Die Underground

        Riot Season

          Die Young, Die Broke. A new mantra for the most depraved connoisseurs of Psychedelic Punk. For fans of Mainliner, Brainbombs, Les Rallizes Denudes, Stooges, Motörhead, MC5 ...

          A critique and embrace of self-destruction, esoteric vanity and inevitable ruin. The molten-red LP on Riot Season Records plunges deep into an abuse of distortion, existential doom and primal Stooges-like chaos. LA’s Acid Punk Power Trio returns to its mark 1 line up, now wielding a second addition in twin-drum assault
          OVER-GAIN OPTIMAL DEATH are :Jasso : Guitar/ Vocals, Luna : Bass, Backhaus + TJ : Twin Drums

          Jasso (guitar/vocals) is seemingly out for blood on this 4 track studio album, leading a violent dive into the abyss, Japanese Underground fury meets Hendrix’s wreckage, fuzz-drenched wah freak-outs compete against raw punk vocals caught in an endless slap back delay…

          OVER-GAIN OPTIMAL DEATH are an Acid Punk power trio formed in 2008 hailing from Los Angeles, and now currently hiding out somewhere in the South of France.
          Fronted by guitarist/ vocalist Jasso (Psychedelic Speed Freaks, Antarcticans), they push a special niche product of blown-out extreme psychedelic noise rock. Their sound is enveloped in a total nihilist

          "No Hope" atmosphere of heavy lyrics and distortion, mating intoxicating pulsing repetition, hyperactive improvisations and out of body guitar solos.

          Resurrecting US 60s punk and acid-riffage from the likes of Blue Cheer, the Stooges, MC5 and live Hendrix Experience, OVER-GAIN OPTIMAL DEATH also draws greatly on the in-the-red sound aesthetic and high energy of the Speed Freak Underground and Hardcore scene of 80s/90s Japan. 


          TRACK LISTING

          A1. Die Underground (5:49)
          A2. No Lord (10:28)
          B1. Oversleep (4:56)
          B2. Fallen Woman (14:07)

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          Cover of Mantra Of Love - 2024 Reissue by Acid Mothers Temple & The Melting Paraiso U.F.O..

          Acid Mothers Temple & The Melting Paraiso U.F.O.

          Mantra Of Love - 2024 Reissue

          Riot Season

            Continuing our quest to get all of the classic early AMT albums released on vinyl, we turn to 2004’s 'Mantra Of Love’, and with the help of Makoto Kawabata’s studio wizardry, we’ve made it possible.

            This latest instalment in the ‘Acid Mothers Temple Vinyl Archives - First Time On Vinyl’ series (as with the three previous SOLD OUT releases in the series) have all been meticulously put together with the help of Makoto Kawabata with the original CD artwork recreated for these vinyl editions from archive photos stored in the vaults at the Acid Mothers Temple in Osaka, Japan and the original audio remastered by James Plotkin.


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            Cover of Creep Call by LOUSE.

            LOUSE

            Creep Call

            Riot Season

              More brutal sounds from the thriving UK scum/noise rock underground.

              LOUSE: purveyors of the finest cellar-dweller scum rock since 2020; a disgusting cocktail comprised of 4 parts Foot Hair (Box Records) and 2 parts The Shits (Rocket Recordings), served over a capsized cruise-liner.

              Described as wielding “damp and sticky instruments”, being “rotten from the inside” and sonically “stinking drunk, shirtless with no shoes, crawling around in your head”, LOUSE gleefully pummel one riff into oblivion, deranged howls & punishing buzzsaw guitars growl over driving disco beats and slide bass. A carnival in an open sewer.

              Creep Call – LOUSE’s debut LP, after various tapes, live recordings and a split 10” lathe cut with The Shits – is a true statement of intent. Presented by the magnificent Riot Season, the record is the result of a (wasted) life’s work honing and toning the platonic ideal of single-riff noise rock, all wrapped up in a grindhouse, Giallo-flick package.

              Briefly elevated from the basement, Creep Call was recorded with James Atkinson at The Station House Studio in 2023 and mastered by S. Bishop, so the carnage has never sounded better. Perfectly balanced ugliness drenched in feedback, pumped up with Stooges keys and sax (honk honk) - the closest thing to experiencing the deafening, goofy, beer-soaked-undergarment chaos of a LOUSE show first hand.

              Creep Call features wholesome ruminations on perpetual home invasion, road-side pornography addiction, perfecting a cannibalistic diet, and an unmistakable cowboy/line-dancing anthem. Do the wrong thing, and answer the call. 


              TRACK LISTING

              A1. Worm
              A2. Suffer
              A3. Material
              A4. You Don't Eat The Bull
              A5. Phrogging
              B1. Wishlist - Slave Morality
              B2. Camel Blue
              B3. Wet Work
              B4. The Good Life

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              Cover of Musiikki 3 by MAHTI.

              MAHTI

              Musiikki 3

              Riot Season

                They’re back! This time the Finnish seers Mahti venture even deeper into the unknown on their third release Musiikki 3, assisted by the creativity of English musicians Richard Dawson and Sally Pilkington.

                The music reaches for space and roots at the same time bringing forth Mr. Dawson's earthy guitars and angelic voice while Ms. Pilkington weaves ethereal layerings with her synths and joins occasionally the choir.

                Hannu Saha conjures ancient Karelian spirits with his kantele while Muumu, Lehtibabba and Mätky mesmerize the listener with their unique mix of electro, rock and noise.

                The end result is an album full of Musiikki unlike you've never heard before!

                “These ancient musicians played their ‘mahti’… and the sound they produced was called ‘musiikki’”

                Hannu Saha - string kanteles ,Tomi Leppänen - sequencer/drum brain/synthesizers , Jussi Lehtisalo - noise/vocals, Teemu Elo - guitar/synthesizers, Richard Dawson - guitar/vocals , Sally Pilkington - keyboards/vocals



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                Cover of O-Mandroid by O-Mandroid.

                O-Mandroid

                O-Mandroid

                Riot Season

                  O-Mandroid is Kawabata Makoto’s new trio with the Acid Mothers Temple drummer Satoshima Nani (voice, drums, sampler) and bassist Hamachang from a Kobe based post punk band BLONDnewHALF

                  All music and words were improvised though, the sound is like composed psychedelic & progressive rock / late 70’s - early 80’s post punk / Japanese underground experimental, etc.

                  Kawabata Makoto : guitar, synthesizer, voice
                  Satoshima Nani : drums, synthersizer, voice
                  Hamachang : bass, voice


                  TRACK LISTING

                  1. Proto Sapiens (7:09)
                  2. Stone Age Second Stage (11:29)
                  3. Cyborg Primitive (6:33)
                  4. Cannibal Bag (13:07)

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                  Cover of Psychedelic Scum Freaks by Dope Purple & Bei San Q Nan.

                  Dope Purple & Bei San Q Nan

                  Psychedelic Scum Freaks

                  Riot Season

                    Ultra limited edition release from Taiwan’s psych-rock heroes Dope Purple, joined here by fellow Taipei resident, noise musician Bei San Q Nan.

                    “Dope Purple's most ferocious noise psychedelic live album with a whole lot of harsh noise and amphetamines added to the music of "Grateful End".

                    Recorded in September 2018. Taipei's noise musician Bei San Q Nan joined Dope Purple to begin the album with over 10 minutes of harsh noise and continued to bring the noise psychedelic tinnitus hell”

                    This double vinyl set includes the remastered version of the cassette album, in addition to a super-heavyweight drone song recorded in 2022.

                    One for the die-hards.


                    TRACK LISTING

                    A. Curse / The Last Day Of Humanity (20:58)
                    B. C Chord / C.R.I.N.D (13:54)
                    C. Your Evilness / D.P.H. (18:18)
                    D. The Last Waltz (21:32)

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                    Cover of Luna To Phobos by Modoki.

                    Modoki

                    Luna To Phobos

                    Riot Season

                      For fans of scuzzed out space punk rock n roll, Stooges, Gong, Hillage, Skullflower, Japanese psych rock.

                      Quick return from the Japanese/UK power trio MODOKI with album number two, 'Luna To Phobos'

                      Composed around the same time as their sold out debut ‘Atom Sphere’. However, this incarnation explores the darker shades of psychedelia & experimentation.

                      WHO ARE MODOKI ?
                      Mitsuru Tabata, Japanese underground rock guitarist, vocalist and composer (Zeni Geva, Leningrad Blues Machine, Boredoms, 20 Guilders, Green Flames, Acid Mothers Temple & The Cosmic Inferno)

                      Mike Vest (BONG, 11Paranoias, Drunk In Hell, Blown out, Lush Worker, Downtime, Neutraliser)

                      Dave Sneddon (Gruel, Threads, Flat Earth Records)

                      ‘Second album from this prolific outfit, this album explores further into psychedelic realms, elements of twisted Steve Hillage, MC5, Skullflower and Gong' 

                      TRACK LISTING

                      A1. Sick Starliners (3:02)
                      A2. Mud River (4:09)
                      A3. Those Disruptors (5:29)
                      A4. Luna To Phobos (5:30)
                      B1. Non Telepaths (3:23)
                      B2. Multiplied From The Old Days (2:53)
                      B3. Benefit Of Control (3:20)
                      B4. Zenith (8:18)

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                      Cover of The Imprecation Of Anima by Codex Serafini.

                      Codex Serafini

                      The Imprecation Of Anima

                      Riot Season

                        For fans of psych rock, space rock, psych-prog, noise rock etc.

                        Their journey started a long time ago, some say on Saturn, some say in the subconscious of the human psyche, coming out in different manners through the ages, channelled by mystics, witch doctors, shamans, free thinkers, free spirits. But we do know that what has become Codex Serafini travelled here from their home world on Enceladus in 2019 and crash landed into the music scene of Sussex.

                        Invoking many styles of psychedelic rock from the recent human musical history to open the minds of their human audience to the other world, and higher plane.

                        After releasing two EP’s, ‘Serpents of Enceladus’ in 2020 and ‘Invisible Landscape’ in 2021 Codex Serafini embarked on their most immersive journey so far creating what would become ‘The Imprecation Of Anima’ an exploration of the self, the duality of the human existence. The album is heavy, much heavier than their previous output and the albums longest song, ‘Animus in Decay’ is longer than either of the bands previous EP’s.

                        It snakes and weaves an epic motif through the wilderness of the sometimes barren lands of the unconsciousness, focusing the mind with it’s almost heavy metal mantra and using this to open up the third eye to the realisation of our mortal existence. The whole album is a pilgrimage into one's inner self and its relationship with its own shadow in its truest form, two parts coming together as a whole.

                        TRACK LISTING

                        1. Manzareck’s Secret (9:40)
                        2. Mujer Espiritu (15:33)
                        3. I Am Sorrow, I Am Lust (3:02)
                        4. Animus In Decay (17:15)

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                        Cover of Musiikki 1 by MAHTI.

                        MAHTI

                        Musiikki 1

                        Riot Season

                          Mahti are a Finnish four-piece group presenting a unique mixture of ambient-rock, electronic music and traditional Finnish-Karelian music.

                          Lengthy semi-improvisational pieces are built on top of complex, hypnotic grooves which are layered with opaque guitars and strangely soothing noise elements. In the heart of it all there's kantele, an ancient Finnish string instrument played by Hannu Saha, who has studied Finnish folk music in theory and practice for nearly five decades.

                          The other players are Jussi Lehtisalo and Tomi Leppänen, who also form the rhythmic core of avant-rock group Circle, and psychiatrist Teemu Elo.

                          Strange dreams guaranteed!

                          Mahti are : Hannu Saha , Jussi Lehtisalo, Tomi Leppänen, Teemu Elo

                          “These ancient musicians played their ‘mahti’… and the sound they produced was called ‘musiikki’”.

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                          Cover of Falling Floors by Falling Floors.

                          Falling Floors

                          Falling Floors

                          Riot Season

                            Falling Floors is a psych-rock three piece, formed in the pandemic out of a desire for distraction from dark times and an unending stream of shit news (seriously, what the fuck is going on?) There’s no master plan, no grand ambition, no product-market fit, just a shared love of 60s psych, 70s rock, and the fearless, genre-less experimentation of Krautrock and early prog to get us through.

                            Riding the trans-Pennine underground (up the hill and out of the crags, down there, you know?), you can hear magical sounds coming out of the Valley. On a cold and wet Calderdale winter, the band recorded their self-titled first album, DIY, live, in two days in Hebden Bridge. Rawness not perfection and feel over finesse were the aims. This album, a trans-Atlantic joint release by Riot Season (UK) and Echodelick (US), lives by slips, fuck-ups, and simple, joyous expression.

                            Falling Floors is Rob Herian (ex-feral stoner rockers Early Mammal) on guitar and vocals, Harry Wheeler (no ravers The Family Elan) on bass and keys, and Colin Greenwood (ex-shoegaze folk rockers No Sorrows) on drums. It’s no one’s project, and no one’s in charge. But there’s enough in common to keep it honest.


                            TRACK LISTING

                            A1. Infinite Switch (8:05)
                            A2. Interlude 1 (Making A Scene) (0:58)
                            A3. Ridiculous Man (4:41)
                            A4. Interlude 2 (Negotiations) (1:16)
                            A5. Flawed Theme (4:50)
                            A6. Interlude 3 (Going Quietly) (2:00)
                            B. Elusive And Unstable Nature Of Truth (18:48)

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                            Cover of Mummise Guns by Mummise Guns.

                            Mummise Guns

                            Mummise Guns

                            Riot Season

                              "I don't remember now"

                              It's hard to say how Mummise Guns actually came to be a thing. What is certain is that Tracy Bellaries and Matt Ridout had shared a flat for a while and were often speaking about forming a group to have an outlet for some music that Tracy had written, but above and beyond that initial idea the rest is slightly hazy, or perhaps murky is the better word.

                              Also very much a fact rather than a fiction is that the name was cooked up at Supernormal Festival in 2016 when Pigs Pigs Pigs Pigs Pigs Pigs Pigs bassist Johnny Hedley uttered the phrase 'Look at these guns, Mummise Guns' when everyone was hanging around a tree swing (this sounds like we're making it up now, but honest it happened, we think). Tracy and Matt immediately adopted it despite protestations that it was a completely daft thing to do. Thus, the band Mummise Guns was born.

                              Where, why and how the rest of the group got involved is not 100% clear, but the initial lineup of Tracy, Matt, Adam, Cleaver and Al prepped three of Tracy's songs and three of Matt's into something solid enough to record by early 2017 and the band dropped into Wayne Adam's (Petbrick, Big Lad) Bear Bites Horse Studios in East London to track their debut self-titled LP Mummise Guns (Riot Season REPOSE094LP), with Al and Adam adding further recordings at Pigs Pigs Pigs Pigs Pigs Pigs Pigs guitarist Sam Grant's Blank Studios in Newcastle.

                              After that, it's safe to say things got busy. Pigs Pigs Pigs Pigs Pigs Pigs Pigs took over the airwaves with a series of incredible LP's on Rocket Recordings, Luminous Bodies wrote and recorded an absolute belter of a second album for Box Records, Casual Nun dropped a couple of full-length smashers and a split with Bruxa Maria on Box Records and Hominid Sounds, Ghold released a killer LP on Crypt of the Wizard, and Black Shape and Michael both dropped some classics on Hominid Sounds and Cracked Ankles respectively.

                              Yet, throughout all of this intense activity, the Mummise Guns LP lurked in the shadows like a malevolent beast just waiting for the right moment. That moment was early 2019 when everyone regrouped at Bear Bites Horse, including new addition Gordon Watson, for some final overdubs and mixing. And here it is, 2020, and the proof of all this hard graft is finally available to you.

                              So here are six tracks of noise-fuelled amphetamine that is perfect to drive all the right people from your house and attract all the wrong ones in.

                              Play LOUD.


                              TRACK LISTING

                              A1 Flattened Earth
                              A2 Glitter Balls
                              A3 Forever Triggered Forever
                              B1 Bipolar Brain Transmitter
                              B2 Dog Cocked
                              B3 End Of Days

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                              Cover of Psych Is Dead by The Cosmic Dead.

                              The Cosmic Dead

                              Psych Is Dead

                              Riot Season

                                Scotland's favourite space-psych-rock-gods return with a new album 'Psych Is Dead' before heading out on a lengthy UK/European tour including appearances at all the key genre festivals such as Safe As Milk, Wrong Fest, DesertFest, Raw Power Festival and Karma Fest.

                                Formed in 2010, The Cosmic Dead are a quartet from Glasgow, Scotland who share their music through good vibes and better vibrations. Known for their improv, chaos strewn, Buckfast smashed against the wall take on space music, they have roamed from Roadburn to Las Vegas, Dundee to Bangalore with each album offering a meditative window into a certain time and space.

                                'Psych Is Dead' is the sixth full length album from the band, the glowing embers of a a few days spent recording in a sweaty Sardinian kitchen overlooking the Mediterranean Sea. Soon to be available on LP and CD via Riot Season Records, 'Psych Is Dead' is an aural exploration of their tumultuous universe.

                                STAFF COMMENTS

                                Barry says: Cosmic Dead have once again opened our minds with an expansive and hazy vision of reality. Chugging guitars and swirling synths mix with thunderous drums and all-round heavy vibes. It's a wonder their hearing is still ok with riffs like this going down.

                                TRACK LISTING

                                A. Nuraghe (21:54)
                                B1. Psych Is Dead (8:23)
                                B2. #FW (15: 28)

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