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ONE LITTLE INDEPENDENT

Bad Breeding

Human Capital

    Bad Breeding, the Stevenage-based hardcore-punk foursome, call for solidarity in their fourth album ‘Human Capital’, a pointed and brutal display of aggression steeped in political awareness, out on July 8th via One Little Independent Records and Iron Lung Records in the US. Across twelve merciless tracks they attack Conservative meritocracy and the exploitative forces of late capitalism with a cacophony of blistering guitars and thunderous drums played with an intensity that refuses to abate. 

    TRACK LISTING

    Side A
    1. Community
    2. Joyride
    3. Prescription
    4. Misdirection
    5. Arc Eye
    6. Human Capital
    Side B
    1. Nostalgia Trip
    2. Red Flag Rising
    3. Death March
    4. Speculation
    5. Straw Men
    6. Rebuilding

    Kathryn Williams

    Night Drives

      Singer, songwriter, novelist, and painter Kathryn Williams is proud to announce her new album ‘Night Drives’. The collection explores a more filmic sound, with a larger ensemble of instrumentation, particular emphasis on the strings and production from Ed Harcourt. It’s out on July 15th via One Little Independent Records.

      Journeying from leftfield contemporary pop to soft acoustics, Kathryn Williams uses her latest LP to explore a variety of fresh ideas driven, in part, by a host of collaborators. Kirsty Logan, Oystein Greni, Romeo Stodart, Matt Deighton, Simon Edwards, Yvette Williams, Neill Maccoll, Andy Bruce, Ida Wenoe, Joel Sarakula, Emily Barker and John Alder all have credits on various tracks across ‘Night Drives’. Kathryn explains “I’ve been releasing music for 24 years now. That fact blows me away, and things have changed so much over those years. The biggest change has been my love of co-writing and writing for other artists. This began when I first went on a writing retreat with Chris Difford forming close friendships and working relationships that are represented here”.

      Her first official album since ‘Hypoxia’ in 2015, ‘Night Drives’ opens with some of Kathryn’s most immediately electronic tracks to date, the nihilistic ‘Human’, big ballad ‘Answer In The Dark’ with all it’s bold, layered production, and the dynamic, infectious ‘Radioactive’. Elsewhere on the likes of ‘Moon Karaoke’, ‘Magnets’ and ‘The Brightest’, a more cinematic sound is explored; slowly unravelling stories backed by delicate acoustics and elated, emotive string pieces. ‘Put The Needle On The Record’ and joint closers ‘Starry Heavens’ and ‘I Am Rich In All That I’ve Lost’ are relaxed and fall into the more traditional world of folk inspired melancholia. Kathryn’s inimitable charm colours the whole album with emotion and affection – occasionally brooding, always likable.

      Discussing some of the themes explored she says “Some of it is questioning who we are, realising that being human is about flaws, humility, and the consequences of how we react to others. It can be about the longevity of a long-term relationship, how to keep the fire burning and to celebrate that. So many love songs are about the first moments, but this is about enduring love. The simple things that fill a day and how our dreams and wants are so separate to the daily grind. The final track is a philosophical musing on loss and gain in life. How by living a long life we will lose so much, but that in itself is riches”.

      The classic references that Kathryn draws from, particularly that of fellow Liverpudlians The Beatles, are clear in ‘Night Drives’, which plays like a road-trip through her styles and influences. It recalls visions of a British countryside lightly illuminated by the flicker of passing lampposts and the endless, rolling landscapes beyond them. These are intelligent, self-aware tracks, with Kathryn’s unmistakable writing backed with beautifully arranged, natural compositions.

      “I am really proud of this record. Also really scared of putting it out into the world after such a long time” she continues, “I can say that because it’s not just down to me. It’s because of the musical family I have around me that keeps me safe, makes me better, is there for the times when I think I can’t go on. It’s about realising that by sharing things creatively, they can be better and it’s not about showing people how great you are. It’s about making the songs the best they can be and trusting people with that. I’ve been on OLI records since 2010. In that time, they have put out 8 albums as well as the anthology box set. Their belief in me and ongoing support has been nothing short of a miracle. They’ve happily allowed me to do side projects, collaborations, write novels, teach. They’ve encouraged me to make my art and include it on releases. Having the label, Ed Harcourt and the other artists who I work with believe in me has helped me believe in myself and want to be what they think I am.”

      Kathryn Williams is often described as “a songwriter’s songwriter”, her timeless and searching work has earned her accolades, critical acclaim, and a loyal fan-base. In this new musical world when we talk about an artist’s body of work, we tend to think of a handful of records stretched out across of a handful of years, if we’re lucky. A changing industry and a focus on immediacy has done little to alter such notions, which makes Kathryn Williams something of an anomaly – releasing 12 full-length albums under her own name since her debut LP, ‘Dog Leap Stairs’, released in 1999.

      As impressive a stat as that might be, it does little to capture the true magic of Williams work; the enchanting craft that has grown and expanded as she’s moved from one project to the next, from the breakthrough success of her Mercury Prize nominated ‘Little Black Numbers’ all the way to her Sylvia Plath tribute project 'Hypoxia' and last year’s Christmas album ‘Midnight Chorus’, written with Dame Carol Ann Duffy.

      While her best-known work is characterised by rich and honest songwriting inspired by the greats, Williams has continually been able to evolve as an artist because she’s always looked outside of such boundaries. She continues to listen and learn while, at the same time, writing with a fiery spirit and a sense of adventure that has never once wilted. 


      TRACK LISTING

      Side A
      Human
      Answer In The Dark
      Chime Like A Bell
      Radioactive
      The Me For You
      Moon Karaoke
      Side B
      Night Drive To The Lake
      Put The Needle On The Record
      Magnets
      The Brightest
      Starry Heavens
      I Am Rich In All That I’ve Lost

      Dan Sartain

      Arise, Dan Sartain, Arise

        ‘Arise, Dan Sartain, Arise’, the latest studio album by America’s infamous rock ‘n’ roll troubadour Dan Sartain, will be released by One Little Independent Records. Made up of thirteen wickedly wisecracking, vintage surf-rock bangers, this concise and classic record incorporates everything that’s made Dan Sartain the genres favourite underdog over the last two decades.
        Seeped in obsidian black humour with tracks like ‘Glasses Houses’, ‘Rooster In The Henhouse’ and ‘I Heard Laughing’ ruthlessly calling out those who would slight him while also riding the hard line of self-awareness, the biting witticism of these tracks pair wonderfully with the playful tone of Sartain’s slick-back dark doo-wop.

        Elsewhere on the likes of ‘True Love’ and ‘Fires and Floods’ the crooner gets a chance to flex his punk muscles, pushing the guitars further into distorted territory taking the late 50s garage-rock influence via the late 70s in much the same way The Ramones and The Damned did. But we’re transported right back again when Sartain slows down for ballad standouts such as ‘Kisses In The Morning’ and ‘Personal Injury Law’. Throughout ‘Arise, Dan Sartain, Arise’ searing surf guitars intertwine with beautifully haunted organ jabs, with rhythms pulled straight from saloon bars way out west, and cheeky wink-to-the-camera lyrical whimsy.

        New album from British composer, pianist and violinist Poppy Ackroyd. A departure from her joint work with Hidden Orchestra, "Pause" is a beautifully moving, sentimental and intimate series of piano pieces destined to stir the soul and rouse a broken heart this Winter. Her unique flurries and arpeggios decorate pieces like "Seedling" and "Suspended", in keys which, reduced by lack of any classically training, I'd be able to identify as invigorating, soothing, warming and intensly thoughtful in equal measure. Some tracks like ""Stillness" exist in an almost suspended state, their barely-moving arrangements and delicately effortless playing leaving the listener unable to recognize if 2 or indeed 10 minutes has expired at the track's closure. 


        “a neo-classical force to be reckoned with.” Electronic Sound

        “on par with neo-classical giants Nils Frahm, Max Richter and Hauschka.” MOJO

        “Poppy Ackroyd can conjure whole worlds of sound out of the barest essentials” Stereogum

        "A composer of real talent, she's able to work in softly advancing measures, tackling each project with real finesse.” Clash Magazine 


        TRACK LISTING

        1. Seedling
        2. Suspended
        3. Murmurations
        4. Pause
        5. Release
        6. Muted
        7. Impulse
        8. Stillness
        9. Flutter
        10. Unravel 

        World renowned handpan player and composer Manu Delago presents his unique new album, ‘Environ Me’, via One Little Independent Records. Constructed using his signature percussive skills as well as electronic manipulation and sounds recorded directly from an array of natural sources, the LP is a dynamic and poignant exploration that harnesses the best of his adventurous spirit and singular vision.

        An audio-visual journey accompanied by a collection of expertly made films, each track also represents a different element and contains its own inspired and individual concept, varying from the use of wildlife, fire and water to the manmade steel, gears, Velcro and more.

        On ‘Environ Me’ Manu Delago asks his listener to join him on a multisensory adventure with their eyes wide open, an intriguing experience that constantly evolves over the course of its 12 tracks, through electronica and ambient and carries with it an important environmental message at its core.

        Manu Delago has performed in prestigious venues in more than 50 countries around the world. The Grammy-nominated artist runs his own band and has collaborated with various artists such as Björk, Anoushka Shankar and Olafur Arnalds and has appeared as a soloist with the London Symphony Orchestra.

        TRACK LISTING

        1. Interference
        2. Liquid Hands
        3. Transformotion
        4. Curveball
        5. ReCycling
        6. Autoshred
        7. Pattern Pulse Popcorn
        8. FaunaSauna
        9. Trees For The Wood
        10. Acoustic Aviation
        11. Footsteps (feat. Isobel Cope)

        Stubborn Heart

        Made Of Static

          Returning with their first new music in 8 years, Stubborn Heart have announced their anticipated new album ‘Made Of Static’, released on June 4th via One Little Independent Records.

          Luca Santucci and Ben Fitzgerald, who have spent the last few years developing the ten brooding electro-soul tracks that make up the successor to their lauded 2012 self-titled debut, have once again struck a fine balance between ominous synth-soundscapes and introspective songwriting.

          Balance is the key theme here. With Fitzgerald leading the production and manning the machines, the sound is rawer than on their previous album. Left-field pop with dark, icy edges, it finds a home somewhere in between r&b and cold wave. Santucci brings the heart and with it his aching, obsessive lyrics and a desire for something grittier in its presentation. The duo’s talents complement each other perfectly throughout.

          Santucci has amassed an impressive list of writing and vocal credits in his time, with the likes of XL and Warp signee Leila Arab, Plaid, Riton and Soulwax amongst them. Fitzgerald has also been hard at work at his home studio programming various styles of music for artists and producers from around the world. As Stubborn Heart, they come armed with some serious experience and a wealth of influences. There’s an honest simplicity in the way they create, with lyrics written in an immediate, direct fashion with the aim to catch a feeling rather than emulate one. 


          TRACK LISTING

          1. Talking Gold
          2. Proves To Be
          3. Against The Tide
          4. Mum’s The World
          5. Points Of View
          6. Everything Matters
          7. To Make You Happy
          8. Oh Stephanie
          9. Drop The Ball
          10. Out Of My Hands

          Kaktus Einarsson

          Kick The Ladder

            ‘Kick The Ladder’ the anticipated debut album from Icelandic composer and songwriter Kaktus Einarsson, frontman of post-punk outfit Fufanu, will be released by One Little Independent on May 7th. It was produced by Kaktus, alongside Swiss electronic composer Kurt Uenala, and finished in New York City. It draws heavily on the concept of how we as a society relate to our surroundings, whether it’s environmental or personal. 

            TRACK LISTING

            Kick The Ladder
            Ocean’s Heart
            Hypnotized
            No Runaway
            Daydream Echo
            Gone To Bed
            My Driver
            45rpm
            Story Of Charms
            One Of Those
            Space Soul
            Chimes

            Sarah Neufeld

            Detritus

              Composer and violinist Sarah Neufeld is a career-long touring and recording member of Arcade Fire. Her third solo LP ‘Detritus’, confronts anguish with beauty, turmoil with grace, gliding through the present like a dancer mid-motion, reaching through space 'til she's caught.

              The album is wistful and emotive, and carries the listener on a journey of euphoric and complex looped violin dusted with mesmeric melody recall. Openers ‘Stories’ and ‘Unreflected’ lead with atmospheric ease, sombre soundscapes and distant, otherworldly vocals. ‘With Love And Blindness’ ups the tempo with remote, dreamlike rhythms that hypnotise and enthrall. ‘The Top’ is elated, but it highlights the isolated strings and poetic loneliness Neufeld is able to convey with them. ‘Tumble Down The Undecided’ and ‘Shed Your Heart’ are climatic in their delivery, full of cascading notes and delays before closer ‘Detritus’ exits with a state of calm, easing back into the shadows and taking with it the vivid textures and images crafted with infinite grace over the course of the album.

              NOTES ABOUT DETRITUS
              I composed this album within a larger body of work that was commissioned as a live soundtrack for Peggy Baker Dance Project’s Who We Are In The Dark.

              Who We Are In The Dark is a collaboration originating in 2015 when Peggy Baker (legendary Canadian dancer and choreographer) and I were asked to perform a duet together at Fall For Dance North. Peggy chose to choreograph to my piece From Our Animal from my (then) upcoming second album, The Ridge.
              Wanting to create something personal for her for this performance, I composed a prelude which began with the words “who we are in the dark”.

              There was something utterly compelling about working and performing together.
              Coming from different generations (Baker is now 68), we share a sense of intensity, curiosity, and ferocity.
              Shortly after our debut performance together, Peggy commissioned me to collaborate with her on a full scale piece for her company. I began composing for this project in 2017, with the solo violin piece, The Top.
              Peggy and I were exploring themes of darkness- her take often lived in the macro, universal elements, space, death, while my own exploration at the time was more close up- intimacy and the ego self. I think there was an invisible thread between us from our own experiences of loss and grief.
              To say the least, this collaboration and the work we produced has held tremendous meaning for both of us.

              Drummer and composer Jeremy Gara (Arcade Fire) joined the collaboration in 2018, adding percussive and harmonic depth to my solo compositions, as well as inputting his own signature style of ambient noise composition and heavy, gripping drumming into the live score.
              The work premiered in February 2019 and toured internationally throughout the year, with our most recent performance in Den Hague at Holland Dance Festival in February 2020.

              I began distilling the solo compositions into a smaller, album length body of work in the Summer of 2019, experimenting live with solo versions, adding more vocals, and incorporating foot pedal bass synth to my solo live capabilities. This body of work stood out for me, as a further push and refinement of the composition style I’ve been developing for the past 8 years, and as a marker of an intense and difficult passage in my own life.



              TRACK LISTING

              1. Stories
              2. Unreflected
              3. With Love And Blindness
              4. The Top
              5. Tumble Down The Undecided
              6. Shed Your Dear Heart
              7. Detritus


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