The 12 tracks on ABOMINATION... are a hypnotic, maniacal, and propulsive attack on the senses – a fitting reaction to a world suffering from genocide, environmental collapse, state sanctioned violence, progressing technocracy, and more. The album was recorded by Enrique Tena Padilla, Mario Ramirez & John Dwyer, mixed by Padilla and Dwyer, and mastered by JJ Golden.

OSEES are John Dwyer (vocals/guitar/synths), Tom Dolas (guitar/samples/keys), Tim Hellman (bass), and Dan Rincon (drums)."

"It feels like its all lighting off. A lot of fodder in today’s world for an artist.
Too easily humans forget their humanity. Forgiveness is a dead science. Empathy is viewed as a weakness by cretins. Easier to hate rather than love. Fear and greed have dug their bloody hands into everything.
At least now we know who you are. We see you. We defy you.
People are under duress. Recognize this abomination. Oppose the oppressor. FUCK the fascists and their enablers. Fuck the war mongers
Good luck out there. ACAB. "—OSEES

TRACK LISTING

Side A
1. ABOMINATION
2. SNEAKER
3. GOD'S GUTS
4. INFECTED CHROME
5. GLUE
6. ASHES 2
Side B
7. COFFIN WAX
8. ASHES 1
9. FLIGHT SIMULATOR
10. PROTECTION
11. GLASS WINDOW
12. GLITTER

Underground icons completely reinvent their line-up with brass and percussion into a new hot and raw sci-fi sound.

Think Dexy’s Midnight Runners meets Von LMO meets The Flesh Eaters meets the Screamers.

"This album was a self imposed ambitious project for us. Something to kick in the creative flow. The last few years, having been a challenging time in general, felt like a good time for a pivot. The last two albums were so guitar and keyboard centric, I wanted a weird and fun set of parameters for us to work with. I demo’d everything at home on cassette 4 track (harkening back to simpler times) using drum loops, and just had at it 'til I had a pile of “songs”.

Tom and I chose one sound each using synths and created a range of 3 octaves of that sample, then loaded them into Roland SPD-SX samplers and learned the transcribed songs using drum sticks. The idea was to change the way we wrote and to have 4 people along the front of the stage essentially playing percussion. So no guitar, no keys.

As we were recording I kept thinking how the sounds, when paired up, sounded a bit like brass. So, we added a saxophone horn section to round out the horniness of the sound with a bit of reedy bell tones. Thanks to Cansfis Foote & Brad Caulkins on tenor and Baritone saxophones :)

Sort of a Dexy’s Midnight Runners meets Von LMO meets The Flesh Eaters meets the Screamers kinda punk junk.
Poppy and hooky, heavy at times..
Sort of vacuous and maybe a bit sci-fi in sound.
Boneheaded in riff and heady in lyrics.
Recorded at Stu-Stu-Studio by me on 8 track 1/4” tape .
So pretty hot and raw.

Lots to write about today.
A lot of these lyrics were taken from things people said in passing about taking on life right now that stuck with me.
Things that made me reflect.
Things that made me laugh.
Things that made me WTF.

Some folks are kind, genuine & give you love and energy.
Some are greedy manipulative ghouls who hang off your veins.
You must be strong, composed and take care of yourself.
Be self aware and check your mind for cracks.
Learn to relax and be well.
There are moments of beauty and redemption.
Its not all bad news and there’s always hope.
People continue to surprise me one way or another.

Anyhow,
Hope you enjoy and good luck out there."

— John Dwyer.

STAFF COMMENTS

Barry says: Another blazing transmission from the Dwyer powerhouse, OSEES. This time sees the team taking things into punky ska territory with the addition of brass blasts and blazing percussion bursts. There's still every bit of the wild energy we've come to expect from Big J and co, but this time it takes a different shape. Different OSEES, same great fun.

TRACK LISTING

1. Look At The Sky
2. Pixelated Moon
3. Drug City
4. Also The Gorilla...
5. Termination Officer
6. Blimp
7. Cochon D’argent
8. Cassius, Brutus & Judas
9. Zipper
10. Lear’s Ears
11. Earthling
12. Plastics
13. Neo-Clone

A pop record for tired times. Sugared with bits of shatterproof glass to put more crack in your strap. At long last, verse / chorus. A weathered thesaurus. This is OSEES bookend sound. Early grade garage pop meets protosynth punk suicide-repellant. Have a whack at the grass or listen while flat on your ass. Heaps of electronic whirling accelerants to gum up your cheapskate broadband. Social media toilet scrapers unite! Allow your 24-hour news cycle eyes to squint at this smiling abattoir doorman. You can find your place here at long last. All are welcome from the get go to the finale…a distant crackling transmission of 80s synth last-dance-of-the-night tune for your lost loves. Suffering from Politic amnesia? Bored of AI-generated pop slop? Then this one is for you, our friends. Wasteland wanderer, stick around. Love y’all. For fans of Teutonic synth punk and Thee Oh Sees (who the fuck are they?)” — John Dwyer.

STAFF COMMENTS

Barry says: The brilliant OSEES are back with a vitriolic blast of fuzzy guitars, frenetic percussion and wonky synth sweeps. Dwyer and co are without a doubt at the forefront of the garage/indie movement, crafting a sound that's both hugely impactful and undoubtedly their own, with more than a hint of irony peeking through here and there. Brilliantly done, as ever.

TRACK LISTING

1. Stunner
2. Blank Chems
3. Intercepted Message
4. Die Laughing
5. Unusual & Cruel
6. The Fish Needs A Bike
7. Goon
8. Chaos Heart
9. Submerged Building
10. Sleazoid Psycho
11. Always At Night
12. LADWP Hold

OSEES return for another blistering LEVITATION Session, this time from the depths of a cavernous Los Angeles factory. The performance features a fresh batch of tracks spanning over a decade of the band's expansive discography with a handful of never-before-playedlive tunes & some new surprises and is presented in its entirety here, pressed on a glorious Double 12" vinyl LP!

“OSEES pine for our fans and friends out there in the world, so we have come together for another stream with the mighty Levitation. I personally got stoned and stuck my face into the muck of our past catalog to bob for some dusty tumescent gems. There will be some oldies, and some moldies and some surprises along the way. I’m quite happy with how this one turned out. Shot in an insane old factory warehouse in Los Angeles (it looks like a fight scene set from Point Blank or the John Wick trilogy :) If you had told me a year ago we'd be doing these streams now i would have thought you were crazy, but, egg on my face, and here we are. I’m so glad to have this little thing to share a moment with y’all until we can meet face to face on the field of battle again. Mastered by the Guru JJ Golden, it will hopefully turn some frowns inside out and upside down....grossssss” - John Dwyer

STAFF COMMENTS

Barry says: This second edition of the wonderful levitation sessions LP from psych-indie titans Osees is recorded from inside an LA factory and is a perfect accompaniment to the first session. This time pressed on splattered blue vinyl, and arguably, an even better tracklist than the first. Essential!

TRACK LISTING

DISC 1
SIDE A
1. Tidal Wave
2. Grown In A Graveyard
3. The Dream
4. Stinking Cloud
5. Enemy Destruct
SIDE B
1. Poisoned Stones
2. Spider Cider
3. It Killed Mom
4. Meat Step Lively
5. Snickersnee
6. Destroyed Fortress Reappears

DISC 2
SIDE C
1. Web
2. Encrypted Bounce
3. Beat Quest
SIDE D
1. Chromosome Damage > T.V. As Eyes
2. ST37
3. Looking For Your Door
4. SS CYGNI

It seems that every time you turn around, there’s another Oh Sees slab. Long ago we lost all capacity to be surprised that this sturdy unit keeps putting out records and that they’re really good. You can now add the Metamorphosed 12” to your ever deeper shelf sagging row of John Dwyer & Co.’s seemingly no sleep release schedule. The five tracks were taken from the sessions that formed 2019’s Face Stabber album, a 17 track/80+ minute jammified four-sider. Metamorphosed would have been the perfect third LP to fit in with the other two. The very existence of Metamorphosed asks any number of questions. Speculation is for pundits and amateurs. Let’s go to John Dwyer and see if he’ll kick loose some information.

As to the Metamorphosed coming out so long after Face Stabber: This is just how the release landed. We are trying to stagger the releases a bit this year and we have a salvo coming down the pipe, so that’s how the cookie crumbled. Metamorphosed would’ve been out sooner but with the virus restrictions, shipping of LPs has obviously slowed down and so has manufacturing, so here we are. It’s worthwhile to note the Face Stabber sessions also resulted in The 12” Synth, a two track deal released in November of 2019. So, what was happening in the studio that rendered almost three hours of finished music? Just the usual run with ideas. Usually this takes place at the end of the planned recording. We have extra time and tape to lay down some deep cuts and long jams, etc., the fun part, really. It’s a test to keep up with Dwyer and his extraordinarily able bandmates. It seems like there’s always something on the way to the pressing plant. When and how did Metamorphosed come together? Basically, I found myself with a 12"'s worth of material in the new year and things were starting to grind to a halt, so it was the perfect time to sew it all up. People need some tunes right now and I think the artist's community is making a good run of it. So much great shit is seeing light right now. John and Matt Jones run the Castle Face label with full autonomy, so it would make sense that Metamorphosed, like The 12” Synth, would have been a CF release. Yet, it’s on the very cool Rock Is Hell Records label, which has put out some great Dwyer related jams in the past. The OCS Live In San Francisco album was not only great musically but all the vinyl and sleeve variants made the collectors break out in a fan sweat they’re probably still recovering from. Being able to do all this yourself, it’s obviously cool to still work with Jochen and Rock Is Hell. Yes. I’ve worked with Jochen a few times over the past decade or more (so he is grandfathered in. :) It’s pretty rare these days that I work outside my own label but his stuff is so well done and usually its own work of art. Last question. The fan cannot resist! At any time, were you thinking of making Face Stabber a 3LP set? Hell no. But now maybe I am. Metamorphosed isn’t just some barrel scrape for those who can’t get enough. All of the five tracks stand up to anything on Face Stabber. The record’s 23+ minute I Got A Lot is one of the coolest songs the band has ever done. As it is with a full on Rock Is Hell roll out, there’s a lot of details. Metamorphosed is no exception. This is what the release schedule looks like: In October, there will be a silkscreened cover limited to 300 copies with four sleeve variants. A larger press run will follow in January with four or five color variants. Whew! Something to look forward to! - Henry Rollins.

Companion / remix album of art rock renegades’ latest, Protean Threat.

“In the swirling and undulant warm mud of jettisoned reels of magnetic tape, blurps up the fog of reinvention. Every night I would parley with my pilots and run and rerun the recordings. Right up until the moment sleep slips its veil over eyes and ears and you drift back without a sound. Protean Threat dream haze becomes Panther Rotate in the other dimension. A companion LP of remixes, field recordings, and sonic experiments using all sounds generated by the him and crackle of the desert farm. “A second version of our Protean Threat if you will, but barely conspicuous in its relation. Forward, never straight! Sunrise, sunset. Two lives connected by a cosmic thread, One for your feet and one for your head. For fans of Thee Oh Sees, Oh Sees, OCS, The Oh Sees, Osees...etc etc etcetcetc…be well.” - John Dwyer.

TRACK LISTING

1. Scramble Experiment
2. Don’t Blow Your Experiment
3. Synthesis
4. Toadstool Experiment
5. If I Had An Experiment
6. Miz Experiment
7. Terminal Experiment
8. Poem 2
9. Gong Experiment