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MUTUALLY DETRIMENTAL

Tennis

We Can Die Happy

    Every album represents something foundational to our lives during the time of its creation. Yours Conditionally was about extricating ourselves from an industry that made us feel joyless and restrained. After a successful campaign that involved starting our own label and learning how to record on our own, We Can Die Happy finds us on the other side of that leap of faith, reveling in the sense of freedom and control we’ve found in our work.

    While making the track list for Yours Conditionally, a couple of songs didn’t seem to fit. One song, I Miss That Feeling, had been giving me trouble for months. The concept came to me after I noticed the way that certain physiological aspects of anxiety could be read as feelings of pleasure when presented as a list, without context. We had gone as far as recording and mixing it, but when I listened back, I knew I had gotten it wrong. I scrapped everything except the chorus lyrics which detailed my own experiences with panic attacks and started over. I hoped I Miss That Feeling would be an easy fix and the rest of the EP would take shape around it. Instead each song resolved itself while I Miss That Feeling remained stubbornly incomplete. In the final days of our deadline, feeling the pressure, I had a panic attack. Even in the middle of hyperventilating, I thought spiraling into anxiety over a song about anxiety was oddly fitting. Very me. In the end I settled on a kinder approach. I made the minor chords major; I softened things. I made the song a love letter to my constant companion rather than a denunciation of it.

    As featured in the Piccadilly Records End Of Year Review 2017 Top 20 Albums. Comes with an EXCLUSIVE End Of Year CD sampler.
    Click HERE for more info.


    The husband and wife duo of Alaina and Patrick, otherwise known as Tennis, return with “Yours Conditionally”, their new album which will be released on 10th March 2017 on the band’s own label Mutually Detrimental.

    Building on their dreamy combination of perfect melodies and classic songwriting, “Yours Conditionally” sees a full circle return to their nautical roots of sorts, with the duo even writing part of the album while sailing at sea, what Alaina calls “a grandiose gesture”, a necessary venture of revisiting the past to reinvigorate the present. However, the pair dig deeper and darker this time round, with the resultant album wedding discussions of identity and self-sacrifice to some of their most pristine and infectious hooks yet.

    Achingly beautiful lead single “In the Morning I’ll Be Better”, written about the “precariousness of our lives”, sums up this paradox completely, with gorgeous melodies belying its subject matter of Riley seeing a family member through a serious illness. “Please Don’t Ruin This For Me” and “Fields of Blue” also deliciously straddle the light/ dark divide, while others, like “Ladies Don’t Play Guitar” and the divine swoon of “Modern Woman” hit the pop bullseye square on the nose while unpacking conflicting themes of feminism and industry archetypes.

    Taken in toto, “Yours Conditionally” sees a band at maturation point, looking fondly to the past while also staring down the uncertainty and confusion of the future without flinching. This is Tennis at their contrary, compelling best.


    STAFF COMMENTS

    Martin says: ‘Ritual In Repeat’, Tennis’ previous outing, was the last of three increasingly polished releases; perhaps they felt they had lost something along the way, for, having been an idea initially conceived at sea, the husband and wife duo ditched a drummer, dispensed with slick production, took on studio duties themselves, and decided to return to the source for inspiration. ‘Yours Conditionally’ then was born on the waves, on a journey down the United States East Coast from San Diego to the Sea Of Cortez. The result was a reinjection of humanity and their finest album to date; a balmy, sun-drenched jaunt breathing in soft soul, Fleetwood Mac and The Carpenters and exhaling warmth into what had always been gorgeously crafted songs. The lilting delivery and Alaina Moore’s elegant, passionate voice mask a stinging satirical lyricals around the stereotyping of women; but when she sings “I really love you; I just can’t help myself” on the delightful “Fields Of Blue”, she does it with such apparent abandon it is hard to believe she doesn’t mean it. Nothing wrong with that, nothing at all. Beautiful, in any case.

    FORMAT INFORMATION

    Coloured LP Info: Includes a free EOY 2017 CD sampler.
    Limited white coloured vinyl.

    Coloured LP includes MP3 Download Code.

    CD Info: Includes a free EOY 2017 CD sampler.


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