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MARATHON

Vagabon

Infinite Worlds

    Infi nite Worlds via House Anxiety Records is the reissue of Vagabon’s criti cally acclaimed debut album.

    The renowned label that launched everyone from King Krule to Courtney Barnett, amongst many others, has announced itself as the European home for the heralded record, which garnered numerous accolades including Pitchfork’s Best New Music tag earlier in 2017.

    TRACK LISTING

    The Embers
    Fear & Force
    Minneapolis
    Mal L’aise
    100 Years 
    Cleaning House
    Cold Apartment
    Alive And A Well

    Theon Cross

    Wings / Back To Africa

      High-flying composer and tuba player Theon Cross returns with soaring new single, Wings.

      Explaining the inspiration behind Wings, Cross says: "Conceptually, the song speaks of the metaphorical wings needed to take flight and embrace new changes and directions in life. It captures a feeling of freedom and symbolises a sense of progressive movement which feels significant as I move into a new chapter in my career." The single comes with a second track; an easy-going, bassheavy cover version of reggae heroes Aswad's Back To Africa.

      TRACK LISTING

      Wings
      Back To Africa

      Psychedelic Porn Crumpets

      Night Gnomes

        Within 11 seconds of clicking “play” on “Lava Lamp Pisco” it’s instantly apparent why Night Gnomes, the latest album from Psychedelic Porn Crumpets might be their greatest offering yet. The track is a riffy monster that delivers a much-welcome Black Sabbath-style slap to the head. It’s big, shiny, sleek and irresistible. It’s Psychedelic Porn Crumpets giving their best and Jack McEwan the band’s fearless leader has the battle scars from the four-second harmonica solo to prove it. “I hadn’t blown the harmonica in five years. It was just sitting on my desk,” he recalls. “The first thing I did was suck in all this dust, and I couldn’t talk for like a day. Afterwards, the rest of the band was like, ‘You have to scrap that. It’s so cheesy.’ Anyone under 30 hates it, but it has the dad-rock vibe, so I kept it in.”

        That devil-may-care spirit is present on each and every song on Night Gnomes. With guitarist Luke Parish, drummer Danny Caddy, bassist Wayon Billondana and multi-instrumentalist Chris Young by his side, McEwan bunkered down in his home studio, creating a sonic pastiche that almost sounds like turning the dial on a temperamental old radio every few minutes. “A lot of these songs are structured from the beginning, but then we add another part towards the end to really keep it interesting, even if it’s just for ourselves,” he says of the project, which was recorded at McEwan’s home studio in and around Perth. “Like on Fleet Foxes’ “Helplessness Blues,” every song has an ending that is completely different than the first part. That was the idea here.” Hence, distorted synths giving way to and then enveloping the lighter-waving riffage on opener “Terminus, The Creator,” a magnificent string section suddenly appearing on the nostalgic acoustic folk ditty “Dread and Butter” and a dizzying array of sounds linking arms on the title track, which imagines the proverbial creatures frolicking around a campfire in some far-off, mystical forest. “It feels jolly, but it’s also kind of terrifying and disturbing. My girlfriend told me she couldn’t listen to that song,” McEwan says of “Night Gnomes,” adding, “I’ve always liked how some Beatles songs just come out of nowhere, like “Mean Mr. Mustard.” This is our own little jingle that doesn’t fit with anything else on the record.”

        On “Bubblegum Infinity,” the Crumpets waded through nearly 50 different variations of the track before a Eureka moment during a rehearsal jam session revealed its final structure. The song itself wound up as a commentary on the often rudderless nature of the COVID-19 pandemic and “taking comfort in the fact that nobody had a clue what was going on,” according to McEwan. “The song used to open with a huge riff that was sidechained to the kick drum so it sounded like it was thumping, but then that's how every Crumpets song starts. I swapped the heavy guitars for acoustics, which made it feel way stronger, both dynamically and sonically. It felt like we'd uncovered the clutter which guides the song to build into that chorus and not give anything away beforehand.”

        McEwan is particularly proud of the dreamy “Sherbert Straws,” which he says “actually has some dynamics in it rather than having nine elements in the same spectrum as my vocals that I’m trying to constantly mix in and out of the track.” The song descends from the proud lineage of Australasian rock acts such as Tame Impala and Unknown Mortal Orchestra to whom McEwan professes devotion. “When we formed back in 2015, we marveled at how these awesome bands from around here could self-release music on vinyl and create their own stories. There wasn’t any waiting for labels to come knocking. It was all DIY and we loved that concept. We’re still holding right onto those coattails and we’re getting dragged as far as we can,” he jokes. For all of its varied vibes, the album never skimps on massive rockers sure to delight Psychedelic Porn Crumpets fans across the world in 2022. “Acid Dent” thrashes with abandon, but actually offers a slight concession to advancing age. “When we were younger, we were carefree and living tall, “McEwan says. “You get home with a handful of stuff in your pocket from whatever festival and just munch all of it, until you wake up in the morning so scattered. If we kept carrying on this way, we’d wind up in mental institutions by 35. So this is a nice little story about slowing down a bit.”

        “Bob Holiday” pays homage to classic riffs McEwan remembers from his youth, like Lenny Kravitz’s “Are You Gonna Go My Way?” “We’ve been trying to emulate that sound forever,” says McEwan, who also played in a Rage Against The Machine cover band when he was younger. “I also thought ‘Bob Holiday’ was a really strong name — like, if you were called that, you’d be able to do anything.”

        The album comes full circle with the one-two closing punch of the instrumental “In Dreams, Out” and “Slinky/ Holy Water,” touching again on the thumping drums, acoustic guitar flourishes, washes of sound and strange noises introduced on the opening track. With the pandemic having provided McEwan the chance to “get my life together and get healthy,” not to mention move 200 meters from his favorite pub, he and his bandmates will soon be onto their next musical adventure. But exploring the undiscovered territory of Night Gnomes has already made a major impact on its creators.

        “I have no idea what I’m doing half the time,” McEwan says. “It’s like, plug in, record. Why does this sound like shit but this other thing works? I needed five albums to get to this point of revealing some golden nuggets of information about dynamics, production and exploring new sounds. Everyone finds fault in their own work, but that’s probably what makes us want to keep creating.”

        TRACK LISTING

        1. Terminus, The Creator
        2. Lava Lamp Pisco
        3. Dread & Butter
        4. Bubblegum Infinity
        5. Sherbet Straws
        6. Night Gnomes
        7. Bob Holiday
        8. Microwave Dave
        9. Acid Dent
        10. In Dream, Out
        11. Slinky / Holy Water

        Model Man

        Model Man

          His influences are broad, yet tied together by a strong desire to share his story and spark emotion in the listener. In his hometown he experienced the peak of UK garage and jungle/drum’n’bass. From his early forays into music, playing guitar, to his recent incarnation as Model Man, Mark has always drawn on his eclectic tastes to transmit a range of different feelings.

          His debut self-titled album traverses a variety of UK-influenced sounds imbued with Model Man’s classical training and his eclectic tastes from Steve Reich to Todd Edwards and Bill Withers; piano keys dancing alongside 2-step beats, jungle breaks slamming down as wistful melodies drift overhead.

          TRACK LISTING

          Emoclew
          Don’t Cry Feat. Hamzaa
          Sweet Surrender
          ESC (Holding Back Feat. Rationale)
          Hurt Feat. Arctic Lake
          Trappist-1
          Wait Till Tonight
          Take Me There
          Distant Memory
          Sidewinder
          Clarity
          Impromptu No1 (Apogee)

          Hachiku

          I'll Probably Be Asleep

            “When a close friend took an in-advance listen to Hachiku’s debut album, I’ll Probably Be Asleep, she had one question for bandleader Anika Ostendorf: “’why are you so angry?’”

            It’s not the first reaction that most people would have to the Melbourne-based outfit, whose dream-pop jams all dewy guitars, rickety drum-machines, and layered ambience, topped off with Ostendorf’s oft-breathy voice would seem to contain no sharp edges. But, following Hachiku’s self-titled 2017 debut EP, Ostendorf found herself dealing with darker themes; which reflected the 25-year-old growing up, changing, and feeling mounting frustrations.”

            TRACK LISTING

            I’ll Probably Be Asleep
            Busy Being Boring
            You’ll Probably Think This Song Is About You
            Bridging Visa B
            Dreams Of Galapagos
            A Portrait Of The Artist As A Young Woman
            Shark Attack
            Murray’s Lullaby

            Jade Imagine

            Basic Love

              Jade Imagine burst out of the bubbling music scene of Melbourne, Australia, with their debut album, Basic Love. Emotionally dictated by the wit and noir of Jade McInally (vocals, guitar, synths) and propelled by a band that seamlessly fuses synthwave and art-rock, this album is an impressive culmination of Jade Imagine’s signature style of bleak pop and contemplative new-wave. Featuring singles Big Old House and Remote Control.

              TRACK LISTING

              Gonna Do Nothing
              The News
              Big Old House
              Remote Control
              I’ll Take You There
              The Weekend
              Cut Me Off
              Past Life
              Get Out Of Your Head
              Don’t Say It’s Over

              Max Jury

              Modern World

                ‘Modern World’ is the second album from 26-year-old Iowa native Max Jury. The follow up to 2016’s critically acclaimed, self-titled debut, ‘Modern World’ is a graceful, sophisticated and truly contemporary body of work, brimming with Jury’s vast and eclectic range of influences. It is an album about life, friendship and facing each day with a renewed clarity. Produced by four time Grammy nominated Robin Hannibal (Kendrick Lamar, The Internet, Jessie Ware, Anderson .Paak), the album is steeped in soul and jazz influences. The stunning ‘Stillness’ for example, arrives with a bassline that wouldn’t sound out of place on a Thundercat record. ‘Fading Out of You’ manages to evoke Jury’s newly chosen home of Paris before a huge RnB beat comes in, complimented perfectly by the warmth and subtlety of his vocal, which since his debut, has grown into an androgynous instrument that dances across his music.

                TRACK LISTING

                Sweet Lie
                Modern World
                Gone
                Burning Through You
                L.A. Rain
                Crime
                Stillness
                Primrose Hill
                Quicksand
                Fading Out Of You

                Psychedelic Porn Crumpets

                And Now For The Whatchamacallit

                Thundering over the horizon out of Perth, Australia, the psyche-rock capital of the Universe, Psychedelic Porn Crumpets are taking the World by the horns. Having spent the last year slaying sold-out audiences in US, UK and Australia with their blistering live shows, the band have thrown down the gauntlet with their new album, ‘And Now For The Whatchamacallit’.

                The new album marks an exciting new chapter for Psychedelic Porn Crumpets. Recorded between frontman Jack McEwan’s bedroom and Tone City Studios in Perth, mixed by Michael Jelinek (Gunns)and mastered by John Davis (Gorillaz, The Killers), And Now For The Whatchamacallit is representative of the development in the band’s huge sound, and their most anticipated release yet. “The original concept was to take a 1930’s carnival that had been re-imagined for future generations, a collage of Punch and Judy, Carousels and coconut shy’s that progresses in musical concepts and travels with the listener. Then as we started traveling I was swept off into my own kind of circus, the odyssey of touring life. Large nights out, larger characters, drunken recollections of foreign cities and rabbit hole-ing into insanity.”

                The 10-track record is punctuated by the singles ‘Social Candy’, ‘Keen For Kick Ons?’ and ‘Bill’s Mandolin’, all perfect slices of manic Psychedelic Porn Crumpets fury. This new album positions them more than ever as a band ready to explode with exciting energy and is a continuation of the musicianship fans have seen bolden over live shows and recent releases.

                STAFF COMMENTS

                Mine says: I'm gonna go ahead and assume that the band name alone is intriguing enough for some of you to grab a copy of PPC's 'And Now For The Whatchamacallit', but if that's not the case and you want to know what else they've got going for them, just imagine King Gizzard & The Lizard Wizard and Pond going on tour together and all ending up on the same stage... Voilà!

                TRACK LISTING

                A1. Keen For Kick Ons?
                A2. Bill's Mandolin
                A3. Hymn For A Droid
                A4. Fields, Woods, Time
                A5. Native Tongue
                B1. Social Candy
                B2. My Friend's A Liquid
                B3. When In Rome
                B4. Digital Hunger
                B5. Dezi's Adventure

                ‘In Plain Sight’ sees Honeyblood’s Stina Tweeddale finally step forward and claim the mantle of her project as her sole vision. Three albums in, the project she birthed seven years ago finds its most steely-focus and ambitious form yet. Stina takes the solo reigns in collaboration with super-producer John Congleton (Angel Olsen, St Vincent) for her most definitive Honeyblood LP to date.

                TRACK LISTING

                She's A Nightmare
                The Third Degree
                A Kiss From The Devil
                Gibberish
                The Tarantella
                Take The Wheel
                Touch
                Glimmer
                You're A Trick
                Twisting The Aces
                Harmless

                ALASKALASKA

                The Dots

                  Melding together their disparate influences in off-kilter pop and jazz gives ALASKALASKA’s highly-anticipated debut record the push-pull feeling of a group existing without any boundaries. Not fitting neatly into either the post-punk explosion, which defined their South London home a few years back, or the more recent emergence of a future-facing jazz underground, ALASKALASKA dodged the area’s typicalities. The lyrical potency of the former and the languid, freeform attitude of the latter can be felt across The Dots, but ALASKALASKA paint those influences in their own broad brushstrokes in the same way as Bjork, Kate Bush, Arca or Fever Ray before them.

                  TRACK LISTING

                  The Dots
                  Bees
                  Moon
                  Arrows
                  Tough Love
                  Sweat
                  Meateater
                  Monster
                  Happyfac
                  Heaven
                  -/-
                  Skin

                  Traversing influences that cross genre and era, the artistry of Hollie Fullbrook and her band spans delicate folk, lustrous dream pop. Production by David Lynch, Olympic Girls bring ebullient psychedelia to the album.

                  Building on the sparse minimalism and mesmerising songwriting of earlier releases, Olympic Girls comprises a taut and agile quiver of songs, dancing with explorative instrumentation and a pop sensibility that springs with life.

                  “How much would you be willing to give?” Fullbrook asks point-blank in first single ‘How Much’, ahead of woozily discordant strings and a stomping neopsychedelic rhythm. The lyric brims with imagery of supermarket breakdowns, lilos, snarks and silos while an anthemic guitar hook soars throughout. Not content to leave the song at a stable conclusion, a thumping ‘I am the Walrus’- esque bass outro propels the track boomerang-style back to a space of adroit experimentation.

                  “I’ve heard Olympic Girls, and I had to pick my jaw up off the floor”, wrote Grant Smithies. “Clustered around more introspective passages typical of confessional singer-songwriters are gnarlier phrases that give her work its buzzy voltage: arresting visual images, weird associations, daisy-chains of telling detail.”

                  “…an album confident in its vulnerability and luxuriating in a bigger sound.” - LOUD & QUIET (8/10).

                  “It’s a song that certainly leaves a mark, and suggests that seeing Tiny Ruins in their upcoming tour will be an undoubtedly memorable experience.” - THE 405. 

                  “a twilight piece of pared down indie pop” - CLASH.

                  TRACK LISTING

                  Olympic Girls
                  School Of Design
                  How Much
                  Sparklers
                  Holograms
                  Kore Waits In The Underworld
                  Bounty
                  One Million Flowers
                  My Love
                  Leda
                  Star, False, Fading
                  Cold Enough To Climb

                  Jamie Isaac

                  (04:30) Idler

                    Can you sleep? (04:30) Idler chronicles a personal struggle with insomnia that inspired the album’s title, it combines bossa nova, 70s analog synths and the polymorphous vibrations of London’s new burgeoning jazz scene.

                    Jamie Isaac is a young producer and songwriter, born in Croydon to Burmese and British parents. He signed to Marathon Artists in 2014 and has been harnessing his sound ever since, operating in the space between jazz, soul, R&B, electronics and hip hop. Across a handful of singles and EPs, as well as a mixtape, his debut album and its follow-up, he has evolved into a formidable artist with a transatlantic following.

                    STAFF COMMENTS

                    Millie says: This might just be the perfect hybrid of synths, hip hop-jazz and electronic sound wrapped up in one record like a present. I can't get enough of the soft dreamy vocals, you need to listen to this it's a beaut!

                    TRACK LISTING

                    Doing Better
                    Maybe
                    (04:30) Idler
                    Sleep
                    Interlude (Yellow Jacket)
                    Eyes Closed
                    Slurp
                    Counts For Something
                    Melt
                    Drifted
                    Rope
                    Delight

                    Courtney Barnett

                    Nameless, Faceless

                      First taster from the new Courtney Barnett LP, "Tell Me How You Really Feel", and needless to say we're all very excited here at Piccadilly!

                      Limited edition numbered copies.

                      Max Jury

                      Max Jury

                        You might have seen him on tour with Lana Del Rey or Rufus Wainwright and witnessed the plaintive heartache that lives within his music. Or you might have heard him on Radio 1, 2 or 6 Music. Or read about him in Clash or Mojo.

                        For Max Jury is making waves. His new single ‘Numb’ evokes the longing to escape, a longing that took him from Iowa to London, a city that’s become a second home to this accomplished young musician.

                        On this hugely impressive debut album, Max weaves an intoxicating tapestry of 70’s Laurel Canyon acoustic confessionals and 21st century Neo Soul. It’s a sound of rare beauty. Recorded in New York with hip-hop producer Inflo and a crackerjack band of musicians who often play with Alicia Keys and D’Angelo and in a sleepy North Carolina town with the musical director of a small, local black church. Both places helped Max effortlessly bridge gospel and soul with his country roots.

                        Mark Ronson says: “Max’s songs and musicianship conjure p so many of my favourite elements of country, soul, gospel and rock’n’roll. I can listen to his album on repeat!”


                        Latest Pre-Sales

                        80 NEW ITEMS

                        RT @VinylRevivalMcr: 2 spare tickets for @PiccadillyRecs end of year booklet launch party tonight @nightanddaycafe. Live sets from @michael
                        Fri 2nd - 1:42
                        Yes, our End of Year Charts have been revealed today but it’s still New Music Friday 🙌 Here’s a small selection of… https://t.co/ouUwKzowdc
                        Fri 2nd - 1:21
                        We love it Michael. Can’t wait for tonight! Get the album here https://t.co/pOy3FdQcvq Last tickets for tonight… https://t.co/fV1ueCWJLm
                        Fri 2nd - 1:12
                        RT @markbrownstudio: Interesting behind the scenes info from the @PiccadillyRecs review - No.1 album winner @michaelheadtreb sent in handwr…
                        Fri 2nd - 1:04
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