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KIM DEAL

Kim Deal

Nobody Loves You More

    On 22 November 2024, Kim Deal will release her new album, Nobody Loves You More. Featuring recent single ‘Coast’, the collection of 11 songs is the Dayton, Ohio resident’s first full-length album under her own name.

    Nobody Loves You More is Kim Deal’s debut album although it’s not the first time she has gone solo – she self-released a five-part, ten-song seven-inch vinyl series in 2013. In keeping with Deal’s meticulous approach to her art, the album was refined over several years. Its oldest songs, ‘Are You Mine?’ and ‘Wish I Was’, were written and originally recorded in 2011 shortly after Deal came off the Pixies’ “Lost Cities Tour” and relocated to Los Angeles (early versions of those songs were included in said vinyl series); the last recording for Nobody Loves You More took place in November 2022 with legendary engineer and close friend Steve Albini, who helmed final track ‘A Good Time Pushed’ at his Electrical Audio studio in Chicago. Along the way she has brought in a variety of collaborators from Breeders past and present (Mando Lopez, twin sister Kelley Deal, Jim Macpherson, Britt Walford), to Raymond McGinley (Teenage Fanclub), Jack Lawrence (Raconteurs) and Savages’ Fay Milton and Ayse Hassan. Nobody Loves You More was mixed by Marta Salogni and mastered by Heba Kadry.

    Every song has a story behind it, from the winter vacations with her parents in Florida Keys (‘Summerland’), wedding band covers of ‘Margaritaville’ (‘Coast’) to her mother’s dementia (‘Are You Mine?’). All in all, the record is a celebration of Deal’s unmatched artistry, nodding not only to her career highlights with celebrated bands across the alternative landscape (Pixies, The Amps, The Breeders), but also to her immovable cultural weight influencing musicians like Kurt Cobain and Olivia Rodrigo through the generations.

    STAFF COMMENTS

    Barry says: A long awaited, stylistically chameleonic debut album from former Pixie and Breeder, Kim Deal. There are wisps of Americana and loungey rock, chamber pop and modern classical flourishes. It's a glitzy statement in parts, and wonderfully stripped-back in others. A perfect cross-section of the human condition told by one of the greatest musicians of our time.

    TRACK LISTING

    1. Nobody Loves You More
    2. Coast
    3. Crystal Breath
    4. Are You Mine?
    5. Disobedience
    6. Wish I Was
    7. Big Ben Beat
    8. Bats In The Afternoon Sky
    9. Summerland
    10. Come Running
    11. A Good Time Pushed

    Kim Deal

    The Root / Range On Castle

      "The Root"
      This song was written by me and a woman named Morgan Nagler. Her band, Whispertown 2000, opened for the Breeders. I am singing this and playing all the instruments. Morgan is singing harmony. We recorded this in LA in different places and I took it to Electrical Audio in Chicago and Greg Norman mixed it down. This song was recorded and mixed analog and mastered DMM.

      "Range On Castle"
      This song is also written by me and Morgan. Morgan takes the lead and sings this one. I sing the harmony. I play all the instruments except the drums. Lindsey Glover played the drums on this one. We recorded it in LA.
      Now we mixed this one to a CD and used the CD to make a 1/2" tape. Then we gave the 1/2" to Ryan at Sterling and he mastered DMM. Vaughan Oliver/v23 designed this cover.

      Kim Deal

      Are You Mine? / Wish I Was

        "Are You Mine?"
        I sang and play guitar. Lindsay Glover played drums and Armando Lopez is on Bass. We recorded this onto a Tascam 388. It's a 1/4" 8 track machine. What a bitch. It was always breaking down. We had to get Billy Zoom from the rock band, X, to fix the machine. We had like 4 of these 388 machines around the house. They sound great but they are "consumer grade" man. But I digress. I ended up transferring it to 2". Then I added a harmony vocal with Steve at Electrical and he mixed it down.

        "Wish I Was"
        I recorded everything on this one in a studio in LA. Kelley played one of the keyboards. Matt Ward (do you know who he is?) played the guitar that appears on the right side of the speakers and the solo in the pretty solo in the middle. I had some nice words but Kelley HATED my melody so I just put it out as an instrumental. Mixed by Albini at Electrical.

        All recorded analog and mastered DMM at Sterling by Ryan.
        This artwork was done by Vaughan Oliver/v23
        There is also an insert image glossy sheet that have the credits on it.

        Kim Deal

        Hot Shot / Likkle More

          Hot Shot:
          "I played electric guitars, bass guitar and vocals. Jose Medeles (a previous Breeders drummer) played drums. This was recorded at Type Foundry and with Steve at Electrical. And Greg Norman mixed it at Electrical, in Chicago.

          All recorded in the analog domain. All mastered by Ryan Smith at Sterling Sound in NYC using Direct Metal Mastering.
          I played the guitars and vocals and Steve Kille (Dead Meadow) recorded it for me in the cellar of the house I was renting out in Los Angeles. It was recorded on my Tascam 1/2" - 16 track machine. Likkle More is "see you later" in patois, btw. Likkle More:

          This was mixed by Greg Norman at Electrical in Chicago. All analog, all mastered DMM.

          Artwork by Chris Bigg using photograph by Ed Deal, 1958, of Fred Deal (Kim's other grandaddy), Chief Deputy of Wyoming County, West Virginia Sheriff's Office.

          The 7" package has an insert. It's a glossy print card that has a picture of my crazy face. It looks like a Polaroid. Because it was a Polaroid of me. And we made copies of the Polaroid and we stick them into each record. And I sign some of them"...


          TRACK LISTING

          3. Hot Shot 2m 44secs
          4. Likkie More 1m 47secs


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