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FOUR TET

Ultra limited 12" from Four Tet featuring an elite duo of remixers - San Fran house royality Avalon Emerson alongside emergent tech-bass megastar Overmono.

"Teenage Birdsong" treads the heartfelt, holographic dreamworlds that we explored on "There's Is Love In You". With a slow, creeping dynamic decorated by a mellifluous synth-wind motif it conjures up futuristic images of augmented realty and a new Global Optimism throughout the homo sapiens network. Avalon Emerson adds vibrant drum breaks creating more drama than the slight serenity of the original.

Rising stars Truss and Tessela, each with solo success under their belt, drop the next flawless addition to their fledging catalogue with a remix that's seems so quintessentially suited to Text you can almost see Keiran Hebden gleefully smiling in disbelief. Containing the expert, frantic drum programming the pair are fast becoming famous for plus taut atmospheres and tasteful flickers of dance music tropes from across the years, their remix of "Teenage Birdsong" is an epic piece in its own right.

"Dreamer", a final flurry from Four Tet utilizes the same dreamy, celestial palette of sounds as "Birdsong" and adds the slippery, gliding 4/4 beats that fuel much his work. Delicate plinky plonk leads and glassy bell tones, combined with flutters of bird song make this truly hallucinatory, 'enchanted garden' type affair. As always, truly hi-tech and exhilarating stuff from this UK luminary. Recommended!


With the minimum of fuss, one of the UK's (perhaps the World's) foremost electronic musicians releases his tenth LP. No press agency, no media campaign, just a casual tweet and it's here. This immediacy is carried through into the music on offer. The track lengths are shorter than we've become used to, with Hebden getting straight down to the nitty gritty and distilling his complex melodies and rhythms into their most potent form; no ambient preamble or sprawling kosmiche on this one. Instead, Four Tet continues the journey through club music he began on "There Is Love In You" and "Pink", now taking the fire escape out the main room into a strip lit car park. "Beautiful Rewind" acts as part pirate radio jungle assault and part post club come down bliss. Hebden feeds the jungle chatter, polyrhythms and bass wobble through his own experimental and dense production to create an immersive yet raw experience like listening to Rooms 1 and 2 at the same time from the depths of a K-Hole. Album opener "Gong" and recent single "Kool FM" and the murderous "Aerial" and "Buchla" are bold and aggresive, while "Unicorn", "Your Body Feels" and "Ba Teaches Yoga" could sit comfortably with the fragility and beauty found on "There Is Love In You". Always wishing to push forward, Hebden has delivered some of the old, alongside a generous helping of new, casting his net wider and pulling varied influences together to form a complete and unique LP.


Four Tet

Anna Painting



    STAFF COMMENTS

    Matt says: Well, that went quick dint it! Another lesson in using our pre-order service (although you had to be quick on the draw this time)... we're all starting to get the feeling here at HQ that old Keiren H could be planning a major project...

    Simone Felice Feat. Four Tet

    Puppet / Prisoner

      Limited Pressing (500 worldwide..) of a special 7 inch of Simone Felice’s powerful new Single “Puppet” (Feat. FOUR TET) plus unreleased b-side “Prisoner”.

      "A lyricist to rival Dylan and Cohen. An album crackling with menace yet infused with tenderness, The Projector conjures magic with fragile rays of light in the darkness." - The Telegraph ****


      Four Tet

      Morning / Evening

      The one and only Kieran Hebden returns under his Four Tet moniker with his first long player proper since 2013's "Beautiful Rewind", and it's predictably brilliant. Abandoning such trivial conventions as track titles and track lengths, KH dives straight into the deep end of the conceptual waters with a pair of 20 minute compositions, known simply as "Morning Side" and "Evening Side". The former continues Kieran's recent flirtation with the dancefloor, although replaces the junglist leanings of "Beautiful Rewind" with a textured, organic house beat. Achingly beautiful synthlines weave around the beat, transporting us back to 2008's "Ringer", before a heartbreaking sample of hindi vocals and strings overcomes our senses and raises our spirits. As the track evolves, Four Tet gently expands our horizons with a building shimmer of synth melodies, drones and fx until we finally collapse into the lush electronics the side finishes with. The "Evening Side" continues where we left off, although the transcendent mood of the A-side is replaced by a low key calm as blinking electronics play us a lullaby in the moonlight. As we drift into dreams, the cascading keys tumble around us like shooting stars, inviting another hindi vocal along for the ride. As a whole, "Morning / Evening" almost works as a retrospective, collating the genius of distinct periods of the Four Tet ouvre into one coherent whole.

      Roots Manuva

      Facety 2:11 / Like A Drum - Four Tet / Machinedrum Mixes

      Rodney Smith is arguably the greatest rapper ever to emerge from British shores and after two years locked in the studio brewing up brand new music, he returns now with 'Facety 2:11', a stunning single produced by fellow UK maverick Four Tet, aka Keiran Hebden. 'Facety' is patois slang for someone being rude - a barefaced cheek referenced by the insistent, cockney rhyming lyrical snip - ‘boat race’ - that makes up the chorus. Hebden builds a rhythm track that bumps and rolls like batucada-meets-footwork, providing neck-snap beats for Smith's easy-on-the-ear flow to mesh with. A dancefloor slayer!

      Another of electronic music’s most exciting voices, NYC producer Machinedrum, provides the beat for the B-Side, 'Like a Drum'. Ditching his usual drum & bass style, Machinedrum provides a laid-back, almost downbeat, backing track - jazz-tinted and cinematic, with added electronica bass boom bap...

      The 12" also includes instrumental versions of both mixes, making this a must for Four Tet and Machinedrum heads as well as Roots Manuva fans. 

      In Smith's inimitable words, the single is "a wee spring warmer in voodoo coptic dialect shape shifting: the remit the same as ever in awakening one’s inner, modern-day Sun Ra, ODB and Kate Bush on an overdrive of doing because we can't help ourselves…"


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