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FOUR TET

Four Tet

Pink - Vinyl Edition

All eight tracks on "Pink" were originally released on a series of 12"s through Kieran Hebden’s Text label in 2011 and 2012. Later made available on a Japanese CD and download, the record is now finally being released on a full vinyl abum. The album opens with "Locked", which mixes shards of synths and gamelan flutes with a dubstep style bassline wobble. Post-dubstep? Future-jazz? Global-bass? We don't care, we just love it. "Lion" is 4/4 but smudged and shoulder-dropped, its swinging hats forcing the hips to wiggle and the radioactive atmospherics giving it that dark, UK edge. "Jupiters" contrasts blissed-out digital arpeggios with hard-as-nails rumbling UKG beats. "Ocras" is a nagging, incessant late night club number - druggy and disorientating, its repetition and driving nature make for a hypnotic ride. As the title hints at "128 Harps" features plucked harp, which adds melody to the bruising bass rumble and hefty syncopated rhythm. Next up is upbeat, straight-ahead funky house cut "Pyramid", followed by Kraut-inspired, beatless synthesizer jam "Peace For Earth". Last but not least is "Pinnacles", Hebden's incredible jazz house cut based on a spiritual and funky sample from the one and only Buster Williams. The track moves effortlessly along an extended house backing track before opening out into spinetingling jazz piano work.

Four Tet

New Energy - Vinyl Edition

    Our review from 2017.

    That's right, ambient maverick, electronic legend, jungle revivalist and abstract jazzer Four Tet is back with his first full length (longer than two conceptual suites) LP of brand new material in four years. Leaving the archival "0181" to one side, Kieran's last two LP outings were the extended and mind expanding ethno-lectronica of "Morning / Evening" and the dislocated, narcotic and blunted jungle of "Beautiful Rewind". Much to the delight of the KH traditionalists out there (cough...Barry) there's nary a spinback in sight on the blissful "New Energy", the producer opting instead to stroll calmly through the ambient pads, twinkling sequences and sublime textures which kept us company from "Everything Ecstatic" through to "There Is Love In You". Float away on the chilled waters of "Alap", nod along to the harp-led downbeat of "Two Thousand And Seventeen" and smile along to the soft focus stylings and pastoral glitch of "LA Trance". The B-side brings the "Ringer" style hypno-rhythm and "Love In You" beauty of "Lush", before darting off into the skitterish BOC beat space of the jazz flecked "Scientists". Boasting subtle breakbeats, cinematic swells and pulsating electronics, not to mention a bewitching kalimba refrain, "You Are Loved" sees out the first disc in sublime fashion. 
    Onto the second platter and "SW9 9SL" (a nod to Four Tet's Brixton Academy all nighters) is a streamlined club banger decorated by shuffling percussion, rumbling bass and a massive, hands aloft breakdown. "10 Midi" offers a moment of calm after that dancefloor burner and leads nicely into the harpy downbeat of "Memories". Referencing the mantra like vocals of "Morning/ Evening" and "There Is Love...", "Daughter" is a gossamer blend of reversed vocals, cascading melodies and soothing bass - the perfect companion to the astral, ethno-techno of "Planet". Pulsating space sounds, scattered vocals and trilling kora dip in and out of the spectral arps, riding a sturdy 4/4 thump into the furthest reaches of our galaxy. All that remains is to buy yourself a copy, sit comfortably by the speakers and rest easy in the knowledge Four Tet's done it again.

    Simone Felice Feat. Four Tet

    Puppet / Prisoner

      Limited Pressing (500 worldwide..) of a special 7 inch of Simone Felice’s powerful new Single “Puppet” (Feat. FOUR TET) plus unreleased b-side “Prisoner”.

      "A lyricist to rival Dylan and Cohen. An album crackling with menace yet infused with tenderness, The Projector conjures magic with fragile rays of light in the darkness." - The Telegraph ****


      Four Tet

      Morning / Evening

      The one and only Kieran Hebden returns under his Four Tet moniker with his first long player proper since 2013's "Beautiful Rewind", and it's predictably brilliant. Abandoning such trivial conventions as track titles and track lengths, KH dives straight into the deep end of the conceptual waters with a pair of 20 minute compositions, known simply as "Morning Side" and "Evening Side". The former continues Kieran's recent flirtation with the dancefloor, although replaces the junglist leanings of "Beautiful Rewind" with a textured, organic house beat. Achingly beautiful synthlines weave around the beat, transporting us back to 2008's "Ringer", before a heartbreaking sample of hindi vocals and strings overcomes our senses and raises our spirits. As the track evolves, Four Tet gently expands our horizons with a building shimmer of synth melodies, drones and fx until we finally collapse into the lush electronics the side finishes with. The "Evening Side" continues where we left off, although the transcendent mood of the A-side is replaced by a low key calm as blinking electronics play us a lullaby in the moonlight. As we drift into dreams, the cascading keys tumble around us like shooting stars, inviting another hindi vocal along for the ride. As a whole, "Morning / Evening" almost works as a retrospective, collating the genius of distinct periods of the Four Tet ouvre into one coherent whole.

      Roots Manuva

      Facety 2:11 / Like A Drum - Four Tet / Machinedrum Mixes

      Rodney Smith is arguably the greatest rapper ever to emerge from British shores and after two years locked in the studio brewing up brand new music, he returns now with 'Facety 2:11', a stunning single produced by fellow UK maverick Four Tet, aka Keiran Hebden. 'Facety' is patois slang for someone being rude - a barefaced cheek referenced by the insistent, cockney rhyming lyrical snip - ‘boat race’ - that makes up the chorus. Hebden builds a rhythm track that bumps and rolls like batucada-meets-footwork, providing neck-snap beats for Smith's easy-on-the-ear flow to mesh with. A dancefloor slayer!

      Another of electronic music’s most exciting voices, NYC producer Machinedrum, provides the beat for the B-Side, 'Like a Drum'. Ditching his usual drum & bass style, Machinedrum provides a laid-back, almost downbeat, backing track - jazz-tinted and cinematic, with added electronica bass boom bap...

      The 12" also includes instrumental versions of both mixes, making this a must for Four Tet and Machinedrum heads as well as Roots Manuva fans. 

      In Smith's inimitable words, the single is "a wee spring warmer in voodoo coptic dialect shape shifting: the remit the same as ever in awakening one’s inner, modern-day Sun Ra, ODB and Kate Bush on an overdrive of doing because we can't help ourselves…"


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