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Foals

Everything Not Saved Will Be Lost Part 2

    Foals’ creative ambition for ‘Everything Not Saved Will Be Lost – Part 1’ resulted in a striking state-of-the-world-address of an album in which apocalyptic lyrical themes were equalled by the sheer impact of the music. It emerged as an immediate album of the year contender, with many hailing it as the finest moment in a consistently critically- acclaimed career. That status was cemented when it was shortlisted for the Mercury Prize last week.

    Now Foals complete that artistic statement with the October 18th release of ‘Everything Not Saved Will Be Lost – Part 2’. The album has been launched with the lead track ‘Black Bull’, which is Annie Mac’s Hottest Record in the World.

    “Part two is a heavier listen, the guitars are more emphasised and there’s some big riffs on it,” explained Philippakis in an interview with NME. “It’s a rock record and it definitely carries on the narrative from part one. Part one ended with a lot of fire and destructive imagery, part two is trying to respond to that: how you can continue in the wreckage and through the scorched earth? We’re just excited for people to hear it because it completes the journey of what we’ve made over the last year-and-a-half.”

    Whereas ‘Part 1’ melded Foals’ disparate influences into a thrilling melting pot of sounds, much of ‘Part 2’ simmers with pure visceral intensity. ‘The Runner’ and ‘Black Bull’ are streamlined attacks, with vehement rhythmic onslaughts the foundation for even bigger riffs. It’s an approach that also informs ‘10,000 Feet’, as it lurches ominously from dreamy soundscapes into a heavyweight collision of post-punk and psychedelia.

    Yet ‘Part 2’ also echoes the opening chapter’s eclectic nature. The cinematic instrumentals ‘Red Desert’ and ‘Ikaria’ underline that ‘Everything Not Saved Will Be Lost’ is a journey rather than a mere collection of songs, while ‘Wash Off’ marries manic world music-tinged grooves with a punk-like intensity.

    And while ‘Part 2’ extends its predecessor’s exploration of contemporary concerns – toxic masculinity in ‘Black Bull’, humanity’s dependency on tech in ‘Wash Off’ – the overall tone is set by ‘The Runner’, which hones in on the importance of fighting back against the odds. That defiance detours into tenderly romantic territory with ‘Into The Surf’ before the 10-minute ‘Neptune’ – somehow feeling like both a requiem and an elegy – brings proceedings to a close in exploratory yet emotive style.

    This album, like ‘Part 1’, was produced by Foals themselves: Yannis Philippakis (vocals/guitar), Jimmy Smith (guitar), Jack Bevan (drums) and Edwin Congreave (keys), with Philippakis and Congreave contributing bass too.

    ‘Everything Not Saved Will Be Lost – Part 2’ will be released on CD, digital and vinyl formats. Special editions include a coloured vinyl that will be available exclusively through indie stores and a picture disc which is designed to be added to the ‘Everything Not Saved Will Be Lost’ Collector’s Edition boxset.

    Collectively, ‘Every Not Saved Will Be Lost’ is symbolic of Foals’ trajectory so far. From playing chaotic house parties in their home city of Oxford to becoming major festival headliners across Europe, they’ve earned critical acclaim (NME and Q Award wins, plus Mercury Prize, Ivor Novello and BRIT Award nominations) and fan devotion (1.7 million album sales, plus over half a billion streams at Spotify since 2015) in equal measure.

    ‘Part 1’ debuted at #2 on the Official Album Charts, making it the band’s joint highest charting set to date. They followed its release by completing a huge UK tour which included two sold-out shows at London’s prestigious Alexandra Palace. Foals also played triumphant sets at Glastonbury and Radio 1’s Big Weekend before headlining the Truck and Y Not Festivals.

    FORMAT INFORMATION

    Coloured LP Info: RSD exclusive 180 gram orange vinyl.

    Foals

    Everything Not Saved Will Be Lost Part 1

      From playing chaotic house parties in their home city of Oxford to becoming major festival headliners across Europe, Foals’ trajectory has been remarkable. They’ve earned critical acclaim (NME and Q Award wins, plus Mercury Prize, Ivor Novello and BRIT Award nominations) and fan devotion (1.7 million sales of their four Gold-certified albums) in equal measure. And while the majority of contemporaries have fallen by the wayside, Foals continue to hit new peaks.

      After more than a decade in the game, Foals again embrace that love for the unconventional with the bravest and most ambitious project of their career: not one, but two astonishing new albums: ‘Everything Not Saved Will Be Lost’. A pair of releases, separate but related, they share a title, themes and artwork. ‘Part 1’ is released on March 8th, with ‘Part 2’ following later in the year.

      “They’re two halves of the same locket,” frontman Yannis Philippakis explains. “They can be listened to and appreciated individually, but fundamentally, they are companion pieces.”

      Fundamentally tethered but possessing their own personalities, the two bodies capture the most compelling, ambitious and cohesive creations they’ve ever produced. Eager to break the traditional pop song structure which they felt they were becoming increasingly tapered to, the 20 tracks defy expectation. There are exploratory, progressive-tinged tracks alongside atmospheric segues which make the music an experience rather than a mere collection of songs. Yet the band’s renowned ability to wield relentless grooves with striking power and skyscraper hooks also reaches new heights.

      The album’s lead single ‘Exits’ is a case in point, featuring Philippakis conjuring the image of a disorienting world via a contagious vocal melody. It’s a fresh anthem for Foals’ formidable arsenal, but also an ominous forecast.

      “There's a definite idea about the world being no longer habitable in the way that it was,” says Yannis. “A kind of perilousness lack of predictability and a feeling of being overwhelmed by the magnitudes of the problems we face. What's the response? And what’s the purpose of any response that one individual can have?”

      ‘Exits’ signposts what to expect thematically from both instalments of ‘Everything Not Saved Will Be Lost’. The title is a warning that anything – from the tiniest fleeting moment of inspiration through to the planet’s own biological diversity – can be under threat of being irrevocably erased.

      It’s a theme that permeates throughout the album’s material, as Foal mirror the public neuroses that have been provoked by our current cultural climate. Paranoia of state surveillance? Fear of environmental collapse? Anxiety over Trump’s next potentially cataclysmic move? It’s all there in these apocalyptic songs.

      “Lyrically, there are resonances with what's going on in the world at the moment,” summarises Yannis. “I just feel like, what’s the utility of being a musician these days, if you can’t engage with at least some of this stuff? These songs are white flags, or they’re SOSs, or they’re cries for help… each in a different way.”
      The new albums’ journeys began as the ‘What Went Down’ era ended. Founding bassist Walter Gervers departed on amicable terms after playing the Festival Paredes de Coura in Portugal in August 2017. Foals felt that he couldn’t be replaced – a decision that ushered in a period of recalibration, reorganisation and, ultimately, rejuvenation.

      After taking a little time out, Foals – completed by Jimmy Smith (guitar), Jack Bevan (drums) and Edwin Congreave (keys) reconvened – with Yannis on production duties, who, together with Edwin, also covered the bass parts. They began by writing in a rehearsal space before exporting those sketches into the recording phase at 123 Studios, Peckham, with the assistance of engineer Brett Shaw. They’d repeat the cycle between the two spaces, effectively creating an ongoing feedback loop as they sought to push every new idea to the finish line.

      FORMAT INFORMATION

      LP Info: Black vinyl 180 gram and gatefold sleeve.

      Foals

      Everything Not Saved Will Be Lost Part 1 - SIGNED EDITION

        LIMITED SIGNED COPIES OF BOTH THE CD AND VINYL EDITIONS.

        From playing chaotic house parties in their home city of Oxford to becoming major festival headliners across Europe, Foals’ trajectory has been remarkable. They’ve earned critical acclaim (NME and Q Award wins, plus Mercury Prize, Ivor Novello and BRIT Award nominations) and fan devotion (1.7 million sales of their four Gold-certified albums) in equal measure. And while the majority of contemporaries have fallen by the wayside, Foals continue to hit new peaks.

        After more than a decade in the game, Foals again embrace that love for the unconventional with the bravest and most ambitious project of their career: not one, but two astonishing new albums: ‘Everything Not Saved Will Be Lost’. A pair of releases, separate but related, they share a title, themes and artwork. ‘Part 1’ is released on March 8th, with ‘Part 2’ following later in the year.

        “They’re two halves of the same locket,” frontman Yannis Philippakis explains. “They can be listened to and appreciated individually, but fundamentally, they are companion pieces.”

        Fundamentally tethered but possessing their own personalities, the two bodies capture the most compelling, ambitious and cohesive creations they’ve ever produced. Eager to break the traditional pop song structure which they felt they were becoming increasingly tapered to, the 20 tracks defy expectation. There are exploratory, progressive-tinged tracks alongside atmospheric segues which make the music an experience rather than a mere collection of songs. Yet the band’s renowned ability to wield relentless grooves with striking power and skyscraper hooks also reaches new heights.

        The album’s lead single ‘Exits’ is a case in point, featuring Philippakis conjuring the image of a disorienting world via a contagious vocal melody. It’s a fresh anthem for Foals’ formidable arsenal, but also an ominous forecast.

        “There's a definite idea about the world being no longer habitable in the way that it was,” says Yannis. “A kind of perilousness lack of predictability and a feeling of being overwhelmed by the magnitudes of the problems we face. What's the response? And what’s the purpose of any response that one individual can have?”

        ‘Exits’ signposts what to expect thematically from both instalments of ‘Everything Not Saved Will Be Lost’. The title is a warning that anything – from the tiniest fleeting moment of inspiration through to the planet’s own biological diversity – can be under threat of being irrevocably erased.

        It’s a theme that permeates throughout the album’s material, as Foal mirror the public neuroses that have been provoked by our current cultural climate. Paranoia of state surveillance? Fear of environmental collapse? Anxiety over Trump’s next potentially cataclysmic move? It’s all there in these apocalyptic songs.

        “Lyrically, there are resonances with what's going on in the world at the moment,” summarises Yannis. “I just feel like, what’s the utility of being a musician these days, if you can’t engage with at least some of this stuff? These songs are white flags, or they’re SOSs, or they’re cries for help… each in a different way.”
        The new albums’ journeys began as the ‘What Went Down’ era ended. Founding bassist Walter Gervers departed on amicable terms after playing the Festival Paredes de Coura in Portugal in August 2017. Foals felt that he couldn’t be replaced – a decision that ushered in a period of recalibration, reorganisation and, ultimately, rejuvenation.

        After taking a little time out, Foals – completed by Jimmy Smith (guitar), Jack Bevan (drums) and Edwin Congreave (keys) reconvened – with Yannis on production duties, who, together with Edwin, also covered the bass parts. They began by writing in a rehearsal space before exporting those sketches into the recording phase at 123 Studios, Peckham, with the assistance of engineer Brett Shaw. They’d repeat the cycle between the two spaces, effectively creating an ongoing feedback loop as they sought to push every new idea to the finish line.


        FORMAT INFORMATION

        CD Info: SIGNED COPY.

        With two top 10 albums already under their belt, Oxford five-piece Foals return with their third and most exhilarating album yet.

        ‘Holy Fire’ has been recorded by prestigious production duo Flood & Moulder at Assault and Battery studios in London. Their previous work includes Smashing Pumpkins, PJ Harvey, Nine Inch Nails, and The Killers.

        The first track to be showcased is ‘Inhaler’ - an electrifying, shamanistic tune set to purge the soul and raise the dead. Heavier than anything Foals have written before it nevertheless shines with their inimitable groove and funk.

        Foals were nominated for a Mercury nomination with ‘Total Life Forever’. At the 2011 NME awards in they won ‘Best Single’ for ‘Spanish Sahara’ and were nominated for four other awards. They were also nominated for ‘Best Song’ for ‘Spanish Sahara’ at the 2011 Ivor Novello awards.

        2008 saw the Oxford quintet rise to prominence with their debut album "Antidotes" entering the UK charts at number three. From these early days playing house parties, to selling-out incendiary tours across the UK and the world, stand-out TV performances, and exhilarating festival appearances, they set the stage perfectly for their much-anticipated sophomore effort "Total Life Forever", including the single "This Orient".



        Foals are a five-piece dance-rock band currently living in their home town Oxford. They met in their native city, where they bonded over a shared sense of humour. Bored with the interchangeable electro records they heard at every party, they decided to make the kind of music they wanted to dance to. 'We wanted to make music that was very technical, that wasn't just party music, but at the same time you could dance to it', explains vocalist Yannis. Foals quickly identified a winning formula: driving percussion high in the mix, guitars played above the 12th fret, no chords and splashes of synth colour. The result is pristine, perfectly formed dance rock.


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