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DOVES

Cover of Feed Me To The Doves by Guardian Singles.

Guardian Singles

Feed Me To The Doves

Trouble In Mind

    For Fans Of: The Marked Men, Ducks Ltd, The Sound, Mission of Burma, Straightjacket Fits, The Wipers, Eddy Current Suppression Ring, Hüsker Dü, Bailter Space. Auckland, New Zealand post-punk group Guardian Singles return to Trouble In Mind for their follow-up to 2021's debut with "Feed Me To The Doves", a ten-track socio-political burner addressing our collective spiritual chaos that pulls influence from across the history of punk & permeates it into something decidedly Aotearoan & uniquely their own in ways that are both personal & universal.

    "Feed Me To The Doves" is the first album to feature the current, long-standing lineup of Thom Burton (guitar, vocals), Fiona Campbell (drums), Yolanda Fagan (bass), and Durham Fenwick (lead guitar). The band has been playing live together now for a few years & it shows. The songs herein vary from the deeply personal, to sketches or postcards, as Burton says "…scribbled while watching the dregs of a delirious culture war play out through broken smartphones and praline vape clouds." Expertly recorded at Neil Finn's Roundhead Studios in Auckland by engineer Steven Marr, who Burton says had a "great sense of being able to keep the urgency of the songs while adding lushness and keeping things sounding like they're about to break at any second". Marr helped turn the album's scrappy beginnings into something more cohesive and beautiful.

    TRACK LISTING

    1. Chad And Stacey
    2. Pit Viper
    3. Manic Attraction
    4. Metal Fingers
    5. Bleak Park
    6. Com Trans
    7. Nightmare Town
    8. Untied, United
    9. Shimmer
    10. Ground Swell

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    Cover of Black And White Town - Music Box by Doves.

    Doves

    Black And White Town - Music Box

      Black And White Town was the lead single from Doves' third album Some Cities and was released in 2005 on Heavenly Recordings.

      This version of the Doves anthem is an evocative echo of the original track's beautiful vocal melody.

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      Cover of Reprise - Music Box by Doves.

      Doves

      Reprise - Music Box

        The penultimate song of Doves’ debut long player ‘Lost Souls’, 'Reprise' revisits the guitar figure from other album track ‘The Man Who Told Everything'.

        Released in the year 2000 on the Heavenly record label, the Mercury Music Prize nominated album that Manchester icon Johnny Marr called "a vast 3am melancholic beauty brought to life" went on to gain Top 20 status in the UK and was described by the NME as "the first great album to come from Manchester since ‘Definitely Maybe’...”

        This Official Music Box version of this instrumental classic is a haunting coda to the beauty of the original Doves track.

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        Cover of Electric Dove by Falling Doves.

        Falling Doves

        Electric Dove

        BCMG Records

          The Falling Doves a force of electric energy. Their music is a fusion of stadium rock with garage rock familiarity, a sound that has helped the guys win over the ears and hearts of fans around the globe.

          Personally mentored by Phil Solemn (the Rembrandt’s), the late Scott Weiland (Stone Temple Pilots), and Pete Best (the Beatles), the Falling Doves have additionally shared the stage with such established acts the likes of Echo & The Bunnymen, Peter Murphy of Bauhaus, Fastball, and Gilby Clarke; the list grows with each passing year.

          Prior to COVID-19, their "Electric Dove World Tour" was set to sweep through Europe, Asia, and Latin America with nothing short of thunder and lightning. The band was able to tear Australia down before restrictions were set in March.

          The band is now rescheduling those missed dates, with a summer tour, dubbed the “Lightning Strikes Twice Tour,” The band will be visiting as many countries as allowed by the ease of restrictions the remainder of 2021.

          While in the UK, at the height of the pandemic, the band sought refuge at the legendary Abbey Road Studios, working under the direction of engineer / producer Chris Bolster with pre-production done at Motor Museum Studios in Liverpool (Oasis, The 1975, Arctic Monkeys ) for a future album, called ‘Liverpool,’.

          About the Double Vision 2022 World Tour in April 2022, will bring the elements of a stadium live concert production into small halls, with a rich visual texture of music videos and the element of lights and theater you would expect from bands like Aerosmith and the Rolling Stones.

          Don’t let the lightning pass you by as the storm rolls through your town and don’t forget your leather jacket. 

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          Cover of Strange World / Purple Desire by Various Artists.

          Various Artists

          Strange World / Purple Desire

          When Doves Cry

          File Under: Deep Downtempo / Cosmic Throb / Sensitive Soft Rock

          It’s a strange world we’re living in and these addictive cuts mirror it well.
          Dancing all night in cheerful melancholy with two strictly limited edits.

          The A-side renders gothic synth pop at cruising tempo, spinning a web of tape delay as your mind unravels. A bassline throbs, pistons hiss and a paranoia takes hold of an icy vocal. Lose yourself in the otherwhere.

          We step into a pristine wilderness on the B-side, stately pads gliding over a supple rhythm section while tender chimes tug at your heartstrings. Emotion abounds on an instrumental which never was. Big boys do cry, and this dove’s weeping over broken wings…

          101 was gone within 2 weeks. Just sayin’ ...


          STAFF COMMENTS

          Mine says: WDC101 was a staple on the shop player and I'm sure its successor will be a firm favourite of ours too. If side A is your perfect start to the night (I'm thinking slowly wobbling on to the (imaginative) dance floor...), side B is the perfect ending. Top marks again!

          TRACK LISTING

          A. Strange World 7:04 / 86 BPM
          B. Purple Desire 4:52 / 86 BPM

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          Cover of Lost Souls - Vinyl Reissue by Doves.

          Doves

          Lost Souls - Vinyl Reissue

          UMC / Virgin

          Arriving in 2000, with impeccable credentials (they'd released three beautiful EPs on Casino Records) Doves' debut album was astonishing in its completeness. Deep, doomy but always beautiful, there was a seamlessness to its 12 songs which created a good old-fashioned Proper Album vibe; a record that ebbed and flowed, and a record to lose yourself in. There's a filmic quality to a lot of the sound; a brooding, symphonic, melancholy air which soothes as it grooves. And groove it does: Doves have always had the bottom end well and truly sorted out, and no less than on this, their gorgeous, mellow, darkly comforting debut. What a mix! 


          STAFF COMMENTS

          Andy says: Doves’ debut was a stunning, cinematic, beautiful, doomy and heavily melancholic masterpiece. With their Factory Records affiliations, this band were just what Manchester ( and by definition therefore: Music in general) needed after the emptiness of ( latter day) Oasis and the banality of “ Britpop”.

          TRACK LISTING

          Side A
          A1 - Firesuite
          A2 - Here It Comes
          A3 - Break Me In Gently

          Side B
          B1 - Sea Song
          B2 - Rise
          B3 - Lost Souls

          Side C
          C1 - Melody Calls
          C2 - Catch The Sun
          C3 - The Man Who Told Everything

          Side D
          D1 - The Cedar Room
          D2 - Reprise
          D3 - A House

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          Cover of The Last Broadcast - Vinyl Reissue by Doves.

          Doves

          The Last Broadcast - Vinyl Reissue

          UMC / Virgin

          April 2002 saw Doves return, with the Roses inspired "There Goes The Fear" single crashing into the Top 3. It was a massive song, all groove, headrush melody and scope, but even that couldn't prepare us for the sheer brilliance of the album that followed. Every single song is fantastic and whilst still heavy on the sadness, this is a defiantly uplifting record. The appropriately titled "Pounding" is testament to that; it's one of many heart-tugging anthems. Elsewhere Doves cover folk, gospel and early-Floyd style psychedelia, effortlessly blending it into a singular listening experience. It was around this time that another musician (I forget who) described Doves as 'pure emotion on tape'. Whoever he was, he was right! 



          STAFF COMMENTS

          Andy says: Two years on from their debut and lead single “ There Goes The Fear” felt like a Roses style statement of massive intent. It was a monster! Toweringly majestic and superbly arranged, it was the perfect introduction to a record which was a clear step up in every way. Who knew sadness could be so thrilling?!

          TRACK LISTING

          Side A
          A1 - Intro
          A2 - Words
          A3 - There Goes The Fear

          Side B
          B1 - M62 Song
          B2 - Where We're Calling From
          B3 - N.Y.

          Side C
          C1 - Satellites
          C2 - Friday's Dust
          C3 - Pounding

          Side D
          D1 - Last Broadcast
          D2 - The Sulphur Man
          D3 - Caught By The River

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          Cover of The Universal Want by Doves.

          Doves

          The Universal Want

          Virgin / EMI

            In a tumultuous 2020, the re-emergence of Doves with new music has provided a shaft of light in an otherwise brooding sky, finally landing their fifth album, The Universal Want, after an eleven-year artistic break.

            The equally ecstatic and relieved response from fans and critics to the first track to emerge, Carousels, during the final, confusing throws of the UK and Europe’s strict COVID-19 lockdown in June, proved how desperately their idiosyncratic sense of euphoric melancholy was, and is, needed. Catching many off-guard, Doves unleashed a track of unfathomable depth, unfurling rich and unpredictable pockets of sound, twisted round a sample of the great Tony Allen at his very best.

            “This place is wild at heart and weird on top, you just couldn’t make it up,” said Jimi Goodwin, surveying the world through his window while a global pandemic was taking root in late-March 2020. Paraphrasing Laura Dern’s character, Lula Pace Fortune in the 1990, David Lynch film Wild At Heart, Goodwin hits on the Lynchian-obsessions shared by all three Doves. Himself, Andy (drums/vocals) and Jez Williams (guitars/programming/vocals) would often find themselves hosting impromptu post-rave, home screenings in the early 1990s.

            By quoting the film, the lead singer and bassist of the twice Mercury-nominated band also, accidentally, expresses what everyone else was feeling at the time of disorientation, fear and hope. Doves have a longstanding habit of doing just that.

            First emerging in 1998 with the release of their debut, vinyl-only Cedar EP, Doves’ first album, Lost Souls (2000), received both press and award-panel praise, before Number One follow-up, The Last Broadcast (2002) provided the trio with a major breakthrough, offering with the hit singles, There Goes The Fear and Pounding. Straight-to-Number One follow up, Some Cities (2005) and the difficult birth of the much-loved Kingdom of Rust (2009) appeared to complete a perfect legacy if the hiatus the band called in 2010 lasted longer than anyone hoped. It certainly lasted longer than the band had expected. “It’s bizarre how quickly life just passes,” says Goodwin, reflecting on the years that turned into a decade.

            The story of The Universal Want, the title itself and other tracks such as Prisoners giving an impression of the band’s disdain towards the consumerist illusion, starts in a rented house in England’s Peak District during secret, unintended writing sessions in 2017. Joining the dots, band historians note that it came a full year before announcing their live return and 18 months before they appeared together publicly. That they were a creative force once more was a near impossible secret to keep, as they worked between studios in the North West and the Midlands.

            Andy Williams describes the excitement of the sessions, saying: “There were times when we felt an indescribable buzz. It was a breeze compared to ‘Kingdom Of Rust’, with one of the nicest things being just hanging out. We were never that far apart; I’d call Jimi every month. We’re too closely tied to have lost contact; I’d miss them.”

            Refusing once more to fall into predictable, guitar-bass-drums, ‘plug in and play’ dynamics, The Universal Want’s overwhelming sense of intrigue owes everything to Doves’ three decades experience at the wheel of their band (a lifespan going back to their time as dance band, Sub Sub), and an autobiographical trip through the sounds of their own lives. From seaside amusements (Carousels) and the remembered heat of acid house (Universal Want) to the aimless summer days of youth (Forest House), each song sets a new reel running to show fragments of their lives and, in turn, those of their listeners. Shadows of Bowie, rare 70’s soul, Detroit House and Afrobeat are cast subtly across the shapeshifting album.

            Cycle Of Hurt’s, disembodied mantra of ‘it’s a trap’, finds the band once more concerned with finding freedom in a cynical, aspirational age. A band that respects creativity itself, allowing the process to meander, it wasn’t, and isn’t their intention to write a manifesto rallying against vapid consumer culture. “When it comes to themes,” says Jez “we always find a very collaborative way forward. It’s all quite subconscious. It’s only when you look back that you can see the threads linking the songs.” 


            STAFF COMMENTS

            Barry says: It's been plenty long enough since a new Doves album, and this one hits all of the high notes we'd expect. Superb melodies, brilliant songwriting and a crystal clear narrative throughout. It's a brilliant return after eleven years, and one we've been sorely needing.

            TRACK LISTING

            1. Carousels
            2. I Will Not Hide
            3. Broken Eyes
            4. For Tomorrow
            5. Cathedrals Of The Mind
            6. Prisoners
            7. Cycle Of Hurt
            8. Mother Silver Lake
            9. Universal Want
            10. Forest House

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            Cover of Some Cities - Vinyl Reissue by Doves.

            Doves

            Some Cities - Vinyl Reissue

            UMC / Virgin

            This superb record was originally released in February 2005. Doves continued where they left off but this time they go even one better again: song for song this probably outslugs "The Last Broadcast"! You could actually describe this as a pop record, just for its massive melody quota, except pop music rarely displays such soul, depth or intelligence. There's Air-ish grooves, Cocteau's-shimmering echoes, a Strokes rip, a Northern Soul stomper, and one song "Snowden" has the sweetest Mercury Rev-style, swooning keyboard refrain. But then you probably know all this by now? This stunning album catapulted Doves right into the big league. Albums with not one duff track can do that for a band. To see a group who'd played live in our shop to a handful of people only six years earlier, go on and connect with so many, and in such a meaningful way, was heartwarming, to say the least. 

            STAFF COMMENTS

            Andy says: By now Doves were an enormous band and their third album in 5 years felt like the summation of all that had gone before, then squared! Unfettered, defiant, confident and brimming with life, this was their most uplifting record propelled by gigantic melodies. A total triumph. Doves at their peak.

            TRACK LISTING

            Side A
            A1 - Some Cities
            A2 - Black And White Town
            A3 - Almost Forgot Myself

            Side B
            B1 - Snowden
            B2 - The Storm
            B3 - Walk In Fire

            Side C
            C1 - One Of These Days
            C2 - Someday Soon
            C3 - Shadows Of Salford

            Side D
            D1 - Sky Starts Falling
            D2 - Ambition

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            Soiled Doves

            Soiled Life

            Gold Satandard Laboratories

              Seattle's Soiled Doves are history - although the group's brief existence in no way reflects its significance in the scheme of things... The band emerged in the late 1990's as new-wave upstarts The Vogue, and by 2001 had mutated (or, rather, condensed) into the 4-piece Soiled Doves. Three of the Four Doves were soon to be members of the critically-acclaimed Chromatics, while vocalist Johnny was on loan from local heroes the Blood Brothers. Soiled Doves released a single on Arizona's collectable King Of The Monsters label, then ventured into Seattle's Paradox studio to record a full-length. Before the album was finished, it was decided that the group would lay itself to rest - Johnny's commitment to The Brothers was compromising his time, and the band were eager to get on with touring, etc. So, after a single West Coast tour in 2001, they had to split. Essential for fans of the Chromatics and Blood Brothers.

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