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DON GIOVANNI

Weakened Friends

Feels Like Hell

    The Portland, ME trio returns with 'Feels Like Hell', their most self-assured and emotionally charged record yet. Despite the title, the album is a celebration of personal growth, creative freedom, and defiant joy in the face of a chaotic world. Coming off the burnout and frustration captured in their 2021 album 'Quitter', 'Feels Like Hell' finds Sonia Sturino (vocals/guitar), Annie Hoffman (bass/vocals), and Adam Hand (drums) leaning into clarity, gratitude, and renewed purpose. Sturino’s lyrics are as raw and honest as ever, but now they reflect strength rather than despair. It’s an album that drags existential dread into the daylight and sets it on fire. “I decided to stop being such a sad-sap negative person,” Sturino says. “Now I practice being grateful, being proud, being happy, and not being envious.” That mindset shift shapes the tone of 'Feels Like Hell', which looks at darkness but chooses not to be consumed by it. The record also marks the band’s first foray into co-writing, with Hoffman playing a significant role in shaping its sound. Embracing a more intuitive recording process, the trio stripped back the excess and focused on what felt right. The result is a record that’s resilient, cathartic, and brimming with creative energy. While the world may still feel like it’s falling apart, 'Feels Like Hell' pulses with the power of letting go. Letting go of fear, of perfectionism, of the illusion that vulnerability is weakness. With driving guitars, unflinching lyrics, and a renewed sense of purpose, Weakened Friends prove that it’s possible to stand in the wreckage and still find something worth singing about.

    TRACK LISTING

    1. Tough Luck (Bleed Me Out)
    2. Lightspeed
    3. Nosebleed
    4. Weightless
    5. Interlude 1
    6. NPC (Feat. Buckethead)
    7. Smoke And Mirrors
    8. Queen Of Town
    9. Not For Nothing
    10. Interlude 2
    11. Great Expectations
    12. Torn

    Ailbhe Reddy

    KISS BIG

      Ailbhe Reddy is a Dublin-born songwriter whose music captures the quiet intensity of life’s in-between moments. Her third album 'KISS BIG' is a breakup record — but not in the traditional sense. It explores what happens after the fallout: the numbness, the confusion, the brief flashes of clarity. How identity slips, rearranges, and occasionally reforms. Written between London, New York, Dublin and Donegal, 'KISS BIG' draws on literary influences like Fleishman Is in Trouble and Sarah Kane’s 'Crave', combining diaristic lyrics with soft-spoken intensity. The result is a record that sits somewhere between indie rock and confessional folk, echoing the emotional weight of artists like Julia Jacklin, Phoebe Bridgers, and Lucy Dacus.

      Reddy’s previous albums 'Personal History' and 'Endless Affair' earned critical acclaim and a Choice Music Prize nomination, with praise from outlets like The Guardian, Pitchfork, and The Times. She’s performed at Glastonbury, SXSW, The Great Escape and beyond, steadily building a loyal audience drawn to her honesty and emotional precision. With 'KISS BIG', Reddy leans further into her ability to make the personal feel universal. These are songs for endings, almosts, and the quiet beginnings that come after.

      TRACK LISTING

      1. Align
      2. That Girl
      3. So Quickly, Baby
      4. Untangling
      5. Graceful Swimmer
      6. Dead Arm
      7. Gorgeous Thing
      8. Kiss Big
      9. Crave

      Kind Beast

      Familiars From Another Life

        Having met as teenagers touring the North American post-punk scene, drummer Dan Jaquint (Small Brown Bike) and singer/guitarist Sean Madigan Hoen (Thoughts Of Ionesco) found themselves collaborating years later while living in New York. Recording in closet-sized rehearsal rooms, the duo released a number of lo-fi recordings. Returning to their home state of Michigan, they began recruiting Detroit musicians to form what would become KIND BEAST. Born of a lifelong love of guitar music, noir aesthetics and literary fiction, KIND BEAST embraces rock n’ roll archetypes and contorts them beneath a gauze of twilight mood while lyrical themes explore shadow selves and shameless romance from angles influenced by a life of travel and Hoen’s work as a psychotherapist. Indebted to Fugazi, The Afghan Whigs and INXS as much as Sabbath and Zeppelin, what results is a consummate dark-rock ride that feels at once familiar and difficult to place amid modern genres. Propelled by Hoen’s crooning narratives of angels and demons, wholesome desire and transgressive detours into the dark heart, KIND BEAST is midnight rock for long drives and comedown hours put forth by gentlemen of wide experience. KIND BEAST is completed by bassist Sean Bondareff (known as longstanding bassist for Mitch Ryder and the Detroit Wheels) and Guitarist Martin Rodgers, who is making a name for himself as one Detroit’s most talented guitarists.

        TRACK LISTING

        1. Phil The Void
        2. Familiars
        3. Down For Life
        4. In It To Win It
        5. Hush, Killer
        6. On The Loose
        7. Barely Leaves A Mark
        8. From The Heart
        9. Out Of Reach From The Satellites
        10. Curtains

        LSD And The Search For God

        Heaven Is A Place - 2025 Reissue

          Over the years, LSD and the Search for God’s cult-like following within the underground psych/space/shoegaze community has remained as passionate as ever.

          'Heaven', '(I Don't Think That We Should) Take It Slow', and 'Elizabeth' showcase the band at their best—swirling, reverb-drenched guitar chords, intertwined with shimmering male/female vocals—while 'Outer Space' and 'Without You' slow it down a bit and throw hazy, psychedelic guitar riffs into the mix. The obvious comparison to the Creation Records sound in its heyday is appropriate, yet LSD have definitely taken that noise and made it all their own.

          TRACK LISTING

          1. Heaven
          2. (I Don't Think That We Should) Take It Slow
          3. Outer Space (Long Way Home)
          4. Elizabeth
          5. Without You

          LSD And The Search For God

          LSD And The Search For God - 2025 Reissue

            LSD and the Search for God hit the Northern California coast in 2005 - seemingly from another place and time - dosing San Francisco with hypnotic shows built upon swirling guitars, otherworldly drones, fuzzed-out pop melodies, and dreamy vocal harmonies. With reviews of early shows and recordings drawing comparisons to My Bloody Valentine, Slowdive, Yo La Tengo, Spacemen 3, and Sonic Youth, the band quickly developed a must-see reputation within the underground psychedelic music scene. When LSD finally released their self-titled debut EP it earned critical acclaim and continues to frequently appear on lists of essential shoegaze releases. LSD’s time and space travels have led them all over the U.S., Canada, and Europe, including tours with Martin Rev (Suicide), Sonic Boom (Spacemen 3), and The Telescopes, as well as appearances at Levitation–Austin Psych Fest, SoCal’s Desert Daze, Manchester’s Cosmosis Festival (with The Jesus and Mary Chain), Bathysphere (with A Place To Bury Strangers), twice at Desert Stars (first with Black Rebel Motorcycle Club, then The Dandy Warhols), Calgary’s Garbage Daze, and Portugal’s Reverence Valada (with The Damned, The Oh Sees, and Silver Apples).

            STAFF COMMENTS

            Barry says: Fuzzy OG shoegaze, with barely audible vocals and reverb-washed guitars forming a backdrop for the euphoric key changes and soaring bursts of melody that shine through the darkness. Gorgeous, intense and criminally unheard.

            TRACK LISTING

            1. This Time
            2. I Don't Care
            3. Backwards
            4. Starting Over
            5. Starshine

            Freezing Cold

            Treasure Pool

              After coming up in different bands in the Long Island and Brooklyn DIY scene in the late '00s and early 2010s, the indie rock outfit Freezing Cold came together in 2017 and settled into its current lineup in 2019. Featuring lead vocalist/guitarist Jeff Cunningham, formerly of Bridge And Tunnel, bassist/vocalist Leanne Butkovic, formerly of Never, and Angie Boylan, formerly of Aye Nako and drummer for Sleater-Kinney — Freezing Cold is coming into their own now more than ever as a dynamic trio. After playing shows in support of Algernon Cadewalder, Radiator Hospital, and Screaming Females over the past year, the band is sharing their strongest, most fully formed work yet with the album Treasure Pool, due out August 1 on Don Giovanni Records. The 10-track record builds upon the group's extensive DIY experience, while finding an equilibrium where each member shines and moves beyond the early punk resonant in their past projects and toward something more mature. The new release was recorded in 2023 at Asbury Park's Lakehouse Recording Studios, with production from Marissa Paternoster of Screaming Females and Eric Bennett. It follows the band's 2019 debut Glimmer, produced by J. Robbins (Against Me!, Jawbreaker) and released before Butkovic filled out the group, and 2021's Stuck on Hold/Drawn to Scale EP.

              TRACK LISTING

              Golden
              Backlight
              Off Season
              Half Static
              You Already Know
              Silhouettes
              Eclipse
              Measures
              Win/Lose
              The Day

              Waxahatchee

              Cerulean Salt - 2023 Reissue

                Cerulean Salt follows American Weekend -- a collection of minimal acoustic guitar pop written and recorded in a week at her family's Birmingham home. On this new record, Crutchfield's songs continue to be marked by her sharp, hooky songwriting; her striking voice and lyrics that simultaneously seem hyperpersonal yet relentlessly relatable, teetering between endearingly nostalgic and depressingly dark. But whereas before the thematic focus of her songcraft was on break ups and passive-aggressive crushing, this record reflects on her family and Alabama upbringing. Whereas American Weekend was mostly just Crutchfield and her guitar, Cerulean Salt is occasionally amped up, with a full band and higher-fi production. At times, Cerulean Salt creeps closer to the sound of PS Eliot: moody, 90s- inspired rock backed by Keith Spencer and Swearin' guitarist Kyle Gilbride on drums and bass. The full band means fleshed-out fuzzy lead guitars on "Coast to Coast", its poppy hook almost masking its dark lyrics. Big distorted guitars and deep steady drums mark songs like "Misery over Dispute" and "Waiting". There's plenty of American Weekend's introspection and minimalism to be found, though. "Blue Pt. II" is stripped down, Crutchfield and her sister Alison singing in harmony with deadpan vox. She's still an open booking, musing on self-doubt versus self-reliance, transience versus permanence. "Peace and Quiet" ebbs and flows from moody, minimal verses to a sing- song chorus. "Swan Dive" tackles nostalgia, transience, indifference, regret -- over the a minimal strum of an electric-guitar, the picking at a chirpy riff and the double-time tapping of a muted drum. The album closes with a haunting acoustic-guitar reflection on "You're Damaged," possibly the best Waxahatchee song to date.

                TRACK LISTING

                Hollow Bedroom
                Dixie Cups And Jars
                Lips And Limbs
                Blue Part II
                Brother Bryan
                Coast To Coast
                Tangled Envisioning
                Misery Over Dispute
                Lively
                Waiting
                Swan Dive
                Peace And Quiet
                You're Damaged

                Waxahatchee

                Cerulean Salt

                  Reissue of the second Waxahatchee album.

                  On her second full-length record as Waxahatchee, former P.S. Eliot singer Katie Crutchfield’s compelling hyper-personal poetry is continuously crushing.

                  On this new record, Crutchfield’s songs continue to be marked by her sharp, hooky songwriting; her striking voice and lyrics that simultaneously seem hyper-personal yet relentlessly relatable, teetering between endearingly nostaglic and depressingly dark. But whereas before the thematic focus of her songcraft was on break ups and passive-aggressive crushing, this record reflects on her family and Alabama upbringing. And whereas American Weekend was mostly just Crutchfield and her guitar, Cerulean Salt is occasionally amped up, with a full band and higher-fi production. At times, Cerulean Salt creeps closer to the sound of PS Eliot: moody, 90s-inspired rock backed by Keith Spencer and Swearin’ guitarist Kyle Gilbride on drums and bass. The full band means fleshed-out fuzzy lead guitars on “Coast to Coast”, its poppy hook almost masking its dark lyrics. Big distorted guitars and deep steady drums mark songs like “Misery over Dispute” and “Waiting”. There’s plenty of American Weekend’s instrospection and minimalism to be found, though. “Blue Pt. II” is stripped down, Crutchfield and her sister Alison (of Swearin’) singing in harmony with deadpan vox. She’s still an open booking, musing on self-doubt versus self-reliance, transience versus permanence. “Peace and Quiet” ebbs and flows from moody, minimal verses to a sing-song chorus. “Swan Dive” tackles nostalgia, transience, indifference, regret over the a minimal strum of an electric-guitar, the picking at a chirpy riff and the double-time tapping of a muted drum. The album closes with a haunting acoustic-guitar reflection on “You’re Damaged,” possibly the best Waxahatchee song to date.

                  TRACK LISTING

                  Hollow Bedroom
                  Dixie Cups And Jars
                  Lips And Limbs
                  Blue, Pt. 2 
                  Brother Bryan
                  Coast To Coast
                  Tangled Envisioning
                  Misery Over Dispute 
                  Lively
                  Waiting
                  Swan Dive
                  Peace And Quiet
                  You’re Damaged

                  Silver Haze is the second full-length by New York City's Aye Nako. The album features 12 songs recorded last year at Room 17 in Brooklyn with Joe Rogers.

                  Originally formed to subdue personal boredom, but now operating on another frequency, Aye Nako are actively seeking a planet where those who fall in the margins can feel okay about being themselves. The band has self-released one full length, Unleash Yourself (2013), and also put out an EP, The Blackest Eye (2015), through Don Giovanni Records. They have toured throughout the US with Screaming Females, Joanna Gruesome, and Speedy Ortiz.

                  "With every release, the members of the Brooklyn queer punk quartet sharpen their talent for reciprocity between seemingly dissonant elements." - NPR

                  "It's hard to ignore the tonal similarities to their tour-mates Speedy Ortiz but Aye Nako differentiate their gnarled noise by mixing unexpected sincerity into otherwise deadpan delivery." - Pitchfork

                  TRACK LISTING

                  We're Different Now
                  Sissy
                  Half Dome
                  Nightcrawler
                  Muck
                  The Gift Of Hell
                  Particle Mace
                  Arrow Island
                  Spare Me
                  Nothin Nice
                  Tourmaline
                  Maybe She's Bored With It


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