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Ralph Jones

The Slumber Party Massacre - Original Score

    Death Waltz Recording Company would like to extend to you a very special invitation: a first-class ticket to THE SLUMBER PARTY MASSACRE and its energetic electronic soundscape. Ridiculed on release but later celebrated by some as a feminist parody of slasher films, the picture is fueled by Ralph Jones’ synth score that remembers the first rule of comedy: never let the audience know you’re in on the joke. Away from the film, the music retains a sense of wit and playfulness amidst the tension that makes it a riot to listen to.

    Jones’ score wears its influences on its sleeve, with nods to the giants of the world of musical horror – JAWS and HALLOWEEN – as well as a more gothic sensibility, with parts sounding like they should come from an electric organ in an ancient cathedral. He ramps up the tension using rhythmic pulses and atmospheric electric piano, with shrill background parts that sound like a field full of electronic crickets. And his talent for creating catchy melodies is certainly demonstrated here, with not only upbeat and bouncy tones but also haunting motifs that make you uncomfortable with the greatest of ease. Another synth spectacular that will guarantee you have a great time, whether you’re slumbering, partying, or massacring.


    Ltd LP Info: 180gm coloured vinyl housed in a bespoke tip on jacket featuring all new sleeve notes from composer Ralph Jones and artist Luke Insect. Also include a fold out poster and 10 x 12 booklet.

    Wojciech Golczewski

    Beyond The Gates

      Wojciech Golczewski's score for Jackson Stewart's indie horror cult film Beyond The Gates is a synth driven homage to the horror music in the early days of VHS. It saw Golczewski getting a 2nd consecutive nomination for the Fangoria Chainsaw Awards for Best Score. For Golczewski fans, who enjoyed his compositions for movies like Tonight She Comes and Dark Souls, Beyond The Gates is a must.

      Welcome, curious viewers…have you the courage to go Beyond The Gates?

      After their father's unexplained disappearance, two estranged brothers – responsible Gordon (Graham Skipper) and reckless John (Chase Williamson) – reunite to sift through the contents of his stubbornly anachronistic VHS rental store. Among the inventory, they find an old interactive VCR board game. Intrigued, the brothers pop in the tape… and soon discover that this video is no ordinary game, but a portal to a nightmarish alternate reality – one with deadly consequences for anyone who dares to press "play." Featuring horror legend Barbara Crampton (Re-Animator, From Beyond), Beyond The Gates is a retro-cool tale of "hex, dies, and videotape" from director Jackson Stewart!

      One off pressing on 180g vinyl. Includes download card of the entire score by Wojciech Golczewski. Vinyl includes exclusive bonus track 'Outrun With The Dead' by Vincenzo Salvia.

      Various Artists

      The Void

        Death Waltz Recording Co., is proud to present, the original motion picture score to THE VOID. The soundtrack is an ominous synth driven beast, genuinely unsettling and thrilling. Shape shifting from ambient to semi industrial in the blink of an eye. Recalling NIN, Throbbing Gristle and John Carpenter the soundtrack is nothing short of excellent, a truly scary late night listen. This limited one time pressing is housed in a laminated reflective jacket, and pressed on 180 gram black vinyl.

        Jacket layout and design Spencer Hickman & Mo Shafeek.

        Francesco De Masi

        Fuga Dal Bronx

          Fuga Dal Bronx - Original Motion Picture Soundtrack LP. Music by Francesco De Masi. Original Artwork by Luke Insect. Pressed on 180 Gram Black Vinyl. 

          FUGA DAL BRONX (also known as ESCAPE FROM THE BRONX) is one of Director Enzo G. Castellari's crowning achievements. It's part of his low budget MAD MAX-inspired trilogy that started with 1990: THE BRONX WARRIORS and I NUOVI BARBARI. FUGA, though, is the jewel in that particular crown, and is so over the top it makes MAD MAX 2 seem like a Disney film.

          Dispensing with story all together, Casterllari is able to go wild with crazy over-the-top stunts, explosions and gratuitous violence. Francesco De Masi's score is nothing short of masterful proving why he is one of the greatest (unsung) composers that worked in Italian genre pictures during the exploitation heyday of the '70s and '80s.

          His score veers from tense, smokey, jazz-inspired moodiness to full on rousing funk action, masterfully composed and beautifully orchestrated. It's another essential Italian score that deserves to be in your collection.


          Ltd LP Info: Limited to 150 copies.

          Various Artists

          The Bad Batch - Original Soundtrack

            Death Waltz Recording Co., in conjunction with Lakeshore Records, is proud to present the soundtrack to THE BAD BATCH, the sophomore film from Ana Lily Amirpour. As with Amirpour's debut film, A GIRL WALKS HOME ALONE AT NIGHT, music is an essential ingredient throughout THE BAD BATCH and it more than lives up to its predecessor's killer soundtrack. This time lines of dialogue from the film are interspersed throughout the songs creating a truly immersive listening experience. The songs themselves run from bona fide pop bangers (Ace of Base and Culture Club), cutting edge techno/electro (Black Light Smoke and Path Du Prince), shimmering electronica (Darkside/Chilled By Nature), through to the classic spaghetti stylings of Death Waltz's own Federale. The package is rounded out with die-cut artwork by Jay Shaw. He did such a killer job on the A GIRL WALKS HOME ALONE AT NIGHT record packaging, that it was no brainer we bring him back for this psychedelic mind-expanding record.

            "Amirpour know how to make something sound and look effortlessly Capital C, Cool; that kind of uber-Velvet Underground-y cool that intimidates regular civilians who wouldn’t dare roll up in that club. Electronic artists like Black Light Smoke, Pantha Du Prince provide the pulsating sick beats that propel her narratives (Francis Harris, Chilled By Nature deliver quirkier EDM), and groups like White Lies and Federale offer soaring, moody and entrancing post-punky artrock that sweeps and elevated. Perhaps unsurprisingly she’s not above ironic musical gags either, using Culture Club’s “Karma Chameleon” and Ace Of Base to great effect. “Bad Batch” might be uneven, if memorable and beguiling, but its group of tracks is a bumper crop.” The Playlist - Best soundtracks of 2017.


            2xLtd LP Info: 2 x 180g black vinyl. Bespoke die cut gatefold sleeve featuring spot varnish 425gsm jackets.

            Nico Fidenco

            Porno Holocaust - Original Score

              PORNO HOLOCAUST is an outrageous 1981 Italian sexploitation horror schlock from Joe D’Amato. A group of scientists land on a deserted island to discover a rather well endowed radioactive sex-crazed monster that takes a liking to the female scientists in the group. Loaded with X-rated sex scenes and generous amounts of blood and gore, it's sleazy enough to avoid showing your parents or loved ones. The score by Nico Fidenco is another one of his incredible blends of funk, moody synth and fuzzed-out disco. Easily up there with ZOMBIE HOLOCAUST and his EMANUELLE films. Essential stuff from an unsung maestro. First time ever on vinyl.


              Ltd LP Info: Limited to 200 copies.

              Josh Freda

              Rewind This - Original Score

                Rewind This! Original Soundtrack. Music by Josh Freda. Artwork by Hollis Brown Thornton. Limited to 400 copies (200 UK) on 180g Black vinyl. Housed inside a 425gsm sleeve. Includes download card.

                REWIND THIS! is a must-see documentary about the home video boom of the 1980s and the tape collectors obsessing, preserving and cataloguing the format today. Josh Freda’s incredible synth score perfectly captures all aspects of '80s videotape culture; an album full of music recalling cheesy action synth riffs, moody horror stings and neon drenched night time radios. This isn’t some hollow retro futuristic re-tread of the '80s, though, as Freda manages to inject so much personality and playfulness into his music that even through the barrage of synths in play it sounds ultra contemporary and very human indeed. Includes the lo-fi punk gem ‘Head Cleaner' by Joey Division as a bonus track, and the artwork is by the kickass Hollis Brown Thornton that we have been wanting to work with for an age.

                Anton Maiovvi & The Karakura Orchestra

                Abdullah - Original Score


                  One off pressing for Record Store Day 2017 featuring 180g coloured vinyl and a DVD featuring the short film Abdullah housed inside a 425gsm sleeve complete with a download card.

                  Maiovvi’s score is a powerhouse tour de force featuring his signature raw electro sound blended with traditional Turkish sound structures and instruments. He has managed to create something totally unique, dark disco that is familiar yet totally alien. The perfect follow up from his last short Yellow. We are very proud to highlight the short film Abdullah included here as a bonus Blu Ray, shot on 35mm the film looks magnificent and the dark tale is perfectly suited to Maiovvi’s delirious take on Turkish standards.

                  UK = 500 Red Vinyl

                  FORMAT INFORMATION

                  Coloured LP Info: Includes DVD.

                  Bruno Nicolai

                  The Case Of The Scorpion's Tail

                    First time ever on vinyl the entire score to Nicole’s classic giallo score pressed on 2 x 180g Black vinyl records housed inside a 425gsm gatefold sleeve.

                    Art and Layout by Eric Adrian Lee, Mastered for vinyl by James Plotkin

                    Death Waltz Recording Co. is ecstatic to be able to shock and thrill you once again with another classic slice of senseless violence and beautiful melodies from the giallo playbook with Bruno Nicolai's score to the 1971 Sergio Martino mystery THE CASE OF THE SCORPION'S TAIL (a.k.a. LA CODA DELLO SCORPIONE). After Lisa Baumer's husband dies in an airplane explosion, she becomes the beneficiary of a huge life insurance payout in his name. But things are never as they seem, and after being confronted by her husband's mistress demanding a cut, Lisa is murdered, leaving an insurance detective and crime scene photographer to solve the titular whodunnit.

                    Doubling the film's effectiveness is the hypnotic score by Nicolai, who himself was a master veteran of the genre with soundtracks for ALL THE COLOURS OF THE DARK, THE CASE OF THE BLOODY IRIS, and THE RED QUEEN KILLS SEVEN TIMES. TAIL opens with the main theme, a haunting melody on guitar that repeats while a thick bass lurks in the background to underline the hard edge that comes with the genre tropes. A beautiful jazzy waltzing piece on strings and piano brings some real class while electronics and brass provide nailbiting tension, which Nicolai capitalises on with avant-garde jazz techniques, the omnipresent bass grounding the more surreal and dissonant elements. A soundtrack enthusiast's wet dream, THE CASE OF THE SCORPION'S TAIL is one of the greatest scores ever recorded.

                    Charlie Brigden – Editor, Films On Wax

                    Angelo Badalamenti

                    Twin Peaks: Fire Walk With Me

                      Fire Walk With Me is an altogether more brooding affair than the Twin Peaks series soundtrack. Badalamenti won a grammy for the title track of this LP and it’s not hard to see why- it’s dangerous, and bursting with smokey jazz thanks to Jimmy Scott. Death Waltz went back to the master tapes in the Warner Archives and had this recut to fit across two LPs as the score clocks in at 51 minutes. It sounds incredible and punchy, but super nuanced too.

                      • Director approved artwork
                      • Composer approved audio
                      • Sleeve notes by film critic Mark Kermode (approved by David Lynch and Angelo Badalamenti)
                      • Vinyl re-master by Tal Miller at Warner Archives
                      • Laquers cut by David Cheppa at Plush Vinyl
                      • 2 x 180G Cherry Pie vinyl
                      • 425gsm Gatefold sleeve housed inside a bespoke black die cut outer jacket with black spot varnish finish, complete with obi strip.

                      Death Waltz Recording Company are proud to present The Greasy Strangler. The film was featured on Sundance’s Midnight section and drew immediate hype for its singular vision. The Fright File wrote “Complementing every scene in an incalculable way is one of the most pronounced and inspired music scores and soundtracks in recent memory, an instantly catchy, appropriately playful lo-fi orgy of electronic synth compositions from Fuck Buttons band member Andrew Hung”.

                      Hung’s score reflects the onscreen insanity perfectly offering an extremely twisted musical electronic soundtrack reminiscent of 80s video games complete with chiptune vocals, children’s keyboards and playful bouncy beats, it’s the kind of off kilter musical styling’s you might find from the residents in some of their more delirious pop moments.

                      Andrew Hung is a producer/composer who first came to prominence as a founding member of electronic-rock band Fuck Buttons. The group is highly regarded for their powerful live performances and all three of their album releases were met with universal critical acclaim. Since their inception in 2007, they have headlined multiple world tours, headlined many festivals including the Park Stage at Glastonbury, collaborated and remixed Jean-Michel Jarre, Moby and Caribou (amongst others), and featured in the opening ceremony of the Olympics 2012 which was watched by over 900 million people worldwide.

                      In 2012, Hung founded the songstress project Dawn Hunger, which featured his writing and production, performed by an electronic/vocalist duo. The group went on to tour the UK that year and released their single “Stumbling Room” on Hung’s own label “Mourning Joy”.

                      In 2015, Hung released two eps of fun-inspired music called “Rave Cave 1” and “Rave Cave 2” both written whilst on tour. Pitchfork noted the music was “heavy on the ears and on the heart”. This same year, Hung produced the blistering Mauritius afro-punk 5-piece band Zun Zun Egui. The result was “Shackles Gift”; the album’s hyperkinetic sound heaped praise on by the music press.

                      At the end of the same year, Hung was asked by director Jim Hosking to compose the soundtrack for his depraved comedy “The Greasy Strangler”. The film featured at Sundance’s Midnight section and drew immediate hype for its singular vision. The Fright File wrote “Complementing every scene in an incalculable way is one of the most pronounced and inspired music scores and soundtracks in recent memory, an instantly catchy, appropriately playful lo-fi orgy of electronic synth compositions from Fuck Buttons band member Andrew Hung”.

                      In 2016, Hung collaborated with Brit Award winner Beth Orton on her album “Kidsticks”. The two wrote and produced the music together over the course of 2 years. The album was proclaimed a return to Orton’s career high with many proposing it her best yet. Treblezine wrote, “"Hung’s contribution to Kidsticks may be the most striking and sweeping of any collaborator Orton’s ever employed—not a paltry statement since those past partners include William Orbit and Jim O’Rourke”.


                      All The Colours Of The Dark

                        Federale, a seven-piece ensemble based in Portland, OR spearheaded by longtime Brian Jonestown Massacre bassist Collin Hegna, have announced details of the release of their fourth album.

                        The album is heralded by a video, directed by Paul Dillon, an ex-member of Mercury Rev and Sparklehorse, for the track I Swore I’d Never Kill

                        Federale has always operated under the guidance of a larger story arc. 2007’s La Rayar is a classic tale of betrayal and vengeance. 2009’s Devil In A Boot centers on a small town terrorized by a railroad company baron’s expansion and destruction. 2012’s The Blood Flowed Like Wine tells the supernatural tale of an evil so powerful that not even hell can hold back its wrath.

                        All The Colours Of The Dark continues this tradition while breaking new musical terrain. Though the new record includes cinematic instrumentals and that the band is known for, it also sees Federale expanding their vision to narrative songs in the baritone-driven style of heroes Lee Hazlewood, Scott Walker and Nick Cave. Murder, revenge, regret, power and corruption are the lyrical themes of this collection. This album will be the band’s first on Death Waltz Records.

                        In 2014, Federale, a band conceived as an outlet to channel inspiration from ‘60s & ‘70s European soundtracks, particularly those from Italy made famous by the Spaghetti Western & Giallo genres, contributed five songs to Ana Lily Amirpour’s acclaimed gothic vampire film noir, A Girl Walks Home Alone At Night, setting the mood of both the film and the soundtrack. Lily’s new film, The Bad Batch, will feature the title track from the new album.

                        Giona Ostinelli

                        Darling OST

                          How does it sound when you’re slowly being driven insane? Death Waltz Recording Company is proud to bring you a soundtrack that aurally illustrates this in great detail in the form of Giona Ostinelli’s mesmerising score to DARLING. Written and directed by Mickey Keating (POD) and starring Lauren Ashley Carter (THE WOMAN) and genre favourite Sean Young (BLADE RUNNER), the film is a psychological horror in the vein of pictures like such Roman Polanski’s REPULSION, and features a young woman who becomes a caretaker of an isolated New York mansion and is driven slowly insane while walking the corridors.

                          FORMAT INFORMATION

                          LP Info: One-off pressing of 100 for the UK & 100 for the US on 180 gram Black Vinyl. Housed inside a 425gsm sleeve.
                          Artwork by Jay Shaw.

                          Frank Ilfman

                          Big Bad Wolves - Original Soundtrack


                            Death Waltz Recording Company is proud to release an immediate classic of contemporary film scoring in the guise of Frank Ilfman's score to the Israeli thriller BIG BAD WOLVES. Acclaimed worldwide and called “the best film of 2013” by Quentin Tarantino, the film is a heady and disturbing treatise on violence and the use of torture as a schoolteacher is kidnapped after being suspected of murdering a little girl. Horrific twists and turns follow in a grim tale that you won't fnd easy to forget.

                            What stands out immediately is Ilfman's very classical approach to the music. The main theme is beautiful, with searching strings and woodwind counterpoint, and a sense of hope. But there's a sinister undercurrent, giving a sense of inevitability. The percussion has a harsh and jagged edge and provides violence, but there's a sense of humour in Ilfman's music, at one point imitating Prokofiev's 'Peter and the Wolf' suite. It's a menacing piece of work, emotionally intense yet surprisingly beautiful, with the composer not going for what you'd perhaps expect, and the main theme just keeps coming back, relentless, searching. It's an amazing work that has earned its plaudits. Of course, if you don't like it, be careful who you tell. It's a harsh world out there...

                            Original cover art by We Buy Your Kids
                            Sleeve notes by Directors Aharon Keshales and Navot Papushado

                            FORMAT INFORMATION

                            Ltd LP Info: PINK & WHITE SWIRL WITH RED SPLATTER - GATEFOLD SLEEVE

                            Nightsatan And The Loops Of Doom

                            Nightsatan And The Loops Of Doom - Original Soundtrack


                              NIGHTSATAN caught the ear of the attentive laser metal enthusiast with their debut album, Midnight Laser Warrior, in 2010, and now the trio debut as movie stars in Nightsatan And The Loops Of Doom. The movie draws inspiration from the very same source the band does: '80s post-apocalyptic science fiction.

                              The synth trio NIGHTSATAN hail from the doomy city of Turku, Finland, and they place themselves in the post-apocalyptic laser metal genre. In the beginning, the synth warrior Wolf Rami envisioned the band's music as "the soundtrack to Miami Vice meets heavy metal." During their career, the band's sound has extended to both ends of that spectrum, and the synth-metal riffs of the early material have given way for a more progressive and atmospheric approach. Given the international cult fame gained with the already quite cinematic debut album - with kudos given by the likes of Monocle, Empire, and Popvoyage - and live shows in their native Finland and Sweden, it is fitting that the trio's next step is a movie soundtrack. Directed by Chrzu, better known as the director of animated films such as Curse of the Remote Island (2008), Nightsatan and the Loops of Doom is a proud tribute to vintage Italian post-apocalyptic sci-if. It is a very unusual short epic, full of sex, violence, and general sense of wonder.

                              The soundtrack album is a considerably more epic and measured affair than its predecessor. Recorded and produced by the band's second keyboard wizard Mazathoth, the album features full-length versions of all tracks from the movie.

                              A word on Christer Lindström's half-hour short Nightsatan and the Loops of Doom. Nightsatan are a Finnish electro band, and the film is a kind of post-apocalypse western in which the band appear as wandering freaks: a Mad Max-ish archer, a robot thing and a skeleton thing. Lindström told me he watched El Topo a lot during production. In a really good way, you can tell. It's about a grotesque, egg-laying transvestite and his malfunctioning android son who are wandering a desert wasteland catching warrior women, burying them up to their necks and trapping them in short, sonically punishing temporal loops. The band - who bitch at each other a lot and are horny - aren't standing for that, so decide to put a stop to it, finding that they can combat the loops because their music is triangular. Or something. The eggs turn out to be significant. Oh, and it was shot in English but then dubbed into Italian and subtitled. Ridiculously, it works perfectly

                              To my ears they sound like John Carpenter's soundtracks, to the extent that they do a cover of Assault on Precinct 13 (although they kind of play it the Bomb the Bass/ Xenon II way).

                              FORMAT INFORMATION

                              Ltd LP Info: LTD TO 500 – GREEN VINYL LP

                              Many film music LPs both old and new come thick and fast, but Death Waltz Recording Company is very proud to release what is sure to be one of the soundtracks of 2015. From director Ana Lily Amirpour and Executive Producer Elijah Wood, A Girl Walks Home Alone At Night is a Western vampire noir set in a small fictional Iranian town called Bad City that has an effortlessly cool soundtrack featuring music from artists such as Kiosk, Radio Tehran, White Lies, Farah and Federale. With no solo composer providing a score, the sound of the film has instead been curated by Amirpour with a variety of tracks selected to supply a unique atmosphere, recalling less traditional vampire films such as Near Dark and Only Lovers Left Alive.

                              Despite not being score, the music selected by the director nevertheless bears heavy influence from the film music world, particularly the electronically ethereal work of Tangerine Dream, and the inescapable Western sounds of Ennio Morricone. The eclectic nature of the soundtrack is immediately noticeable – with the traditional accordion and Iranian crooning of Kiosk's 'Charkesh E Pooch' a clear opposite of Radio Tehran's punky and irreverent 'Tatilat'. White Lies' 'Death' gives off a new wave melodic vibe, while Farah's ambient 'Dancing Girls' does its best to seduce you with its spoken word vocals. Both creepy and eerie and fun and energetic with its mixing of traditional and alternative musical genres, A Girl Walks Home Alone At Night is an instant classic.

                              John Carpenter

                              Assault On Precinct 13 - Original Motion Picture Soundtrack

                              Death Waltz Recording Company are very proud to be releasing one of the most seminal electronic scores in film history. Recorded in just one day, this minimal electro masterpiece by Director/Composer John Carpenter has been sampled by Afrika Bammbaataa, Tricky and covered countless times. This newly remastered version has been approved by director John Carpenter himself who has also supplied brand new and exclusive sleevenotes.

                              FORMAT INFORMATION

                              CD Info: CD comes in a three panel fold out sleeve with pop up CD mechanism and features sleevenotes by John Carpenter.

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