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Big Joanie

Back Home

    Black feminist punk band Big Joanie have announced their upcoming second album 'Back Home', set for release on Daydream Library Series in the UK and Kill Rock Stars in the US.

    The brand new album 'Back Home' follows on from last month's one-off single 'Happier Still', and the release of their 2020 single ‘Cranes in the Sky’, a cover of Solange Knowles released on Jack White’s Third Man Records. Recorded at Hermitage Works Studios in North London, 'Back Home' was produced and mixed by Margo Broom (Goat Girl, Fat White Family) and features violin courtesy of Charlotte Valentine of the experimental art rock project No Home, who recently collaborated with the LA-based artist SASAMI. 'Back Home' is a dramatic leap forward for the band; the band build on their tightly knit, lo-fi punk formula to bring forth a collage of blazing guitars, down tempo dance punk, and melancholic strings that evoke the full depth of the band’s expansive art punk vision. The album title references a search for a place to call home, whether real or metaphysical. “We were really ruminating on the idea of a home and what it means,” explains Stephanie. “It’s about the different ideas of home, whether that’s here in the UK, back in Africa or the Caribbean, or a place that doesn’t really exist; it’s neither here nor there."

    The band worked with multidisciplinary artist Angelica Ellis to design the striking embroidered cover art, which is a depiction of Chardine’s nephew at the barbers. The artwork is a reference to the embroidered wall hangings popular in Caribbean homes post-Windrush that were a callback to the homes they left behind. The album’s strength lies in the band’s bold and varied new sound. Album opener ‘Cactus Tree’ is an eerie, gothic folk tale that tells the story of a woman waiting for her lover while a wall of euphoric harmonies and screaming feedback roll in the background.


    Barry says: Big Joanie are back! This time forging on from their blistering debut, 2018's 'Sistahs' to an ever more ferocious and thematically diverse follow-up. Drawing influence from all over the musical spectrum, 'Back Home' is an accomplished and hugely enjoyable slice of art-rock tinged post-punk.


    1. Cactus Tree
    2. Taut
    3. Confident Man
    4. What Are You Waiting For?
    5. In My Arms
    6. Your Words
    7. Count To Ten
    8. Happier Still
    9. Insecure
    10. Today
    11. I Will
    12. In My Arms (Reprise)
    13. Sainted

    Seafoam Walls


      Singer/songwriter and guitarist Jayan Bertrand, bassist Josh Ewers, electronic drummer Josue Vargas and guitarist Dion Kerr have coined new genre “Caribbean Jazzgaze” to describe their wholly unique combination of jazz, shoegaze, rock, hip-hop, and Afro-Caribbean rhythms that is Seafoam Walls.Seafoam Walls caught the attention of cultish music and art communities around South Florida with a soundtrack befitting of their dark tropical paradise, and have remained a Miami secret since 2016. Bandleader Jayan began his journey as a musician listening to metal and classic rock. His first formal lessons after a year of self-taught practice came from a family friend and talented jazz guitarist, Bemol Telfort. Although jazz wasn’t his first love but opened his heart to explorations of free improvisation which led to an introduction to Dion, Josh, and Josue — all active members on South Florida’s jazz scene.

      Seafoam Walls released their first EP, titled R-E-F-L-E-C-T in 2018 and ROOT in 2019 via Bandcamp.The band recently attracted international rock n roll consciousness following a secret all-ages matinee in the gardens of North Miami’s Centre for Subtropical Affairs with DC hardcore photographer Susie J (Teen Idles, Minor Threat, et al.) and Sonic Youth’s Thurston Moore front row centre. The Miami indie band completed the eight-track album entitled XVI earlier this year. Norwegian sound artist Lasse Marhaug mastered the work, and the band will stream three singles through the summer and autumn months before releasing the complete album at the end of 2021 on seafoam-green coloured vinyl via Daydream Library Series


      1.Sound Check (1:52)
      2.You Can’t Have Your Cake And Ego Too (5:37)
      3.Ai (6:02)
      4.Dependency (2:36)
      5.You Always Said (5:45)
      6.Program (2:51)
      7.See (4:14)
      8.Rushed Rain (5:49)

      Electronic musician Xopher Davidson drops ‘Lux Perpetua’ via Daydream Library Series. A noted protége of Maryanne Amacher, Xopher recorded these two tracks in 2020 utilizing vintage synths within the beloved music studios of Mills College in Oakland, California. Xopher builds his experiments in electronic sound from a basis in painting, photography, and film, and through an interest in electronic circuits going back to building radios and homemade circuits as a kid. He has built and explored the sound world of a homebrew modular synthesizer comprised of surplus laboratory equipment: various oscillators, pulse generators, filters and an analog computer.

      He has released 4 albums as ANTIMATTER : ‘Transfixion’, ‘Antimatter Vs. Antimatter’, ‘Our Lady of the Skies’, and ‘Reset’. As an audio engineer, Davidson has worked on projects composed / performed by: the League of Automatic Composers, John Cage, Marcel Duchamp, Subtropic, Diamanda Galas, Kid 606, DJ Rupture, Darwin's Bitch, Once 11, Mix MasterMike, Hans Grusel, Phoenecia, Jonah Sharp, We, Zbigniew Karkowski, and Iannis Xenakis.

      "Absolute Phase" is dark, non-linear; frozen in deep ice. Teeming with macrobiotic as the cogs of organic existence grind to an almost stationary halt. I guess it's title alludes to the dual stationary position of his oscillators - just guessing!

      "Lux Perpetua" carries on the theme onto side B but with a little more movement and evolution of phase. Piercing tones are introduced subtly but noticeably, and sonic filters are applied to some of the frequency range to create feelings of low pass. The 'buzz', or distortion, seems to increase as we near the track's climax as well as some rather pleasing upper register harmonies, hidden fathoms deep within the wall of sound.

      File under: dark drone, seismic ambient, canyonesque noise. 


      Side 1
      1. Absolute Phase (18:25)
      Side 2
      1. Lux Perpetua (16:17)

      This is Thurston Moore’s seventh solo album, and features musicians Deb Googe (My Bloody Valentine) on bass and backing vocals, Jon Leidecker aka ‘Wobbly’ (of Negativland) on electronics, James Sedwards on guitar, and Sonic Youth’s Steve Shelley, as well as Jem Doulton, alternating on drums. ‘Hashish’ is the first single from the album to be released and is described by Moore as “an ode to the narcotic of love in our shared responsibility to each other during isolation." The song includes a video with footage from The Thurston Moore Group’s tour in early 2020 in Europe, as well as footage of Thurston quarantined in his home during the past few months “with respect to the sacred healing truth of nature.”

      Prior to isolation during the COVID pandemic, Thurston worked in recording studios in North London until the third week of March 2020 to complete this album for release on September 5, 2020. While the musicians may not immediately tour, Thurston was adamant to release BY THE FIRE in 2020, and with Daydream Library, has released this quote: ​BY THE FIRE is music in flames.

      2020 is our time for radical change and collective awareness and Thurston Moore has written nine songs of enlightenment, released to a world on fire. Taking a cue from Albert Ayler's "music is the healing force of the universe", this recording offers songs as flames of rainbow energy, where the power of love becomes our call. These are love songs in a time where creativity is our dignity, our demonstration against the forces of oppression. BY THE FIRE is a gathering, a party of peace—songs in the heat of the moment.

      Some of the songs feature all of the musicians whist a few are solo guitar and vocals.

      BY THE FIRE is released on The Daydream Library Series record label which was founded in 2018 especially to release London Afro-punk feminist trio Big Joanie’s debut album ‘Sistahs’.


      1. Hashish (5:54)
      2. Cantaloupe (4:44)
      3. Breath (10:54)
      4. Siren (12:20)
      5. Calligraphy (5:20)
      6. Locomotives (16:50)
      7. Dreamers Work (4:53)
      8. They Believe In Love (When They Look At You) (7:49)
      9. Venus (14:20) Instrumental

      Thurston Moore

      Trees Outside The Academy (Remastered)

      Originally released in 2007 This was Thurston's first solo outing since 1995's Psychic Hearts.

      From original 2007 Press release: “Thurston recorded primarily on acoustic guitar and bass, laying down the core of the tunes with drummer compatriot Sonic Youth's Steve Shelly and violinist Samara Lubelski, a noted player from MV/EE and The Golden Road, Hall of Fame and other awesome gatherings as well as solo artiste. Thurston grabbed John Agnello to record and mix the sucker after having a helluva good time with the bro from working on Sonic Youth's 2006 killer Rather Ripped. They decided to work in Dinosaur Jr.'s J Mascis' Bisquiteen studio (the top floor in J's Amherst house actually) where Dino did their Beyond album. This worked out very nicely as it allowed Thurston to yell down the stairs every time he needed a shredding guitar solo and J would trundle up, plug in and BURN.

      Other guests on "trees outside..." are Christina Carter, she of Charalambides, and she of the most beatific, beautific voice on land, sea and air. One track called Honest James has Thurston and Christina singing duet against a single acoustic guitar and it is a naked groove. The otherworldly Canadian musician Andrew Macgregor aka "Gown" plays some spectacularly understated and incredible guitar and Sunburned Hand of The Man's John Moloney takes over the drum stool to absolutely flail on the pit snarling Wonderful Witches. And then there's the 20 seconds or so of primal noise wave courtesy of American noise underground genius Leslie Keffer on Off Work. Most of the tunes are lyric driven but there are a couple of majestic instrumentals like Trees Outside The Academy, which brings the album to a musical and breathless close. There's also some weird cassette tape that Thurston found at his mom's of him at 13 years old in the early 70s making some kind of sound-theatre.” 


      1. Frozen Gtr
      2. The Shape Is In A Trance
      3. Honest James
      4. Silver>Blue
      5. Fri/End
      6. American Coffin
      7. Wonderful Witches
      8. Off Work
      9. Never Day
      10. Free Noise Among Friends
      11. Trees Outside The Academy
      12. Thurston@13

      Thurston Moore

      Three Graces / Leave Me Alone

        Each 7-inch comprises an excerpted moment from the THURSTON MOORE GROUP live in 2019, free-mixed and free-created by Wobbly (aka Jon Leidecker). The B-side of each is a special cover of a New Order track (recorded in Salford).

        Thurston Moore

        Spring Swell / Leave Me Alone

          Each 7-inch comprises an excerpted moment from the THURSTON MOORE GROUP live in 2019, free-mixed and free-created by Wobbly (aka Jon Leidecker). The B-side of each is a special cover of a New Order track (recorded in Salford).

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