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Evil Blizzard

Rotting In The Belly Of The Whale

    Preston’s unholiest sons Evil Blizzard return with their most furious, compelling and diverse album to date, released on their own Crackedankles label, (which has recently branched out into releasing the likes of Hotwax, Thank, Bad Guys and TV Face.) Following the critical and commercial success of their last album ‘The Worst Show On Earth’ the band took a year off after that tour to recoup. And then got back together in March 2020, just in time for… another enforced year off. They did, however, release ‘The Very Best Of Evil Blizzard’ on vinyl, which was completely blank. And sold out in less than a day.

    The new album, their fifth, was written during and post lockdown and ‘reflects the claustrophobia, fear and paranoia of those days’ according to guitarist (not bassist!) Filthydirty. ‘The band has changed. One of our 4 bassists Kav left and we were joined by Fleshcrawl (aka Mr. Dibs, Hawkwind’s vocalist and bassist for over 12 years). Kav was inimitable as a musician, so it never crossed our minds to try and ‘replace’ him, so when Fleshcrawl scurried in he brought a whole new range of sounds and toys to the sandpit. Also, we’d run out of sonic space to play with, having just the basses, and everything had got a bit stale - so I switched to lead guitar which brought a whole new range of possibilities.

    'The new album is much more representational of the band’s record collections: it retains the ‘Sabbath-meets PiL-meets Killing Joke’ sound found on the band’s earlier albums, but now encompasses dub, goth and electronica in its 8 tracks, with clear nods in the general direction of Sonic Youth, Jane’s Addiction, Leftfield and The Mission. As opposed to all previous albums which were recorded live in one or two takes, this album took over three months with the band meticulously de-structuring songs ‘that sounded too much like pop songs’ resulting in an album that is uncomfortable yet still accessible.


    Barry says: The North West's own Evil Blizzard return for their new LP, adding a load of guitar and marginally less bass! There are elements of electronica in here and nods to classic synth music, there are precise cuts and meticulously produced interludes but it is all the better for it, this is a band who've found their sound.

    Filthydirty (Evil Blizzard)

    The Rise And Fall Of Blasphemouth

      Debut solo album by Filthydirty of Evil Blizzard. ‘Sinister, eerie and loud as f***. Full of dubbed up tunes and harsh metal sounds but still instantly memorable. One of the albums of the year.” LOUDER THAN WAR. Produced during the downtime of lockdown #1, this is the debut solo release by Filthydirty, one of Evil Blizzard’s many bassists. Following the band’s sell out show at the prestigious Preston Guild Hall following their critically acclaimed album ‘The Worst Show On Earth’, the band had a year off ‘to recover’, only to re-emerge with perfect timing into the realms of Covid. During this time Filthydirty turned his head to some unused tracks written for Blizzard and these ‘decomposed and rotted into something even more horrible’ and emerged as a fully formed solo album. Keeping the morbid humour and proto-metal sound of Blizzard, this album sees the boundaries pushed further into even darker places, but always with Filthydirty’s love of ABBA keeping a hand on the reins of melody


      1: Disease (4.57)
      2: All My Friends (4.20)
      3: All Of This For Nothing (4.56)
      4: Don’t Trust Me, I Don’t Trust You (4.22)
      5: Straight To Hell (5.56)
      6: It Wasn’t Me, It Was A Ghost (4.02)
      7: One Last Chance In The Last Chance Saloon (4.16)
      8: Monolith (4.16)

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