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COURTNEY BARNETT

Courtney Barnett

Creature Of Habit

With “Creature of Habit”, Courtney Barnett leans further into the quietly transportive charm that has always defined her songwriting - the ability to turn the mundane into something intimate, profound, and strangely luminous in just a few lines. Recorded in the expansive openness of Joshua Tree, the album doesn’t push Barnett’s voice into the background so much as let it float within a noticeably wider sonic space, where atmosphere becomes as important as lyricism.

There’s a strong sense of place running through the record: faint silences between instruments, unhurried pacing, and arrangements that stretch outward rather than rush toward resolution. “Creature of Habit” often feels meditative, cohesive, and unforced, with tracks built less around traditional verse-chorus structures and more around steady, evolving grooves that reward patient listening.

Sonically, this is perhaps Barnett’s most textured work to date. While guitar remains central, it’s frequently softened, with warm, rounded basslines layering underneath and subtly guiding each track without ever dominating it. The rhythm of the album tends to breathe - building, receding, and circling back - creating a hypnotic quality that makes the record feel less like a collection of songs and more like a continuous emotional environment.

The opening track, "Stay in Your Lane", sets the tone with a hazy, dreamlike drift, establishing the album’s preference for atmosphere over immediacy. It’s followed by "Mostly Patient", which feels like a love song viewed from a distance: gentle guitar strums cradle Barnett’s restrained vocal delivery, which carries an ease and comfort that feels newly settled. Across the record, her voice is notably more restrained than in earlier work, favouring spaced-out phrasing and repetition over her once more rapid-fire delivery. At its most effective, it takes on a mantra-like quality - calming rather than confrontational.

This shift in vocal approach deepens the album’s emotional palette. When she sings lines like “The sky stretches wider than I thought it could,” they land less as literal observation and more as shifts in perspective - moments where external landscape and internal state quietly blur into one another.

Compared with earlier records like “Sometimes I Sit and Think, and Sometimes I Just Sit”, “Tell Me How You Really Feel”, and “Things Take Time, Take Time”, this is a more expansive, patient iteration of Barnett’s voice - less focused on immediacy, more willing to linger in ambiguity. Even the sharper edges of earlier releases like “The Double EP: A Sea of Split Peas” feel reinterpreted here through a slower, more reflective lens, while her collaboration with Kurt Vile on “Lotta Sea Lice” feels like a distant precursor to this looser, more spacious sensibility.

If there’s a challenge, it’s also the album’s defining trait: its patience. “Creature of Habit” doesn’t chase instant hooks or immediate gratification. Instead, it unfolds gradually, layer by layer, revealing emotional weight that only becomes fully visible with time.

STAFF COMMENTS

Barry says: A stunning new album, replete with soaring melodies and clever, incisive lyrics delivered in a typically laid-back, jangling bed of woozy indie. There are hints of off-piste electronics and experimental leanings (Thanks Floating Points) but in all, a wholly melodic, reliably brilliant Barnett outing.

TRACK LISTING

Side A
Stay In Your Lane
Wonder
Site Unseen (featuring Waxahatchee)
Mostly Patient
One Thing At A Time

Side B
Mantis
Sugar Plum
Same
Great Advice
Another Beautiful Day



Courtney Barnett

The Double EP: A Sea Of Split Peas - 10th Anniversary Edition

10th anniversary of this double EP collection. Here’s what we said about it on it’s original release:

Lead single ‘Avant Gardener’ is a vivid display of Courtney Barnett’s magic. A hookladen fug of country roots and discordant psychedelia with a dreamlike narrative.

The collection is a record of two halves, and collates her story so far. It fittingly begins with six brand new songs and is then backed with six older tracks which were originally released in the form of her 2012 debut EP. Together, ‘The Double EP: A Sea Of Split Peas’ spans genres and stories, and is a unique introduction to an incomparable and exciting new talent.

As well as ‘Avant Gardener’, selected highlights include the gorgeous and woozy piano-strewn opener ‘Out Of The Woodwork’, which shows the darker side of her writing. ‘Anonymous Club’ sees Courtney at her romantic, melancholic best, while the infectious, Dylan-esque cavalcade that is ‘History Eraser’ was recently nominated alongside Tame Impala for the APRA Song Of The Year back in Australia.

TRACK LISTING

Out Of The Woodwork
Don’t Apply Compression Gently
Avant Gardener
History Eraser
David
Anonymous Club
Lance Jr.
Are You Looking After Yourself
Scotty Says
Canned Tomatoes (Whole)
Porcelain
Ode To Odetta

The Grammy and Brit nominated Courtney Barnett returns with her second album - 'Tell Me How You Really Feel.' It follows her critically acclaimed 2015 debut album 'Sometimes I Sit And Think And Sometimes I Just Sit', and a recent top 10 collaborative record, 'Lotta Sea Lice', with Kurt Vile. One of the most distinctive voices in music, Courtney is known for mixing witty observations with unflinching self-assessment - fast forward to now and although all of the cleaver turns of phrase and an eye for story telling are still there; this new collection of songs see a more serious and outwardly tone capturing the current social landscape yet still retaining moments of intimacy and warmth. As the world becomes more familiar with Courtney Barnett these songs feel comforting and emphatic yet that raw energy and the ability to make the listener think still remain.

STAFF COMMENTS

Barry says: Another absolute stormer from Courtney, though you might have already heard the superb 'Nameless, Faceless' from the 7" a little while ago, and 'City Looks Pretty' and 'Sunday Roast' from the RSD 12", there are a bunch of gems to uncover on this including the snarling skate-punk melodicism of my personal highlight, 'Charity'. Killer.

TRACK LISTING

Hopefullessness
City Looks Pretty
Charity
Need A Little Time
Nameless, Faceless
Im Not Your Mother, Im Not Your Bitch
Crippling Self Doubt And A General Lack Of Self Confidence
Help Your Self
Walkin On Eggshells
Sunday Roast

Courtney Barnett

Things Take Time, Take Time

Things Take Time, Take Time” is an assured leap forward for Barnett; a breakthrough really. This is Barnett at her most relaxed, creative and joyful. An exquisite look at the intimate, private world created by Barnett and her producer Stella Mozgawa (Warpaint, Sharon Van Etten, Kurt Vile). It’s consequently her most beautiful and intimate record to date.

TRACK LISTING

Rae Street
Sunfair Sundown
Here’s The Thing
Before You Gotta Go
Turning Green
Take It Day By Day
If I Don’t Hear From You Tonight
Write A List Of Things To Look Forward To
Splendour
Oh The Night

On October 22nd 2019 Courtney Barnett performed a unique and special show at the invitation of MTV in her hometown of Melbourne.

The “Unplugged” performance features Barnett as you’ve never heard her before, warm, vulnerable and emotional, performing a stirring set of eight songs to an intimate audience including “Depreston”, “Avant Gardner” and “Sunday Roast”.

Joined by her usual band Dave Mudie and Bones Sloane, she also enlisted cellist Lucy Waldron.

Barnett made the night even more iconic by inviting some of her favourite musicians to collaborate including legendary songwriter Paul Kelly, angelically-voiced New Zealander Marlon Williams and Milk! Records label-mate Evelyn Ida Morris.

The performances include covers of Leonard Cohen, Archie Roach and Seeker Lover Keeper as well as a never-before-heard original track from Courtney herself titled "Play It On Repeat".



STAFF COMMENTS

Barry says: This MTV unplugged session shows another side to the charismatic rock and or roll of Barnett and team, opting instead for a more meditative and contemplative suite of 'acoustic' numbers (as good as it is, acoustic is a bit of a stretch) all topped with Barnett's unmistakeable vocal prowess. Great stuff.

TRACK LISTING

Depreston
Sunday Roast
Charcoal Lane (featuring Paul Kelly) - Written By Archie Roach
Avant Gardener
Nameless, Faceless (featuring Evelyn Morris)
Untitled (Play It On Repeat)
Not Only I (featuring Marlon Williams) - Written By Seeker Lover Keeper
So Long, Marianne - Written By Leonard Cohen

Courtney Barnett

City Looks Pretty / Sunday Roast

Exclusively for Record Store Day Courtney Barnett releases a new track 'City Looks Pretty' + for a limited time only you'll be able to hear album track 'Sunday Roast' only via this 12"! After the release of the critically acclaimed 'Sometimes I Sit And Think, And Sometimes I Just Sit' and the 'Lotta Sea Lice' collaboration with Kurt Vile, a life on the road and all of its quirks appears on track 'City Looks Pretty' while 'Sunday Roast' sees Courtney her most reflective & emphatic self in a beautiful down tempo moment. A release that perfectly captures the many facets of Courtney's upcoming second album 'Tell Me How You Really Feel' released May 18th

Courtney Barnett

Nameless, Faceless

First taster from the new Courtney Barnett LP, "Tell Me How You Really Feel", and needless to say we're all very excited here at Piccadilly!

Limited edition numbered copies.

Courtney Barnett

Boxing Day Blues (Revisited) / Shivers

The time is nigh for yet another exceptional installment of our Jack White produced Blue Series of singles. This time around we’re privileged to work with Melbourne, Australia’s very own Courtney Barnett. Barnett has quickly made her mark on garage pop fans worldwide with her witty, self-deprecating, and authentic observations turned into raw, stream-of-consciousness lyrics and blunt melodies. The wry and dry songstress stopped by Third Man Studios in Nashville over a long weekend this summer to record a couple tracks and damn did she deliver!

The A-side “Boxing Day Blues Revisited” is the slinky and bittersweet epilogue to “Boxing Day Blues”, the somber album closer from Sometimes I Sit and Think, and Sometimes I Just Sit. It’s a strangely catching, plaintive reflection on the loneliness that blossoms when a person you care about treats you like literal garbage. The track is jaunty yet aloof, with CB’s trademark conversational lyricism in perfect contrast to the B-side, a beautifully dark reboot of the Roland S. Howard penned “Shivers” back in the days of The Boys Next Door. Her unfastened delivery of an ironic tale of teenage love and mortality brings a new level of feeling that makes it a welcome addition to Sounds of Late Fall mix you’ve been working on. Keep your eye out and ears peeled for this one ‘cause you ain’t gonna wanna miss it.


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