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WAXAHATCHEE

Waxahatchee

Cerulean Salt - 2024 Repress

    On her second full-length record as Waxahatchee, former PS Eliot singer Katie Crutchfield's compelling hyper-personal poetry is continuously crushing.

    Cerulean Salt follows American Weekend -- a collection of minimal acousticguitar pop written and recorded in a week at her family's Birmingham home. On this new record, Crutchfield's songs continue to be marked by her sharp, hooky songwriting; her striking voice and lyrics that simultaneously seem hyperpersonal yet relentlessly relatable, teetering between endearingly nostalgic and depressingly dark. But whereas before the thematic focus of her songcraft was on break ups and passive-aggressive crushing, this record reflects on her family and Alabama upbringing. Whereas American Weekend was mostly just Crutchfield and her guitar, Cerulean Salt is occasionally amped up, with a full band and higher-fi production.

    At times, Cerulean Salt creeps closer to the sound of PS Eliot: moody, 90sinspired rock backed by Keith Spencer and Swearin' guitarist Kyle Gilbride on drums and bass. The full band means fleshed-out fuzzy lead guitars on "Coast to Coast", its poppy hook almost masking its dark lyrics. Big distorted guitars and deep steady drums mark songs like "Misery over Dispute" and "Waiting".

    There's plenty of American Weekend's introspection and minimalism to be found, though. "Blue Pt. II" is stripped down, Crutchfield and her sister Alison singing in harmony with deadpan vox. She's still an open booking, musing on self- doubt versus self-reliance, transience versus permanence. "Peace and Quiet" ebbs and flows from moody, minimal verses to a sing- song chorus. "Swan Dive" tackles nostalgia, transience, indifference, regret -- over the a minimal strum of an electric-guitar, the picking at a chirpy riff and the double-time tapping of a muted drum. The album closes with a haunting acoustic- guitar reflection on "You're Damaged," possibly the best Waxahatchee song to date.

    TRACK LISTING

    Hollow Bedroom
    Dixie Cups And Jars
    Lips And Limbs
    Blue Part II
    Brother Bryan
    Coast To Coast
    Tangled Envisioning
    Misery Over Dispute
    Lively
    Waiting
    Swan Dive
    Peace And Quiet
    You're Damaged

    Waxahatchee

    Tigers Blood

      She was born in Alabama, grew up near Waxahatchee Creek. Skipped town and struck out on her own as Waxahatchee. That was over a decade ago. Crutchfield says she never knew the road would lead her here, but after six critically acclaimed albums, she's never felt more confident in herself as an artist. While her sound has evolved from lo- fi folk to lush alt- tinged country, her voice has always remained the same. Honest and close, poetic with Southern lilting. Much like Carson McCullers's Mick Kelly, determined in her desires and convictions, ready to tell whoever will listen.

      And after years of being sober and stable in Kansas City-after years of sacrificing herself to her work and the road- Crutchfield has arrived at her most potent songwriting yet. On her new album, Tigers Blood, Crutchfield emerges as a powerhouse-an ethnologist of the self-forever dedicated to revisiting her wins and losses. But now she's arriving at revelations and she ain't holding them back.

      STAFF COMMENTS

      Barry says: There's something timeless about a simple-yet-effective country ballad, and while that's not quite what Waxahatchee does, there's something about Cruthfield's writing that triggers the instant recognition and innate warmth of those tried and tested campfire classics. Beautifully bucolic melodies and warmly presented instrumentation, all wrapped in Waxahatchee's unmistakeable style. Stunning.

      TRACK LISTING

      1. 3 Sisters
      2. Evil Spawn
      3. Ice Cold
      4. Right Back To It
      5. Burns
      6. Out At Midnight
      7. Bored
      8. Lone Star Lake
      9. Crimes Of The Heart
      10. Crowbar
      11. 365 
      12. The Wolves
      13. Tigers Blood

      Waxahatchee

      Cerulean Salt - 2023 Reissue

        Cerulean Salt follows American Weekend -- a collection of minimal acoustic guitar pop written and recorded in a week at her family's Birmingham home. On this new record, Crutchfield's songs continue to be marked by her sharp, hooky songwriting; her striking voice and lyrics that simultaneously seem hyperpersonal yet relentlessly relatable, teetering between endearingly nostalgic and depressingly dark. But whereas before the thematic focus of her songcraft was on break ups and passive-aggressive crushing, this record reflects on her family and Alabama upbringing. Whereas American Weekend was mostly just Crutchfield and her guitar, Cerulean Salt is occasionally amped up, with a full band and higher-fi production. At times, Cerulean Salt creeps closer to the sound of PS Eliot: moody, 90s- inspired rock backed by Keith Spencer and Swearin' guitarist Kyle Gilbride on drums and bass. The full band means fleshed-out fuzzy lead guitars on "Coast to Coast", its poppy hook almost masking its dark lyrics. Big distorted guitars and deep steady drums mark songs like "Misery over Dispute" and "Waiting". There's plenty of American Weekend's introspection and minimalism to be found, though. "Blue Pt. II" is stripped down, Crutchfield and her sister Alison singing in harmony with deadpan vox. She's still an open booking, musing on self-doubt versus self-reliance, transience versus permanence. "Peace and Quiet" ebbs and flows from moody, minimal verses to a sing- song chorus. "Swan Dive" tackles nostalgia, transience, indifference, regret -- over the a minimal strum of an electric-guitar, the picking at a chirpy riff and the double-time tapping of a muted drum. The album closes with a haunting acoustic-guitar reflection on "You're Damaged," possibly the best Waxahatchee song to date.

        TRACK LISTING

        Hollow Bedroom
        Dixie Cups And Jars
        Lips And Limbs
        Blue Part II
        Brother Bryan
        Coast To Coast
        Tangled Envisioning
        Misery Over Dispute
        Lively
        Waiting
        Swan Dive
        Peace And Quiet
        You're Damaged

        Waxahatchee

        Out In The Storm

          Out in the Storm is the blazing result of a woman reawakened. Her most autobiographical and honest album to date, Out in the Storm is a self-reflective anchor in the story of both Katie Crutchfield’s songwriting and her life. The album tells the story of taking control of a volatile situation, embracing flaws, and exploring a new sonic freedom. The album was tracked at Miner Street Recordings in Philadelphia with John Agnello, known for working with some of the most iconic musicians of the last 25 years, including Dinosaur Jr. and Sonic Youth.

          For Agnello, it was Crutchfield’s voice that drew him in. “The first demo song I heard was ‘Fade’. The melodies, the way she sings it, the way she turns the melody, and the way she goes note to note is literally beautiful. Singers—you either have it or you don’t. She has it.” Agnello and Crutchfield worked together for most of December 2016, along with the band: sister Allison Crutchfield on keyboards and percussion, Katherine Simonetti on bass, and Ashley Arnwine on drums; Katie Harkin, touring guitarist with Sleater-Kinney, also contributed lead guitar. At Agnello’s suggestion, the group recorded most of the music live to enhance their unity in a way that gives the album a fuller sound compared to past releases, resulting in one of Waxahatchee’s most guitar-driven releases to date. “My experience working with John was genuinely life-changing,” says Crutchfield. “We had such a great connection right off the bat, and I really feel like he was always looking out for me.

          He pushed me when I needed it, and gave me space when I needed it.” Crutchfield’s voice oscillates between effortless grace and commanding righteousness, taking the listener with her on an explicitly personal journey. Songs like “Hear You” and “No Question” are lyrically unapologetic and musically resolute, while the softer acoustic songs like “A Little More” and “Fade” let fear and melancholy seep through. But it is on the atmospheric “Sparks Fly” where we feel an essential redemption. “Sparks Fly” acts as an inner dialogue and marks the first time since the inception of Waxahatchee that any semblance of self-love has shone through. 

          TRACK LISTING

          1. Never Been Wrong
          2. 8 Ball
          3. Silver
          4. Recite Remorse
          5. Sparks Fly
          6. Brass Beam
          7. Hear You
          8. A Little More
          9. No Question
          10. Fade

          Waxahatchee

          Cerulean Salt

            Reissue of the second Waxahatchee album.

            On her second full-length record as Waxahatchee, former P.S. Eliot singer Katie Crutchfield’s compelling hyper-personal poetry is continuously crushing.

            On this new record, Crutchfield’s songs continue to be marked by her sharp, hooky songwriting; her striking voice and lyrics that simultaneously seem hyper-personal yet relentlessly relatable, teetering between endearingly nostaglic and depressingly dark. But whereas before the thematic focus of her songcraft was on break ups and passive-aggressive crushing, this record reflects on her family and Alabama upbringing. And whereas American Weekend was mostly just Crutchfield and her guitar, Cerulean Salt is occasionally amped up, with a full band and higher-fi production. At times, Cerulean Salt creeps closer to the sound of PS Eliot: moody, 90s-inspired rock backed by Keith Spencer and Swearin’ guitarist Kyle Gilbride on drums and bass. The full band means fleshed-out fuzzy lead guitars on “Coast to Coast”, its poppy hook almost masking its dark lyrics. Big distorted guitars and deep steady drums mark songs like “Misery over Dispute” and “Waiting”. There’s plenty of American Weekend’s instrospection and minimalism to be found, though. “Blue Pt. II” is stripped down, Crutchfield and her sister Alison (of Swearin’) singing in harmony with deadpan vox. She’s still an open booking, musing on self-doubt versus self-reliance, transience versus permanence. “Peace and Quiet” ebbs and flows from moody, minimal verses to a sing-song chorus. “Swan Dive” tackles nostalgia, transience, indifference, regret over the a minimal strum of an electric-guitar, the picking at a chirpy riff and the double-time tapping of a muted drum. The album closes with a haunting acoustic-guitar reflection on “You’re Damaged,” possibly the best Waxahatchee song to date.

            TRACK LISTING

            Hollow Bedroom
            Dixie Cups And Jars
            Lips And Limbs
            Blue, Pt. 2 
            Brother Bryan
            Coast To Coast
            Tangled Envisioning
            Misery Over Dispute 
            Lively
            Waiting
            Swan Dive
            Peace And Quiet
            You’re Damaged

            Waxahatchee

            Saint Cloud

              What do we hold on to from our past? What must we let go of to truly move forward? Waxahatchee’s Katie Crutchfield spent much of 2018 reckoning with these questions and revisiting her roots for answers. The result is Saint Cloud, an intimate journey through the places she’s been, filled with the people she’s loved.

              Written immediately in the period following her decision to get sober, the album is an unflinching self-examination. This raw, exposed narrative terrain is aided by a shift in sonic arrangements as well. While her last two records featured the kind of big guitars, well-honed noise, and battering sounds that characterized her Philadelphia scene and strongly influenced a burgeoning new class of singer-songwriters, Saint Cloud strips back those layers to create space for Crutchfield’s voice and lyrics. The result is a classic Americana sound with modern touches befitting an artist who has emerged as one of the signature storytellers of her time. Many of the narratives on Saint Cloud concern addiction and the havoc it wreaks on ourselves and our loved ones, as Crutchfield comes to a deeper understanding of love not only for those around her but for herself. This coalesces most clearly on “Fire,” which she says was literally written in transit, during a drive over the Mississippi River into West Memphis, and serves as a love song to herself, a paean to moving past shame into a place of unconditional self-acceptance.

              Over the course of Saint Cloud, which was recorded the summer of 2019 and produced by Brad Cook (Bon Iver), Crutchfield peels back the distortion of electric guitars to create a wider sonic palette than on any previous Waxahatchee album. It is a record filled with nods to classic country, folk-inspired tones, and distinctly modern touches. To bolster her vision, Crutchfield enlisted Bobby Colombo and Bill Lennox, both of the Detroit band Bonny Doon, to serve as backing band on the record, along with Josh Kaufman (Hiss Golden Messenger, Bon Iver) on guitar and keyboards and Nick Kinsey (Kevin Morby) on drums and percussion. Saint Cloud marks the beginning of a journey for Crutchfield, one that sees her leaving behind past vices and the comfortable environs of her Philadelphia scene to head south in search of something new. If on her previous work Crutchfield was out in the storm, she’s now firmly in the eye of it, taking stock of her past with a clear perspective and gathering the strength to carry onward.

              TRACK LISTING

              SIDE A
              Oxbow
              Can’t Do Much
              Fire
              Lilacs
              The Eye
              Hell

              SIDE B
              Witches
              War
              Arkadelphia
              Ruby Falls
              St. Cloud


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