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VETIVER

Vetiver

Up On High

    Andy Cabic’s musical being is, like many curious 21st century musicians, shaped and sustained by divergent tangents. If he’s not crafting a melancholy folk rock diamond in his Northern California studio, he’s moving a dance floor with bossa nova and house DJ sets, or helping curate a compilation of Japanese City Pop.

    What’s magic about this new Vetiver LP Up On High is the way these tangents colour the ten songs without undermining a distinct move to more elemental, spacious and natural arrangements. At the heart of each of these ten songs is Cabic’s voice: sweet, tender and weathered - a welcome and soothing old friend if ever there was one. There are other familiar friends: the album also features longtime engineer and collaborator Thom Monahan and the same resourceful and versatile band that helped Cabic make the more dense and layered Complete Strangers from 2015.

    Up On High was written on acoustic guitar. Having moved twice since Complete Strangers, increasingly accustomed to a life in and out of boxes, it was the easiest instrument to reach for in moments of inspiration. The basic tracking of the album took place over a few Spring days at a friend’s house in the high desert of California. This simple set-up captured the organic immediacy of a roomful of friends playing together on the floor. It’s alive and ever so subtly crackling with the intensity of a band working together, teasing out the melody and rhythms of songs with warmth and intimacy. Cabic and Monahan took the fruits of this session to Los Angeles and finished the album at Monahan’s studio over the summer as other friends popped by to lend their talents.

    This album reflects the world that Cabic created and lives in: Jorge Ben phrasings peek out from behind Tom Petty's Wildflowers outtakes, a gentle jangle lifts whispers of REM’s Murmur on a breeze up from Compass Point Studios. But Up On High is most clearly Cabic and his band inhabiting the realm the band was born in—sleek, economical, soulful, and sometimes sadness-tinged melodies riding on the gentle choogle and sway of an ensemble moving in beautiful unison. This is an album that breathes with you in real, lived in, natural time.

    Vetiver grows in a 'less is more' chaparral where simplicity offers ample room to wander. Strongly fertilized by traditional acoustic music, and more subtly cross-pollinated by the sparseness of 'minimalism', with its bare suggestions of melodies that the listener fills in for himself, Vetiver gracefully navigates folk and pop savannas with ease. Chief songwriter Andy Cabic grew up in northern Virginia and spent a few years in Greensboro, North Carolina, playing guitar and writing music as a member of the Raymond Brake, whose 1995 full-length, melded experimental rock sensibilities with bright melodic touches of classic pop. After moving to San Francisco, Cabic enlisted violinist Jim Gaylord and cellist Alissa Anderson, along with Young God recording artist and troubadour du jour Devendra Banhart, who shares co-writing credits on "Los Pajaros del Rio" and "Amour Fou" and contributes guitar and vocals to the album. Anderson made the near-random acquaintance of My Bloody Valentine's Colm O'Ciosoig, and he ended up playing drums on "Luna Sea" and "On a Nerve," which brought along with it vocals on "Angels' Share" courtesy of Mazzy Star's Hope Sandoval. "Amerilie" features the harp-playing of Joanna Newsom, Craig Koozer plays bass on "Amour Fou," and Nick Holdzkom piano on "Luna Sea."


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