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THE MR K EDITS

Long circulating in near-mythical form, the Boyd Jarvis and Danny Krivit rework of Sade's 'Couldn't Love You More' finally arrives on wax, freshly remastered for 2026, having first cast its spell on dancers as far back as 2008. This super edit stretches the original into a slow-burning, 14-minute journey where fluid keys drift across warm grooves and gently rising dynamics. The result is sensuous and deeply musical for those late-night moments of loved-up intimacy. With previous pressing issues resolved and an instrumental flip, this one is a no-brainer for soulful deep house heads.

TRACK LISTING

I Couldn't Love You More (Mr K Vocal Edits)
I Couldn't Love You More (Mr K Instrumental Edit)

The Mr K Edits

Always There / For The Love Of Money

The undisputed heavyweight champion of edits, Mr. K, is back with another fine defence of his title and one that pays homage to two classic grooves. 'Always There' sees the 1975 Ronnie Laws original refined but still capturing a jazzy r&b spark while nodding to Side Effect's iconic horn stabs and adding a drums-only outro that makes it DJ-ready. On the flip, 'For The Love of Money' delivers the O'Jays at their peak and backed by MFSB who cook up a monumental bass line with Mr. K balancing the LP and single versions into a tight, playable edit. Timeless grooves with maximum floor appeal.

TRACK LISTING

Always There
For The Love Of Money

The Mr K Edits

Remember The Time / Any Time, Any Place

For his next trick, Danny Krivit serves up a fitting musical tribute to what he refers to as "the royal family of soul" aka The Jacksons. This double A-side brings two classics to 7" for the first time having been pulled from the golden era of 90s house. Both original Michael and Janet remixes have long been staples in Krivit's sets and here he refines E-Smoove's Late Nite remix of 'Remember The Time' into a mix-friendly gem that keeps the essence and bumps up the beats. On the flip, Janet's 'Any Time, Any Place' appears as the beloved D&D remix, which is uplifting, funky and timeless.

TRACK LISTING

Remember The Time (House Remix)
Any Time, Any Place (House Remix)

The Mr K Edits

East / Can't Keep Running Away

The man who never misses is back with another big hit. This time, Danny Krivit drops a double shot of deep-digging NYC energy aimed at the floor. First, he flips Billy Paul's 'East', the first track ever released on Philadelphia International Records, into a taut, bass-driven groover that keeps the spirit but sharpens the energy. Flip it over and you're in early-80s Manhattan as Final Edition's seminal 'Can't Keep Running Away' is retooled into a sleek boogie-funk stomper that is stripped to its rhythmic core and laden with an irresistible hook. As ever, pure Mr. K magic that cannot fail to bring the good times.

TRACK LISTING

East
Can't Keep Running Away

The Mr K Edits

The House Is Rockin / California Style

Bobby Caldwell may be best known for his timeless hit 'What You Won't Do For Love' but he has also penned a ton of other tunes that are just as great. Edit king Danny Krivit knows that and now shines a light on some of the hidden corners of the American's discography with a twist of Caldwell's first single, 'The House Is Rockin'. Opening with an extended, DJ-friendly drum break, Krivit stretches the track into the breezy, sunlit groover it always hinted at being and on the flip, he reworks Eddy Grant's 'California Style', teasing out its pre-house vibes and zeroing in on the bubbling synths and hypnotic bassline while trimming the vocals. As always with Mr K, these are both essential edits.

TRACK LISTING

The House Is Rockin
California Style (Part 2)

The Mr K Edits

Rise & Shine / Church Girl Church

Given that Mr K (that's NYC disco and house legend Danny Krivit to you and me) has been re-editing tracks since the late 1970s, it's perhaps unsurprising that his well of killer re-cuts never seems to run dry. On his latest two-track missive, he abandons the sprawling epics he's renowned for and instead offers up two on-point, radio-ready workouts. On 'Church Girl Church', he gives his take on a lightly wonky, new wave-era synth pop number, emphasising the slightly sleazy and futurist synth melodies, the just off metronomic machine drums and wild-eyed female lead vocals. 'Rise & Shine', meanwhile, is a tight, joyous and mood enhancing take on a piano-powered slab of righteous gospel-soul perfection.

STAFF COMMENTS

Barry says: Main room disco grooves from Mr. Krivit, here with 'Rise & Shine' featuring a bright piano progression and syrupy smooth vocals, while 'Church Girl Church' brings the gospel power, with a soulful vocal sitting atop synth stabs and echoing kick drums.

TRACK LISTING

Rise & Shine
Church Girl Church

The Mr K Edits

I Want You / Only The Strong Survive

The one and only edit king really struck gold with his iconic rework of Marvin Gaye's 'I Want You,' which now celebrates 20 years with its first-ever 7" reissue on Most Excellent Unlimited. Stripping back the original to spotlight Gaye's sensual vocals and minimal conga-driven rhythm, this near-drumless edit is pure magic. On the flip, Mr K delivers a euphoric edit of Billy Paul's Philly disco gem 'Only The Strong Survive' and stretches its soaring vocals and propulsive groove into an extended, floor-lifting finale. Both sides are essential: one intimate and sultry, the other triumphant and explosive, making this another essential 45 rpm from Mr. K.

TRACK LISTING

I Want You (Mr K 7" Edit)
Only The Strong Survive (Mr K 7" Edit)

The Mr K Edits

Giving My Love / Brazil

The one and only Mr. K presents a two-sided treat here starting with Janice McClain's underrated 1983 disco track and featuring a smooth, laid-back groove that blends steppers vibes with mid-tempo Philly soul. Written by McClain's uncle Milt Tennant and Thom Page, it captures a classic sound that is further enhanced by McClain's heartfelt vocals. This edit trims the rare 12" version for a 7" debut with pristine sound and the B-side flips to a fresh take on 'Brazil', which was a 1975 hit by the Ritchie Family. Mr. K's edit extends the vamp section, offering a full, uninterrupted four minutes of irresistible disco joy.

STAFF COMMENTS

Matt says: Lord Krivit returns to his 7" series once again. With a smoochy soul number on side A and an extravagant example of pure disco POMP on side A, what's not to love?

TRACK LISTING

Giving My Love
Brazil

Dan Tyler & Nick The Record

Mr Bongo Edits - Volume 3

Good friends and Record Mission co-captains, Dan Tyler (one half of the Idjut Boys) and Nick The Record, take the reins for the third volume of the Mr Bongo Edits 12" series.

With previous editions coming courtesy of Danny Krivit and Luke Una, Dan and Nick set their sights on a hand-picked selection of iconic '70s Cuban recordings for this three-track cosmic whirlwind.

Across the A side, Dan picks out two Juan Pablo Torres tracks, with Nick taking on Grupo Los Yoyi on the B. Tweaking, extending and reworking the recordings with a dose of extra magic they remould the tracks to ft the sounds and structure of today's dancefloors.

Having formed the Idjut Boys in the early '90s, Dan and Conrad McDonnell have crafted a dubbed-out, disco-tinged style that permeates their countless productions, remixes and DJ sets. Speaking of the two tracks Dan has chosen to rework for this EP he mentions, "Having been caught under an avalanche of good music from Mr Bongo, I took it upon myself to extend and add effects to a couple of the fantastic tracks from the Juan Pablo Torres LPs they recently reissued. Just for disco jockey and barn dance use."

First, Dan looks to Cuban maestro Juan Pablo Torres' 1978 album 'Algo Nuevo', taking one of the standout tracks 'Cacao' and giving it more space to breathe. Teasing out the scatting vocal line and percussive climax that nods to George Kranz's '83 electronic disco anthem 'Din Daa Daa', whilst adding more cosmic tripped-out synths and space echoed dubs, Dan builds the tension to fine effect. This track sounds immense on a big club system and the swirling synths felt like they were lifting the ceiling off when we played it at the amazing La Paloma ballroom in Barcelona. Dan then turns his attention to Torres' 1977 'Super Son' album, giving the psych-Latin funk track 'Pastel En Descarga' a dub makeover. Rich in delay and drama, whilst maintaining and extending the breakers funk intro, he juices it up into a punchy, no nonsense, cosmic-funk delight.

On the B side, Tangent co-founder, long- standing Life Force resident and seasoned rework master, Nick The Record, revisits an edit that he originally constructed in 2009. Clocking in at over double the length of the original cut, Nick's edit of Grupo Los Yoyi's 1977 cut 'Paco La Calle', is made with dancers firmly in mind. This secret weapon builds and simmers, with the drums and percussion pushing and pulling before the psychedelic synth lines return in a sweltering fashion. In this new 2025 version, Dan is drafted in to work some brilliant new synth lines into the mix.

STAFF COMMENTS

Matt says: After a blink-and-you'll-miss-it, fresh 12" from The Idjut's last week; one half of the formidable dub-disco-duo returns with a clutch of edits for the impeccable Mr. Bongo.

TRACK LISTING

1. Juan Pablo Torres - Cacao (Dan Tyler NAD Bulto Version)
2. Juan Pablo Torres Y Algo Nuevo - Pastel En Descarga (Dan Tyler NAD Pepino Version)
3. Grupo Los Yoyi - Paco La Calle (Nick The Record Re-Edit)

Various Artists

John Gomez & Nick The Record - Tangent Edits Vol. 1

One of London's most loved underground parties, Tangent, celebrates its 10th birthday this year with a new compilation on Mr Bongo. Its residents, John Gomez and Nick the Record , have curated a selection of prized, rare and dancefloor-ready tracks that have soundtracked the past decade of their parties. Alongside remastered reissues of these original cuts, the CD version of the compilation also houses three incredible edits from Nick, John and Dan Tyler of the Idjut Boys. These were too good not to press onto vinyl, so we've given them the standalone 12"they deserve.

Contextualising their edits Nick states, "Tangent was not only the place for us to play the music we love the most, it also became the testing ground for our edits. It was really helpful being able to see the effect each of these had on a dancefloor before the records were released and many of them also became firm Tangent classics."

Up first, Nick is joined by Dan Tyler (Idjut Boys), who he runs the edit label Record Mission with, for a furiously feel-good re-edit of Leo Basel's 'Quelle Drole De Vie'. Basing their edit on the 1987 'Special Remix', it does what any great re-work does, dropping the sections from the original that don't quite hit the mark, whilst focussing on the gold in amongst it all. The result is a slice of peak-time, French boogie joy, that will warm even the coldest hearts.

John then joins Dan at the dials for a cosmic revamp of Love Isaacs 'Surprise Surprise'. A serving of '80s electro-funk, dripping in swagger with a highlife tinge. John and Dan extended the grooves for maximum dancefloor power, space echoing it into the stratosphere at all the juiciest points.

Lastly, Nick takes on Rick Asikpo and Afro Fusion 'Let's Get High' from the super sought- after 1980 album, Got To Be Me. Celestial, gospel- infused soul from Nigeria, Nick homes in on the energetic last 2 minutes of the original as the building block of his 12- minute edit . A completely reworked, feverishly paced creation, Nick switches the sections around, saving the slow, soulful segment for a brilliant cosmic breakdown before the track erupts back into its full flow. Synthesised, jazz-funk elation from start to finish!

TRACK LISTING

Leo Basel - Quelle Drole De Vie (Nick The Record & Dan Tyler Re- Edit)
Love Isaacs - Surprise Surprise (Joao Gomes & Dan Tyler Are Predictably Delayed Rework)
Rick Asikpo And Afro Fusion - Let's Get High (Nick The Record Re-Edit)

The Mr K Edits

Felix Leo / In Love

Mr. K Edits' latest release caters to roller skaters and groove enthusiasts alike. It features two mid-tempo tracks uniquely edited by the studio scalpel master himself as they make their debut on 45rpm. First is Rodney Franklin's 'Felix Leo,' which was originally overshadowed by his hit 'The Groove.' It unfolds with hypnotic chords trimmed to their essence and unfolds at a gradual, majestic pace with captivating and lush strings making it all the immersive. Second up is Prince's early gem 'In Love' which showcases his instrumental prowess with drums, bass, guitar, and creamy synth lines. Mr. K extends the mix seamlessly, enhancing its danceable rhythm and timeless appeal with his usual class.

TRACK LISTING

Felix Leo
In Love


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