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Weedpecker

III

    Don’t let the name fool you: Weedpecker are not just “another stoner
    rock band”. On III, the four-piece group from Warsaw conjure
    dreamy psychedelic soundscapes and melodic fuzzed out riffs into a
    blissful, swirling haze.

    FORMAT INFORMATION

    Ltd LP Info: Coloured vinyl.

    Ltd LP includes MP3 Download Code.

    Papir is a young three-piece from Copenhagen, Denmark who has played together for years under various names while slowly, but surely, perfecting their unique brand of semi-improvisational psychedelic rock. Based around Christoffer Brøchmanns complex and powerful drumming Papir creates instrumental journeys – organic structures of sound that move forward with the hypnotic groove of Can or electric Miles Davis through euphoric peaks, thunderous riffs and beautiful cosmic dronescapes.

    Nicklas Sørensens guitar playing displays his love for fuzzed-out psychedelic rock from the 1960s and 1970s but also has a highly melodic aspect that reveals his admiration for German heroes Michael Rother and Manuel Göttsching. Similarly Christian Becher Clausen’s bass playing covers a wide palette of ideas and sounds – sometimes using the instrument as a solid groove-maker and other times as a tool for crea- ting spacy soundscapes and drones. As a unit the three members achieve what the great power trios of the 1960s did at their most fertile: the ability to combine each aspect of the band into a whole that surpas- ses the sum of its parts. Following their self-titled debut LP that came out on the Copenhagen label Red Tape, the band released their Stundum album.

    The music builds, swells and evolves almost like an organic natural process – building something which is almost beyond categorization, not really belonging to any specific musical era or scene. Had this album been released ten years ago one might have been tempted to describe it as psychedelic post-rock – but no genre tags, however inventive, does full justice to Papir’s music.

    Neither does more traditional tags such as krautrock, prog, space-rock or stoner-rock, although none of them are completely off the mark. Mixed by John McEntire (Tortoise) and released on double 180 gram format (with DL code) or double CD format, this ones for fans of all the above mentioned and other psyhonautical soundscapers such as Scenic / Mogwai / Kandodo / etc

    FORMAT INFORMATION

    2xLP includes MP3 Download Code.

    Elder

    Reflections Of A Floating World

      Band members and friends Nick DiSalvo, Jack Donovan and Matt Coutoalready dismissed any last remains of stoner metal stereotypes on Lore (2015). Their current album, which was written following the long and acclaimed Lore tour in moments of intense creativity, is a journey into prog rock and psychedelic worlds. Six monumental songs, huge in sound, each of them their own cosmic expedition. What begins as driving mid-tempo rock filled with heavy guitar riffs repeatedly erupts into melodic tangents and clever variations. The high demands that DiSalvo places on his own songwriting seem to become more unfettered from minute to minute – as does the pleasure of listening to him. Guest musicians Michael Samos and Mike Risberg have added additional guitars, pedal steel and keyboards to the trio, making Elder’s sound more voluminous than ever, and the influences found here range from 70s prog dinosaurs such as Yes, King Crimson or Pink Floyd to their kindred spirits Motorpsycho or legendary 90’s band, the God Machine. And it is of course a cliché, but Elder bring their own organism to life from all these influences.

      Elder already strike out on their chosen path on the album opener “Sanctuary”. What begins as a trademark stoner song turns on its own axis several times at minute four, morphing into lyrical polyphonic pickings and using a Mellotron to sweet-talk its way to an unfathomable and brutal finale. “The Falling Veil” moves between Thin Lizzy with palpitations and Motorpsycho (era “Heavy Metal Fruit”). Those who think of Kyuss during “Staving off Truth” won’t be able to hold that thought the entire 11 minutes of the song. And as hymn-like as the riffs can be, the band never settles down to one part for longer than two minutes. But at the same time, the songs never lose their coherence, because all parts are logically woven into one another. And it could be that “Sonntag”, a detour into the Krautrock motor functions of Neu!, most clearly shows the limitless cosmic ambitions of Elder. This album is of epic proportions and fans of the likes of Russian Circles, Ocean Size, 65 Days of Static, Kyuss, the aforementioned Motorpsycho and The God Machine will find much to love here.


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