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SHAKA

Shaka Vs. Fatman

Dub Confrontation Shaka (Warrior) Vs Fatman (Killer)

Engineered by Prince Jammy, "Dub Confrontation" is a classic showdown album featuring Fatman Killer and the Zulu Warrior Jah Shaka. For those unfamiliar, a dub showdown features two engineers going head to head with each taking turns dubbing out instrumentals from the same backing band.

STAFF COMMENTS

Matt says: Legendary dub clash between two heavyweights with some familiar and lesser known riddims. They both throw all their dubbing skills into the proverbial hat; with each track a feast for the ears. 10 out of 10 jahs on this one folks.

TRACK LISTING

A1. Ranking Dub
A2. Jahoviah Dub
A3. Aggro Dub
A4. Bitter Dub
A5. Revenge Dub
B1. Repatriation Dub
B2. Chapter Two
B3. Dreader Dub
B4. College Dub
B5. Afrika Dub

Babe Rainbow

Slipper Imp And Shakaerator

    Babe Rainbow’s ‘Slipper Imp and Shakaerator’ is a sun-soaked celebration of psychedelic acid-pop, infused with the laid-back magic of Australia’s Gold Coast. A return to their roots, the album blends nostalgic riffs, shimmering 80s funk, flowing rhythms, and lysergic jams into an effortlessly joyful, homegrown album that’s wild, radiant, and ready to be shared.

    TRACK LISTING

    1. What Is Ashwagandha
    2. LONG LIVE THE WILDERNESS
    3. Now And Zen
    4. Sunday
    5. Apollonia
    6. Like Cleopatra
    7. When The Milk Flows
    8. Mt Dub (ft. Stu Mackenzie)
    9. Aquarium Cowgirl
    10. Rainbows End (ft. Camille Jansen)
    11. Re-ju-ven-ate

    Shaka is a multi-talented DJ / Producer who produces music that crosses several sub-genres of House, and at the highest level of musicality and soul. While well-known in his home country of Switzerland through his 3 decades in the industry, he is now on the verge of gaining much more intensive and wide-spread acclaim with his debut 4 track EP on Nervous Records.

    STAFF COMMENTS

    Matt says: Nervous never really go away do they? I reckon at any one time across the globe at least one DJ is spinning a Nervous record to a bunch of ecstatic dancers. It just never fails. "Sing With Me" doing it for me on this one....

    TRACK LISTING

    A1. Sing With Me Ft. Eve
    A2. Still Groovin'
    B1. Hidden Lover
    B2. Savannah Drive 

    Fela Kuti

    Shakara - 50th Anniversary Edition

      Fela Kuti (1938-1997) was a Nigerian musician, producer, arranger, political radical, outlaw and the originator of Afrobeat. A titanic musical and sociopolitical voice, Fela’s legacy spans decades and genres, touching on jazz, pop, funk, hip-hop, rock and beyond.

      “Shakara” is the 6th in the series of celebratory Fela 50th Anniversary reissues. Like its predecessors in the series, this version will be on colour vinyl and the LP will be wrapped in a gold foil obi strip with a brief essay on the album and Fela's global impact on music. Like Fela's other early 70's releases, he used each side of his LPs to create a deep groove that pulls the listener in and follows with metaphoric lyrics that call out and critique the corrupt hangover of colonialism.

      The album is the sound of Afrobeat's maturation as a global music. Fela's Pidgin English lyrics extend his music's audience beyond Yoruba speakers and make his words understandable across the Anglophone world. In "Lady," Fela highlights the adoption of European social habits to the detriment of African culture. "Shakara" is a mainly instrumental track, with a brief lyric, sung in Yoruba, warning against boasters and braggarts. The song pacing is festive and typically up tempo, with boisterous horn arrangements, with strong solos from Fela on keyboards and the fearsome Igo Chico on tenor saxophone.

      TRACK LISTING

      LP SIDE A:
      1. Lady
      LP SIDE B:
      1. Shakara

      7" SIDE A:
      1. Lady (Ezra Collective Remix)
      7" SIDE B:
      1. Shakara (Ezra Collective Remix)

      Fela Kuti

      Shakara / London Scene

        Fela's London Scene was one of the first recordings made by Fela and his newly named Nigeria 70, with recordings at Abbey Road and gigs scheduled around the album by Cream's Ginger Baker (who is said to have some uncredited time on the album). It is some of the earliest notions of Afro-beat. Fela is shaking off the highlife forms that he had been entertaining and moving to a deeper, more simmering groove. It also marks the beginning of a bit of his social commentary. He exhorts his fellow Africans to purchase African goods in "Buy Africa" and puts out a call to the Pan-African counterculture in "J'EHIN J'EHIN" and "Egbe Mi O." What one notices in this section of the album is a stripped-down groove that simmers until Fela finally breaks it out into a fully grown work of funk. In the Shakara section (with some 50 bare-breasted women on the cover helping sell the album), one finds fun (and perhaps shame) pointed at the westernizing African woman in "Lady" (espousing feminism, she believes herself equal to men, and espousing westernism, she takes on a delicate/weak form as a lady). In the title track the fun is poked instead at braggarts who don't back up their bravado. The main focus of this album, though, is to provide a good, danceable groove. This is exactly what Fela does. Pick it up as a landmark and a dance album together, but more importantly as a fan of Fela.


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