"Lex" features both the final version of this process and earlier, simplified experiments with it (“Keys”). “The idea – building on ‘fourth world’ or ‘global village’ type concepts – was to create a projected language that was a fusion of many,” Doran explains. “The result was a very disorienting form of non-language that amplifies the lapses in meaning that occur with the inaccuracy of auto-translation software.”
Permutate Lex, a companion short film to Lex made by Visible Cloaks in collaboration with artist Brenna Murphy (who also created the artwork for Reassemblage and several virtualist videos for the album), is an integral counterpart, both visualizing an aesthetic alive with human form and guiding the sonic experience of the first five pieces: “Wheel,” “Frame,” “Transient,” “Keys,” and title track “Lex.” “World,” the longest piece presented on Lex, is redrawn from a generative composition originally produced for an installation Doran made with Murphy.
The original work incorporates LFOs and randomized MIDI-information, and was intended to variate indefinitely. In this ‘fixed’ version, “World” provides a more conclusive view into the impossible musical environments Visible Cloaks make real. Longer than any track on Reassemblage, “World” expresses the deepening, patient intimations suggested by Lex.
Doran says the Lex “attempts to communicate the essence of a world distant enough that it can’t be captured or comprehended from the present, appearing only surreal and inscrutable.” The statement reveals a broader musical philosophy fueling this new moment; an awakened voice woven through complex melodic shapes and phrases establishes communication between listeners and the unknown, here presented by Visible Cloaks as sounds coloring the very edge of the envisionable.