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Turnover

Myself In The Way

    Myself in the Way is the band’s fifth full-length album, and it follows their first pause in consistent touring in almost 10 years. While the world was shut down, Turnover’s four bandmates spent time meditating, painting, volunteer firefighting, skateboarding, and working in state parks - deepening interests and growing roots in places they hadn’t been able to while living life on the road for so long.

    Over 18 months, these individual experiences acted as the soil in which Myself in the Way grew into Turnover’s next album. Returning to Pennsylvania to track with longtime friend and producer Will Yip, vocalist & guitarist Austin Getz cites Quincy Jones, Chic, and Dark Side of the Moon as influences in the way that songs like the infectiously-rhythmic “Ain’t Love Heavy” and the trippy, disorienting “Tears of Change” feel wider, deeper and more whole than anything in the band’s catalog to date. Drummer Casey Getz’ new skills behind the drum set that open up songs on Myself in the Way to more improvisation and fluidity, pairing well with bassist Dan Dempsey’s infectious bass-lines and Nick Rayfield’s sharpened guitar and piano playing.

    On Myself in the Way, Turnover’s creative vision takes center-stage in every way. The album’s cover art - a sparkling array of multicolored gems scattered across a neutral canvas - was painted during lockdown by Dempsey. Music videos for the record were directed and filmed by the band, including the dizzy “Wait Too Long” video shot on retreat in upstate New York with friends and collaborators Kyle Lamb and Blair Kemp. Austin’s increased involvement on the production side earned him his first-ever co-producer credit, and Nick Rayfield contributed a new perspective as a songwriter for the first time in the recording process. For a band that has never stopped evolving, Turnover has always remained authentic with every release. Myself in the Way is an achievement that ties new and exciting ideas in with the band’s unique artistic ambition. 


    TRACK LISTING

    Side A
    1. Stone Station
    2. Tears Of Change
    3. Myself In The Way Feat. Brendan Yates
    4. Wait Too Long
    5. People That We Know
    6. Mountains Made Of Clouds
    Side B
    1. Ain’t Love Heavy Feat. Bre Morell
    2. Pleasures Galore
    3. Stone Station Reprise
    4. Fantasy
    5. Queen In The River
    6. Bored Of God / Orlando

    Camp Trash

    The Long Way, The Slow Way

      Camp Trash seemingly burst out of nowhere with their debut EP Downtiming at the beginning of 2021, armed with catchy riffs and infectious vocals that earwormed their way into your head and wouldn’t let go. It landed on several prominent playlists from NPR, Stereogum, and the cover/ feature track of Spotify’s official editorial list, ‘Fresh Finds- Rock’.

      They have only leveled up for their first full length, The Long Way, The Slow Way. Crafting songs that somehow feel original but familiar at the same time, Camp Trash blends 90s alternative rock and 2000s emo with pop-punk sensibilities. This LP is going to be the cornerstone of something great- a hallowed cult classic that catapults them into a much larger national audience.

      TRACK LISTING

      Side A
      1. Mind Yr Own
      2. Pursuit
      3. Weird Florida
      4. Another Harsh Toyotathon
      5. Enough Explaining
      6. Poured Out
      Side B
      1. Lake Erie Boys 2. Let It Ride
      3. Soft
      4. Church Bells
      5. Riley
      6. Feel Something

      Ann Arbor’s Pity Sex built the world of White Hot Moon, their second album, inch-by-inch. The band is using the foundation of 2013’s celebrated Feast of Love as the framework for something bigger, stronger, and altogether more monumental. Coming off of tours with Ceremony, Eskimeaux, and Colleen Green including a run in Australia the band dove into the studio with Feast of Love producer Will Yip to harness that momentum into an album to showcase Pity Sex’s growth.

      And if White Hot Moon wears its ambition on its sleeve, that’s by design: the band looked to wide-screen albums by Yo La Tengo and Sonic Youth for inspiration in finding a bigger sound. That shows: Drake and Greaves spin huge webs of sound, anchored in shoegaze but branching off in a dozen directions, from fuzzed-out power-pop (Bonhomie) to shimmering balladry (Dandelion) and back again, while St. Charles and Pierce lock into step subtly counterintuitive rhythms and floor-shaking low-end.

      TRACK LISTING

      1. A Satisfactory World For Reasonable People
      2. Burden You
      3. Bonhomie
      4. September
      5. What Might Soothe You?
      6. Plum
      7. Nothing Rips Through Me
      8. Orange And Red
      9. Dandelion
      10. White Hot Moon
      11. Pin A Star
      12. Wappen Beggars 


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