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Pillow Queens

Name Your Sorrow

    After forming in 2016, Pillow Queens released a series of singles, honing their craft and working towards their first album, In Waiting (2020). Along the way there has been acclaim from UK and American press, many sold-out gigs and an appearance on James Corden's Late Late Show. After signing with Canada’s Royal Mountain Records, they released a follow-up album, Leave the Light On in 2022, touring the UK, US and Europe extensively, including shows at Austin’s SXSW and supporting Phoebe Bridgers in Glasgow.

    Three albums in three years indicates a serious work ethic, for their new album Name Your Sorrow they stuck to a strict schedule. They showed up every day from 9-5, in a windowless Dublin room to just play, swap instruments and experiment. From there, they decamped to a rural retreat in County Clare along the Atlantic coastline of Ireland, to immerse themselves further. “ The palpable shift in sound and tone is possibly the result of working with a new producer, Collin Pastore from Nashville, who has produced boygenius, Lucy Dacus and Illuminati Hotties. The band holed up for three weeks at Analogue Catalogue studio in Newry, and quickly noticed that the change of scene and personnel impacted on the record.

    The result of combining new experimentation, heartfelt lyrics and a sound that pinballs from quiet and loud offers a kind of catharsis. Of picking through the shrapnel to find slivers of hope. Previously, the band have road-tested new tracks live, playing them to an audience and reworking them based on the crowd’s reaction. They haven’t done that this time, because the songs already feel fully formed. The band also had to unlearn the process of questioning whether a song sounded like “a Pillow Queens song”. There are definite links to the last two albums, but Name Your Sorrow feels like a triumphant step in another direction.


    Side 1
    1. February 8th
    2. Suffer
    3. Like A Lesson
    4. Blew Up The World
    5. Friend Of Mine
    6. The Bar's Closed
    Side 2
    1. So Kind
    2. Heavy Pour
    3. One Night
    4. Love II
    5. Notes On Worth


    When I'm Alone

      Last year the Atlanta artist releaed her debut EP Swan, made with producer Marshall Vore who is known for his work with folk dynamo Phoebe Bridgers. The five song collection found a supportive home with Royal Mountain Records, and drew remarkable acclaim for a debut EP, earning praise from outlets like NPR, FADER, Nylon, Paste, Under The Radar, Coup De Main and Line of Best Fit among many others.

      When I’m Alone is the debut album from Girlpuppy. Across the record, Harvey weaves in several cinematic allusions: a Keanu Reeves look alike pops up in “Teenage Dream,” named for the alternate title of an ‘80s movie he stars in; doppelgänger-ish love interests in “Destroyer” are “both played by Sam Rockwell / your roles are intertwined,” alluding to the 2009 space drama Moon. The Twilight influence also extends to the lyrics: the movie is about protagonist Bella’s struggle with being alone, and Harvey describes this record as her “Bella era.”

      "One of indie folk’s most promising newcomers...her knack for lyrical scene-setting and gossamer melodies that seem to hang in the air like the scent of a freshly baked fruit pie." NYLON.

      "Destined for stardom”. - PASTE.

      "girlpuppy has stepped onto the scene with her debut offer¬ing, and is immediately proving to be on the path to excel¬lence." - Line of Best Fit

      "A breezy ode to less-than-effotrless love" - FADER.

      Sister Ray


        Communion, the debut album by Sister Ray, is a raw, meticulously-crafted portrait of momentous, ordinary moments; experiences that define your past, and instruct how you move through the world. The record is anchored by guitar melodies that bear an undercurrent of turmoil, and echoes with the wisdom of hard-won lessons. It’s a break-up album invested in exploring the motivations behind actions, rather than attempting moral judgment. Out May 6 via Royal Mountain Records.

        What does it take to not only become unburdened by your past, but to embrace its many contours? Sister Ray, the project of Edmonton-born songwriter Ella Coyes, was conceived out of necessity; a self-designed vehicle built to examine trauma with unflinching honesty. Armed with a voice that soars and scrapes in equal measure, Coyes converts first-person recollections of big, complicated love into universally potent allegories. The result is an unyielding, spacious, and commanding form of indie rock, rooted in the folk tradition, that transforms unvarnished, interior reflections into a generous public offering.

        Born and raised on the expansive prairies of Sturgeon County, Sister Ray’s music is steeped in a wide range of cultural influences. With gospel blue grass and 90’s country playing in the background of their youth, it was the traditional Métis music played at home that not only brought them closer to their heritage, but taught them a form of storytelling rooted in collective value, resilience, and safety. Through the existential questions that came with examining contradictory identities, Coyes came to understand music’s ability to archive personal histories while also unpacking overwhelming emotions with the support of a community.

        Pillow Queens

        Leave The Light On

          Leave the Light On is an exploration of the uncertainty of emotions as they are in process, and an intuitive outpouring of ideas as they form. It’s about being intimately honest with yourself, and as a band. It’s about trusting that this state of vulnerability can be held as it emerges, by you, by us.

          What do queer dream blues sound like? More importantly, what do they feel like? Leaving home at night, driving through the black back roads until the tungsten light starts to glow. “Uaigneas an chaldaigh”, the Irish sense of loneliness experienced on the shore. The confusion and discombobulation of waking and feeling unfamiliar.

          The liminal space between dreaming and being conscious. The unmooring that happens when a sense of self is being explored and sometimes slipping away.

          But gravitating towards the unknown and the ambiguous can often yield the kinds of sounds and feelings that provide creative certainty, where the art is coming to you, as much as you going to it. Leave the Light On fills vast new sonic plains for Pillow Queens. It’s an album that encourages duality; to be soft and hard, delicate, and muscular, intimate and anthemic, alone and together. Collaborating on lyrics, a shared emotional experience fills these songs of hope and home, insecurity and estrangement, songs that track time passing and a sense of reflection grows deeper every day.

          When real movement is stillness, when to be stationary feels transitionary, and when the most vital journey in life is to go within, then it’s time to leave the light on, and open up.


          Be By Your Side
          The Wedding Band
          Hearts & Minds
          House That Sailed Away
          Well Kept Wife
          No Good Woman
          My Body Moves
          Try Try Try

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