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OXBOW

Oxbow

Love's Holiday

    “I’ve always been chagrined that no one understood that our songs were love songs,” says Oxbow vocalist and lyricist Eugene Robinson, while reflecting on the band’s output from the last 35 years. Love may not have been the most obvious muse in their earlier work, but the subject has never been more apparent than on their eighth studio album, and first new music in six years, ‘Love’s Holiday’. “But now listening to a record of exclusively love songs I can see how no one saw that,” Robinson admits. “My problem is how I think about love as this affects how I feel about it, instead of the other way around.”

    The band again worked with Grammy-winning engineer and co-producer Joe Chiccarelli (White Stripes, My Morning Jacket). ‘Love’s Holiday’ is the third Oxbow album recorded with Chiccarelli, and the band members uniformly state that their trust in him allowed the album to venture into even more inviting directions, featuring guest appearances from Roger Joseph Manning Jr. (Jellyfish), Lingua Ignota, a choir and a string quartet.

    Artwork by Aaron Turner (Isis, Sumac).

    For fans of Mark Lanegan, Soundgarden, Nick Cave, The Jesus Lizard.

    TRACK LISTING

    Ahead
    Icy White & Crystalline
    Lovely Murk (ft. Lingua Ignota)
    1000 Hours (ft. Roger Joseph Manning Jr.)
    All Gone
    The Night The Room
    Started Burning
    " "
    Million Dollar Weekend
    The Second Talk
    Gunwale

    Oxbow

    Thin Black Duke

      Oxbow's first album in over 10 years. Over the 30 years of Oxbow's operations, no one has come comfortably close to classifying the Bay Area group. This could arguably be the result of Oxbow's ongoing evolution, but accurately describing any particular phase of the group's seven-album career is no easier than describing the broader metamorphic arc of their creative path. This is especially true with their seventh album Thin Black Duke , where Oxbow's elusive brand of harmonic unrest has absorbed the ornate and ostentatious palate of baroque pop into their sound, pushing their polarized dynamics into a scope that spans between sublime and completely unnerving.

      The album, which features the highlights ‘Quiet Americans’ and ‘Only Child’, was produced by Danny Reisch at studios in Austin and Los Angeles and mastered by Greg Calbi at Sterling Sound.

      This is definitely Shearwater’s biggest and loudest record - it’s easy to imagine these songs roaring from the stage - but it’s also their most detailed and intricate one. Front man Jonathan Meiburg and producer / engineer Reisch spent two years crafting ‘Jet Plane And Oxbow’ with help from drummer Cully Symington, longtime Shearwater associates Howard Draper and Lucas Oswald and tourmates Jesca Hoop, Abram Shook and Jenn Wasner.

      This time the band’s secret weapon is film composer and percussionist Brian Reitzell, whose soundtracks include ‘The Virgin Suicides’, ‘Lost In Translation’, ‘The Bling Ring’, and ‘30 Days Of Night’. Reitzell’s arsenal of strange instruments emphasizes ‘Jet Plane And Oxbow’’s cinematic depth and scope and reflects the band’s choice to anchor the record in the era when digital technology was just beginning to transform the world of recorded music. In Shearwater’s hands this doesn’t feel like nostalgia; the racing synths and hammered dulcimers of heart-pounding opener ‘Prime’ or the addled motorik of ‘Radio Silence’ sound more like a metaphor for our own bewildering moment.

      TRACK LISTING

      Prime
      Quiet Americans
      A Long Time Away
      Backchannels
      Filaments
      Pale Kings
      Only Child
      Glass Bones
      Wildlife In America
      Radio Silence
      Stray Light At Clouds Hill


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