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ONE LITTLE INDEPENDENT RECORDS

Laura Misch

Lithic

'Lithic' is Laura Misch’s immersive new album, a sonic journey through stone, water, wind, and lightning. Building on the ethereal heights of 'Sample of Sky' and the earthy intimacy of 'Sample of Earth', Misch conjures music from caves, quarries, rock pools, and coastal edges, merging field recordings with saxophone, voice, electronics, strings, and percussion. Struck slate, ancient lithophones, hydrophones, and geophones create rhythms and textures that feel both primordial and contemporary. Across London, Cornwall, Hydra, and Dungeness, Misch captures the dialogue between human and more-than-human, crafting a record that resonates like deep time itself. 'Lithic' is a meditation on nature, aging, and connection, offering listeners a profound, elemental listening experience that is at once visceral, meditative, and electrifying.

The album’s conceptual foundations are inspired by deep listening practices, eco- acoustics and geology. Inspired by artists and thinkers such as Barbara Hepworth, Pauline Oliveros, Annea Lockwood, eco-psychotherapist and author of Weathering Ruth Allen and David Haskell’s writing on the origins and evolution of sound, 'Lithic' considers sound as an ancient material itself; something that can shape and transform over time. It is a deeply feminine record, tracing the rough and soft edges of aging, the weathered lines etched upon a face, the worn fractures in a rockface.


TRACK LISTING

1. Breathing
2. Kairos
3. Echoes
4. Siren
5. Scrolls
6. Soften
7. Circle
8. Fo[r]est
9. Jealousea (ft. Alfa Mist)
10. Mythic
11. Shell
12. Spiral 

Poppy Ackroyd

Liminal

Acclaimed composer and pianist Poppy Ackroyd returns with ‘Liminal’. Written and recorded during a period of profound upheaval and transition, it marks a return to the core of Ackroyd’s practice, bringing piano and violin back together. 

For the first time since 2019’s ‘Feathers’, Ackroyd reunites these two instruments exclusively, with every sound on the album drawn from piano and violin alone. Melody, harmony, rhythm and texture are all extracted from the physical bodies of the instruments themselves, from bowed and plucked strings to percussive elements. Working within these limitations remains central to her creative process.


STAFF COMMENTS

Barry says: I've always been a big fan of Poppy Ackroyd's work, since her spellbinding debut LP for Denovali all the way back in 2012. Though there are obvious echoes of that work here (her distinctive but indescribable rhythm, here pointedly the same as on that debut), 'Liminal' shows an incredible artistic development, and results in one of my favourite modern classical records for a while.

TRACK LISTING

1. In The Mist
2. Shimmer
3. Continuum
4. For Those Who Wait
5. The Unknown
6. Drift
7. Weightless
8. Between Two Worlds

Scottish-Portuguese sound artist and producer SHHE returns with ‘THALASSA’, a six-part ambient work that gives voice to the Mediterranean Sea at a moment of ecological, political, and existential crisis. Balancing introspection with political urgency, ‘THALASSA’ is an immersive body of work, one that listens closely, and asks how we might learn to do the same.

Sonically, 'THALASSA' is a minimal, immersive ambient journey, where breath, voice, and modular synthesis intertwine to create a meditative yet urgent soundscape. Fans of Biosphere, William Basinski, Fennesz, and other exploratory electronic artists will find much to connect with. Pressed in Scotland on eco-friendly bio-vinyl, with exclusive artwork by Alexandria-born artist Aya Tarek that reflects the reflective, layered depths of the sea. With no digital shortcuts, the record offers a tactile, contemplative listening experience that mirrors its conceptual focus on water, ecology, and transformation.


TRACK LISTING

1. Pneuma
2. Katávasi
3. Allásso
4. Emfánisi
5. Peras
6. Anodos

On his fifth studio album, 'Julia', Icelandic singer-songwriter Ásgeir enters intriguing and uncharted territory. After years of engaging translators such as John Grant and working with the poetry of his father, Einar Georg Einarsson, Ásgeir has penned his lyrics by himself for the first time in his long and celebrated career. The result is a deeply contemplative body of work, steeped in nostalgia, that sees Ásgeir meditating on his past regrets as well as his hopes for the future, guided by the spectre of the album’s title character.

Ásgeir has long been lauded for his intricate folk-pop, lush production, and wistful, emotive falsetto. ‘Julia’ marks a shift toward not just lyrical self-reliance but cathartic directness, songs that feel not just exquisitely performed, but lived in. “This was kind of the first time I was writing lyrics totally on my own,” he shares. “It was scary. I’m still trying to find myself within that. But I tried to open myself up and I learned a lot through that process, and it was definitely therapeutic for me.”

This new sense of vulnerability threads through the album’s ten tracks, written and recorded over the course of nearly two years. Many of the songs were first composed on guitar, with Ásgeir aiming for simplicity, prioritising melody, clarity, and meaning. The production, co-developed with longtime collaborator Guðm. “Kiddi” Kristinn Jónsson, remains organic and understated, allowing Ásgeir’s voice, and importantly his voice as a writer, to come forward. 


STAFF COMMENTS

Barry says: Tender falsetto vocals and shimmering acoustic guitar, rolling basslines and snappy percussion all come together into a hazy breeze of an album, illustrating Ásgeir's impeccable skills as a songwriter and vocalist, and now showing his evolving technique and renewed lyrical role in the project. A bold and beautiful thing.

TRACK LISTING

1. Quiet Life
2. Against The Current
3. Smoke
4. Ferris Wheel
5. Universe
6. Julia
7. Sugar Clouds
8. Stranger
9. In The Wee Hours
10. Into The Sun

Bad Breeding

Contempt

Following on from 2022s ‘Human Capital’, which mercilessly attacked Conservative meritocracy and the exploitative forces of late capitalism, ‘Contempt’ ups the ante yet again and explores the continued effects that austerity has had on the working public and specifically capital’s destruction of the planet and its inhabitants. It’s released with multiple essays in an accompanying zine, one that follows environmental and humanitarian journalist Aidan Frere-Smith and another that tells the story of a homelessness crisis in a city full of unused housing. Utilizing a mix of propulsive rhythm and furious, explosive guitars to maximum effect, Bad Breeding have weaponised their anger in the fight for survival; “Because these days are ours to take / Seize them with union, love and rage”. 


TRACK LISTING

1. Temple Of Victory
2. Survival
3. Devotion
4. Liberty
5. Discipline
6. Retribution
7. Gilded Cage / Sanctuary
8. Vacant Paradise
9. Idolatry
10. Contempt

Penny Rimbaud

HOW?

Co-founder of '70s/'80s anarchist punk band Crass, activist, poet, novelist, painter and philosopher Penny Rimbaud has recorded a live recital of ‘How?’, backed by jazz cellist Kate Shortt. ‘How? Is a reinterpretation of Allen Ginsberg’s classic 1954 poem ‘Howl’ wherein Penny, like Ginsberg before him, seeks to challenge the establishment and encapsulate the righteous anger and frustrations of a generation.

In January 2003, alongside a jazz quartet, Penny performed ‘Howl’ as his first gig at London’s Vortex Jazz Club. Ginsberg’s poem was chosen because it had been seminal in Penny’s development as a writer and because it seemed so well suited to a jazz setting. After the show, he was asked to do a repeat performance as part of that year’s London Jazz Festival. After happily agreeing, he reached out to the copyright holders expecting the process to be a mere formality, but it wasn’t. HarperCollins Inc is owned by News International, the militarist, industrialist, nationalist wing of media-magnate Rupert Murdoch. 

TRACK LISTING

1. Part I
2. Part II
3. Part III
4. Part IV


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