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SOPHIE

OOH / GET HIGHER

SOPHIE’s ‘OOH’ and ‘GET HIGHER’ are now available as a double A-side 12" vinyl. This release follows the single-series packaging format used for the other singles from PRODUCT: one track and slide image per side, black vinyl in a black inner sleeve, screen-printed with a white SOPHIE logo housed in a clear archive bag.

Earlier in 2025, Numbers marked 10 years since SOPHIE’s game-changing singles collection PRODUCT, with a special edition featuring 11 songs across Deluxe Vinyl and Compact Disc.

SOPHIE classics ‘BIPP’, ‘LEMONADE’ and ‘VYZEE’ were joined by two immaculate PRODUCT-era songs ‘OOH’ and ‘GET HIGHER’ recorded and produced at the time, each with colourful single artwork completing the set.

‘OOH’ is one of SOPHIE's earliest productions that has been through several revisions since 2011. It was one of three original tracks that Numbers had signed when SOPHIE uploaded the song alongside 'BIPP' and 'ELLE' to her Soundcloud, and while it had been through several iterations and speed changes, this finalised version was completed by SOPHIE in 2019.

SOPHIE once described ‘OOH’ as “hi tech club dance pop”. Musically speaking, the earworm hook is carved out by her signature portamento-infused synths and candy-coated lyrics, a firm cult classic approved by AG Cook and Charli XCX. Initially titled 'MAKE RESPECT', the track was first performed live by SOPHIE in 2011 to a handful of lucky people at a beach afterparty surrounding Sonar Festival, Barcelona and later that year at Manhattan's New Museum. The vocal was recorded as the first track in the same one-day recording session as SOPHIE's debut single 'NOTHING MORE TO SAY', released on the Huntley & Palmers label, where Sophie's songwriting was performed by the London vocalist Jaide Green.

The genesis of the ‘OOH’ and ‘NOTHING MORE TO SAY’ recording session is lore-worthy in its own right: after watching Jaide Green perform live with Olly Murs during the sixth series of The X Factor in 2009, SOPHIE reached out and invited Jaide to record in her home bedroom studio.

‘GET HIGHER’ was born during joyous sessions in 2013, when SOPHIE’s beat was introduced to the vocalists Cassie Davis and Sean Mullins. The track feels like a visionary precursor to ‘Vroom Vroom’, and doesn't sound out of place next to the sub-clang intensity of SOPHIE’s ‘HARD’ and ‘MSMSMSM’. Striking a playful balance between blissed-out hyperpop and club-ready Atlanta trap, it showcases SOPHIE’s signature, laser sharp sound design. Originally released as a bonus track on the Japanese CD edition of PRODUCT, ‘GET HIGHER’ has remained a hidden gem.

STAFF COMMENTS

Matt says: The final missing piece of the Sophie jigsaw is made available and it's a double header so telling of the pioneering producer's fine hands that Sophie fans will 'shake it up and make it fiiiiizz!'

TRACK LISTING

A1. OOH
B1. GET HIGHER

Numbers welcome New York’s Jubilee to the Glasgow based label - 'Main Character EP' features ‘Trippin’’, a collaboration with Jersey club Queen UNIIQU3. One of the most vital voices in American underground dance music for over a decade, Jubilee brings her South Florida rave roots and East Coast sensibilities to the imprint.

Born from the dizzying emotions of love and grief, the EP opens with the cheeky cackle of UNIIQU3 on ‘Trippin’’. Marking their hotly-anticipated first collaborative release, ‘Trippin’’ bridges Jubilee’s Miami bass heritage and UNIIQU3’s Jersey club sound to create a playful lead single featuring tantalizing vocals.

Starting to work on 'Main Character' in 2019, Jubilee revisited the project during an intense period of change and loss. Bringing in further influences from electro, Baltimore club, 90’s dance and techno to create her signature sound, Jubilee channels the fun, drama and chaos that comes hand in hand during challenging times. A deeply personal release, Jubilee looks to her friends and family for inspiration, including a sample of her parents on ‘Lucky’.

Jubilee’s debut on Numbers continues a stand-out year for the dynamic artist who released two stellar EPs earlier this year alongside celebrating 10 years of Magic City - her party series and record label which was awarded DJ Mag’s ‘Best Record Label’ in 2023 - with a run of records, merch and events across the States.


STAFF COMMENTS

Matt says: More futureproof than a Swiss army knife, Jubilee brings the nightclub pressure for taste-makers Numbers. Imagine Confidence Man doing Baltimore club and you're halfway there!

TRACK LISTING

A1. Jubilee & UNIIQU3 - Trippin'
A2. Jubilee - Main Character
B1. Jubilee - Lucky
B2. Jubilee & UNIIQU3 - Trippin' Dub

Introducing "Beautiful", a 4-track, club-focused EP by Copenhagen’s Hekt on Numbers. It hints at his mass appeal while featuring club-ready vocal collaborations from close friends Henriette (on "Beautiful" and "You Won’t Believe") and Catharina (on "Anytime Anywhere"), who together record as Smerz.

Working entirely without samples, Hekt is a sculptor wielding digital synthesis and sticky hooks, with each element carefully constructed from the ground up and the process just as important as the finished result. 'It’s about trying to be honest with what I like at every level,' he says. 'To maximise the points where I'm forced to check in with my feelings on each aspect of the songwriting, sound design, mixing, and any other aesthetic choice. Creating digital approximations tilts towards an uncanny space where everything is crystal-clear but also kind of warped.'

On opening track “Beautiful”, the descending bass and acid lines are inspired by tracks Hekt and friends used to test subwoofers in the cars they rode around during their teenage years. “You Won’t Believe” started off as a MIDI piano sketch that accelerated towards the epic emotional impact of EDM stadium-fillers like Avicii and Eric Prydz. In a playful nod to internet culture, Hekt recalls that 'I had this idea for adding a vocal that played on YouTube thumbnails and self-promotion. I called Henriette when she was in France and asked her to phrase it as epic as possible, and she sent two ideas over for "Beautiful" and "You Won’t Believe".'

On "Anytime Anywhere", Hekt reimagines his sound at 110 BPM. What began as studio experiments morphed from Neptunes or Timbaland-style productions into a crunchy pressure overload closer to Gescom via Lazer Dim 700, with Hekt also adding his own vocals.

STAFF COMMENTS

Matt says: Numbers return after a short hiatus with the futuristic post-rave sound of Hekt. Ramping up the BPMs and the sidechained compression to create a heady nightclub broth that'll have kids on drugs swinging from the rafters and regretting their life decisions come Monday morning.

TRACK LISTING

A1. Beautiful
A2. You Won’t Believe
B1. Anytime Anywhere
B2. Dream (Dub)

Sophie

Product

    Celebrating the 10th Anniversary of ‘PRODUCT’: SOPHIE's foundational and genre-defining singles collection.

    11 songs including ‘BIPP’, ‘LEMONADE’, ‘HARD’ and ‘VYZEE’, plus 2 PRODUCT-era bonuses ‘OOH’ and ‘GET HIGHER’ recorded and produced by SOPHIE.

    The deluxe vinyl includes a PRODUCT Card for digital download, and track-by-track posters featuring the colourful, era-defining artworks originally presented with each single, along with two missing slides for ‘OOH’ and ‘GET HIGHER’.

    SOPHIE classics ‘BIPP’, ‘LEMONADE’ and ‘VYZEE’ are joined by two immaculate PRODUCT-era songs ‘OOH’ and ‘GET HIGHER’ recorded and produced at the time, each with colourful single artwork completing the set.

    ‘OOH’ is one of SOPHIE's earliest productions that has been through several revisions since 2011. It was one of three original tracks that Numbers had signed when SOPHIE uploaded the song alongside 'BIPP' and 'ELLE' to her Soundcloud, and while it had been through several iterations and speed changes, this finalised version was completed by SOPHIE in 2019.

    SOPHIE once described ‘OOH’ as “hi tech club dance pop”. Musically speaking, the earworm hook is carved out by her signature portamento-infused synths and candy-coated lyrics, a firm cult classic approved by AG Cook and Charli XCX. Initially titled 'MAKE RESPECT', the track was first performed live by SOPHIE in 2011 to a handful of lucky people at a beach afterparty surrounding Sonar Festival, Barcelona and later that year at Manhattan's New Museum. The vocal was recorded as the first track in the same one-day recording session as SOPHIE's debut single 'NOTHING MORE TO SAY', released on the Huntley & Palmers label, where Sophie's songwriting was performed by the London vocalist Jaide Green.

    The genesis of the ‘OOH’ and ‘NOTHING MORE TO SAY’ recording session is lore-worthy in its own right: after watching Jaide Green perform live with Olly Murs during the sixth series of The X Factor in 2009, SOPHIE reached out and invited Jaide to record in her home bedroom studio.

    ‘GET HIGHER’ was born during joyous sessions in 2013, when SOPHIE’s beat was introduced to the vocalists Cassie Davis and Sean Mullins. The track feels like a visionary precursor to ‘Vroom Vroom’, and doesn't sound out of place next to the sub-clang intensity of SOPHIE’s ‘HARD’ and ‘MSMSMSM’. Striking a playful balance between blissed-out hyperpop and club-ready Atlanta trap, it showcases SOPHIE’s signature, laser sharp sound design. Originally released as a bonus track on the Japanese CD edition of PRODUCT, ‘GET HIGHER’ has remained a hidden gem.

    A groundbreaking producer, songwriter and performer, SOPHIE's visionary approach reshaped the landscape of pop and electronic music. Emerging in the early 2010s, SOPHIE introduced a hyper-detailed, futuristic sound defined by metallic textures, elastic basslines, and an uncanny blend of synthetic and emotional tones. Collaborating with artists including Charli XCX, Madonna, Vince Staples and Arca, SOPHIE helped pioneer a new pop movement while challenging conventions around identity, genre and production. SOPHIE's work continues to resonate deeply, leaving a lasting impact on a generation of artists and listeners alike. Discography: PRODUCT (2015), OIL OF EVERY PEARL'S UN-INSIDES (2018), SOPHIE (released posthumously, 2024).


    STAFF COMMENTS

    Matt says: Amazing, catch-all compilation of the iconic first hits of this explosively innovative, era-defining superstar.

    TRACK LISTING

    Vinyl:
    A1. BIPP
    A2. ELLE
    A3. LEMONADE
    A4. HARD
    A5. MSMSMSM
    B1. VYZEE
    B2. L.O.V.E.
    B3. UNISIL
    B4. GET HIGHER
    B5. OOH
    B6. JUST LIKE WE NEVER SAID GOODBYE

    CD:
    1. BIPP
    2. ELLE
    3. LEMONADE
    4. HARD
    5. MSMSMSM
    6. VYZEE
    7. L.O.V.E.
    8. UNISIL
    9. GET HIGHER
    10. OOH
    11. JUST LIKE WE NEVER SAID GOODBYE

    Debut album by FFT, the result of three years of focused writing and programming by the London-based producer, ‘Clear’ is deeply psychedelic, defined by a mature sense of melody and structures crafted at a monumental scale.

    Though FFT has previously released a handful of tracks under various names, it wasn’t until 2017’s ‘FFT1’ EP on the Uncertainty Principle label that his production talents began to fuse into a distinct and personal style, especially evident in FFT’s ‘Regional/Loss’ EP on The Trilogy Tapes in 2019, multiple releases on Bruk Records and 2021’s ‘Disturb Roqe’ also released on Numbers. Through it all, FFT has mastered a complex sense of mood catalyzed by sound itself: He builds patches and presets from scratch, and feels these synths and software have their own objectives and reactions, creating a kind of compositional feedback loop.The result is an album that brings to mind a collision of electronic pioneers like Delia Derbyshire and Bernard Parmegiani, 2000’s braindance, the Maximized wares of an OPN or Objekt and the rough rhythmatics of SND or Mika Vainio

    The layering of sonic elements and intentions is starkly audible across these nine tracks. They can be seismically concussive and grandiose, but granular and fluid - echoing the Icelandic volcanic eruption that features in the artwork photography by George Cowan. ‘Clear (Eight-Circuit Mix)’sets a euphoric tone immediately accelerated by the jagged sounds and vocal textures of ‘Redeemer’. ‘3 Sided’ channels hyper-urbanity from its almost entirely analogue palette, and by contrast ‘Disturb Roqe 2’ is bracingly digital, gyrating in random cycles between clustered percussion, metallic splinters of audio and artificial vocal tics.

    Opening side two, ‘You’ve Changed’ adheres to a more abrasive core, while ‘Heal’ and ‘Heal (Alt Mix)’evolved out of linked pieces in FFT’s live sets that grew into complete tracks in the months before Covid-19. The significant intensity of ‘Heal’ in particular was refined during strobe-heavy live performances and is the album at its most turbulent, the claustrophobia interrupted by dazzling arpeggios. The overall impact of 'Clear' is cinematic and precise, marking the arrival of an impressive electronic musician who is not new but has come into his own as a fully developed artist


    STAFF COMMENTS

    Matt says: Crystalline, multidimensional soundscapes here from modern electronica artist FFT whose DSP-painted sonic canvasses take us into visionary, 5th world realms.

    TRACK LISTING

    1. Clear (Eight-Circuit Mix)
    2. Redeemer
    3. 3 Sided
    4. Disturb Roqe 2
    5. Clear
    6. You’ve Changed
    7. Heal
    8. Heal (Alt Mix)
    9. Ashley Hill

    Sophie

    Bipp (Autechre Mx)

      Autechre remix SOPHIE'S "BIPP" !!!

      In 2015, when the idea of potential remixes of “Bipp” were first floated, the unequivocal response from Sophie was ‘No remixes unless it’s Autechre.’

      An Autechre live show recording from a Numbers show in 2005 had first inspired Sophie to source the equipment used to craft new music including “Bipp”, “Lemonade” & more. The “Bipp” Autechre mix a little over three minute burst of stripped back and loose, tribal-pop brilliance. Sounding like Autechre paying tribute to some serious late 80’s influences, the duo's interpretation channels an imagined transition point between industrial, electro and UK street soul, that pitched down vocal reconfigured into a wanna-be Latin Freestyle Natasha King, jiving over a deep slice of TR-606 funk technology that jars the jerks the body into some unusual and pleasant contortions. Erotic, anthemic and highly appealing across genre types, it’s got MASSIVE scrawled across its sleeve in imaginary type. Check! 


      STAFF COMMENTS

      Matt says: Rochdale's electronic mavericks grab the stems from Sophie's epochal "Bipp" track; transforming it into a loud n wobbly™ beast that'll swerve into many a DJs record boxes. Epic!

      TRACK LISTING

      1. Bipp (Autechre Remix)
      2. Unisil


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