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NINE X NINE

Zombina And The Skeletones

The Call Of Zombina

    Just in time for Halloween. Zombina and the Skeletones are returning from the dead to bring you their first full-length album in ten years ‘The Call of Zombina’.

    The Band Under Your BedTM returned to the studio (or in this case a creepy old church in Liverpool) to make their first album in ten years, with Stephen Cole from the avant garde “post-music” act a.P.At.T producing. ‘The Call Of Zombina’ is Hammer Horror melodrama as art-therapy, the pank roots of goth-rock meets the strings and harpsichords of baroque.

    ‘The Call Of Zombina’ seeks to mirror the clamic portmantean horror of ‘The House That Dripped Blood’ or ‘Asylum’, with each track telling its own self-contained story. Musically it’s death rock/ baroque, Joe Meek and James Bernard meets The Damned uptown. Lyrically, the schlocky Americanistas of old have been eschewed in favour of the no less pulpy vernacu lar of Pan Classics paperbacks... and of course the whole thing was recorded in an old spooky church, to capture some of that creaky atmosphere and gigantic reverb.

    TRACK LISTING

    1) Blood Rite For The Resurrection Of A Sleeping Countess
    2) Cemetry World
    3) The Black House
    4) Vampire’s Kiss
    5) Don’t Kick My Coffin
    6) I’m Horrified
    7) Valley Of The Shadow
    8) Dead Birds
    9) Ghost Train II: Oblivion
    10) No Wonder I’m Always Anxious

    The Room

    The Telling

      Liverpool post-punk pioneers The Room are back with a new album. Theirs is a melodic blend of progressive, alternative pop and sultry post-punk, which is just as fresh and relevant now as it was when they first broke up in 1985. Firm favourites of the late, great John Peel; they have been compared to Joy Division, The Fall and fellow Liverpool band Echo & the Bunnymen.

      Following 2023’s warmly recieved ‘Restless Fate’ is new album ‘The Telling’. Consisting of 11 songs that tell a continuous folk-horror story set in a mythical 17th-century European forest. A traveling storyteller mesmerizes an isolated village with macabre tales of wonder, mystery, and the supernatural. The idea was conceived as an aural movie told in self-contained songs that represent chapters in a complete narrative and has no lyrical choruses that repeat its themes. The album comes with a full lyric sheet influenced by the layout of the Guttenberg Bible. Frontman and lyricist Dave Jackson’s interest in folklore and myths is absolutely apparent, the story is effortlessly conveyed through his spirited yet acerbic vocals. The album features: the welcome return of original The Room drummer Clive Thomas and his fluid open-handed drumming; the haunting backing vocals of Helena Jacks; founder-member Becky Stringer (bass guitar); Ethan Kyme (keyboards); Darren Brown (guitar). A magical sonic adventure for fans of 80s post-punk and folk-horror aesthetics.

      The Revolutionary Army Of The Infant Jesus

      The Dream We Carry

        Formed in Liverpool in 1985, the Revolutionary Army of the Infant Jesus is a unique experimental ensemble whose work goes beyond music. For over thirty-five years the band’s cult following has grown. Their mesmerising recorded material is influenced by diverse cultural perspectives and stimulates a deeply personal and subjective awakening. Ethereal vocals, ambient compositions, chants, acoustic instrumentation and field recordings generate beautiful and emotionally intense soundscapes.

        ‘The Dream We Carry’ is the band’s fifth album and perhaps their most coherent body of work to date. It captures echoes and fragile remnants of the lived experience. The emotional traces that affect us. The joys and sorrows we hold. The dreams that we carry.

        Founder member Leslie Hampson said:

        “The RAIJ is a project in pursuit of beauty; we have tried to jettison anything that doesn’t address that. We’ve been active for a long time and this album represents another phase in our work. We’re not trying to reinvent ourselves or be something we’re not. We’ve never done that. We only ever try to be more of ourselves.”

        TRACK LISTING

        1) A Song For Lost Souls
        2) Les Fils Des Etoiles
        3) Among The Lost
        4) Goodbye To Berlin
        5) Remnants
        6) Object Of Desire
        7) The Road Home
        8) Tales From Nowhere
        9) Portrait Of A Child
        10) Solace
        11) Equinox
        12) Disparu
        13) Voices
        14) The Song Of Wandering Aengus

        Section 25

        Move On - 2024 Reissue

          Section 25 release their 10th studio album ‘Move On’ via Nine X Nine records. Originally formed in Lancashire in 1977 they are best known for their work with iconic Manchester label Factory Records. Fusing elements of post-punk, electro and synth-pop their sound is unmistakable and influential.

          ‘Move On’ has optimism at its core. It is a reflection of the past and a meditation on the present. Emotionally engaging with the here and now by understanding what has passed.

          Section 25 have built a lasting legacy as one of Britain’s most important bands in electronic music. Younger audiences may be familiar with their work through it being extensively sampled, including by Kanye West. The band were also namechecked in LCD Soundsystem’s breakout single ‘Losing My Edge’.

          TRACK LISTING

          1. Move On
          2. Human Puppets
          3. Gun For Hire
          4. Form Is Void
          5. CV1
          6. Graduate From Boredom
          7. The Boy From The A Shed
          8. We Are On Our Own
          9. Pubs, Clubs And Drugs
          10. Back In The Day

          The DSM IV

          New Age Paranoia

            Debut album from former 'Eighties Matchbox B Line Disaster' front man Guy McKnight's new band.

            The DSM IV’s debut album, “NEW AGE PARANOIA,” is an impressive collection of stories, beats, guitars, and noise. The album seamlessly weaves together sobering but dream-filled songs that explore the ways in which our collective minds are influenced by mass media, entertainment industries, and social media. Formed by Guy McKnight of critically acclaimed and cult favourite The Eighties Matchbox B-Line Disaster. The DSM IV has a dark sound that blends noise-rock, synth-pop and industrial, that delivers a unique musical experience. Their music is cacophonous and epic, featuring rich textures and melodic hooks that keep listeners captivated. The band’s powerful soundscapes, combined with their thought-provoking lyrics, create a mesmerizing atmosphere that both entertains and encourages introspection. The album prompts important questions about our society, such as what’s driving the normalization of a narcissistic culture that prioritizes personal desires over altruism. It delves into the ways in which technology, social media, and mass media shape our collective psyche and affect our relationships with ourselves and each other.

            The DSM IV’s music offers a timely and compelling commentary on these issues. The DSM IV is a band that creates music with a powerful message that resonates with people who feel that a kinder world is possible. Their songs are both nasty and nice, reflective and entertaining. With “NEW AGE PARANOIA,” The DSM IV has crafted an album that will captivate and inspire listeners, while also prompting deeper reflection on our society’s values and priorities.

            San Lorenz

            A Death At Sea

              Liverpool art-rockers San Lorenz release their highly anticipated debut album ‘A Death At Sea’ following the success of previous EP releases; ‘The House That Doubt Built’ and ‘No Brain, No Pain’. A sonic rollercoaster that explores themes of grief, hopelessness and separation from oneself, ‘A Death At Sea’ is certainly the band’s most ambitious offering to date. Within this body of work, the band proves the thing that has kept them moving for so long; the desire to push themselves and their songwriting to the highest reaches of what they can be.

              San Lorenz put their heart and soul into these 11 songs and their efforts should become more apparent on each subsequent listen. A true labour of love and a triumphant debut record that showcases the band’s deftness in crafting deep, multi-layered soundscapes beneath earnest and nuanced lyrics. Known for their explosive live performances and on their way to great things, the Covid pandemic dealt a catastrophic blow to the band’s momentum. But never ones to rest on their laurels, they began remote writing sessions and were eventually able to commence recording, albeit under less-than-ideal circumstances.

              Self-producing and working out of their own Yellowbird Studio, they enlisted the help of Grammy award winning producer Mark Rankin (QOTSA, Adele, Bloc Party) to mix the record. Throughout their career, the band have consistently demonstrated their ability to wilfully dismantle themselves in the pursuit of pushing the boundaries of what can be achieved both sonically and emotionally with their music.

              TRACK LISTING

              Side One
              1. Intro
              2. Tightrope
              3. Accessory
              4. Adjust The Angle
              5. Dijiste Adios
              6. Where's The Shock?
              Side Two
              1. Wickerman
              2. The Disappearing
              3. (Don't Be A) Martyr
              4. A Death At Sea
              5. First To Know

              Pete Bentham & The Dinner Ladies

              What’s On The Inside Has To Come Out

                The Liverpool ‘Kitchencore’ band follow up their critically received album England’s Up For Sale in 2020 with their most commercial and musically ambitious album to date. Full of razor-sharp lyrics and musical twist and turns, What’s On The Inside Has To Come Out is briming with energy and ideas.

                Whereas the previous album was an observational, sparse, post-punk style snap-shot of a Brexit Britain, the new record has a more personal style with witty tales of northern, working class life in songs like I’m Shy, Mum & Dad, Money & Art and the title track What’s On The Inside Has To Come Out, that you can easily relate to.

                Through the bands constant gigging and riotous theatrical live shows, they have gained a big reputation as a great live act with festivalflyer.com including them in their list of the top festival bands in the UK. However, behind the fun and theatrics, the band have always had something serious to say.

                The album has their usual garage punk and artrock sound fused with post-punk, folk and even gospel elements for a more eclectic record that should please their hardcore fans and those new to their lo-fi but accessible sound. This is a joyous, life-affirming record for the post-Covid era, by the ultimate people’s band... This is Kitchencore!

                TRACK LISTING

                1. What's On The Inside Has To Come Out
                2. Mum & Dad
                3. I'm Shy
                4. Money & Art
                5. In Toxteth
                6. Elvis In My Dreams
                7. Life Is Beautiful
                8. Kind
                9. Happy Birthday Syd
                10. Jarg Bizzie
                11. Badges
                12. Everybody Has A Song

                Whelligan

                In The Mean Meantime

                  Songwriter and singer Jamie Whelligan is a pop troubadour in the classic late 1960s mode. A busker on the London Underground, an actor in arthouse film. One of those ever present characters who seems weirdly displaced in the modern world. 

                  Whelligan’s songs mine that vein of melodic, psychedelic guitar pop that a certain type of English band are famous for. With songs spinning effortlessly from one genre to another, fans of XTC, Syd Barrett, and even The Rutles won’t be disappointed. 

                  Recent years have seen Whelligan focus on a project called ‘Annexe The Moon’. A modern-psyche collaboration with award winning BBC Sound Designer/Producer Phil Channell (#1 podcast Death In Ice Valley). Their single ‘Full Stop’ was a firm favourite on BBC6 Music, with notable plays from Guy Garvey, Radcliffe and Maconie, Vic Galloway, Marc Riley and Steve Lamaqc. 

                  2021 saw the first of a new crop of Whelligan tunes, and his forthcoming album ‘In The Mean Meantime’ is lined up for release in April ‘22. Co-produced by long term collaborator Nick Frater (Big Stir Records/Great Sheiks) whose trademark sonic fairy-dust brings the magic of Whelligan’s tunes to your ears. 

                  Sweet vocals harmonise over warm and wiry guitars, while inventive lyrics are matched with floating melodies. The album promises an enjoyable trip down a psyche-pop rabbit hole

                  The High Rip

                  Rule Of Four

                    Named after the most notorious street gang of Victorian Liverpool, 'The High Rip' formed in 2017. Early gigs and rehearsal rooms were located in that gang's old stomping ground and the synchronicity was unavoidable. United by their shared love of post-punk and new wave artists, their songs combine the high drama of Joy Division and the pop sensibility of XTC.

                    “This is Rock & Roll revitalised. It's easy to see this is no throw away pop crusade. Things that are made into song are cared for, not just sang about. Their music is bigger than the band.” Scene and Heard.

                    "This is a record that sits perfectly between The Damned and Echo & The Bunnymen, The Adverts and Gang of Four. This is a record everyone needs to listen to, so please go and check out Rule of Four." The Last Stop Sounds.


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