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Knoel Scott Ft. Marshall Allen

Celestial

    Sun Ra Arkestra saxophonist Knoel Scott reaches for the sky to release debut studio album Celestial with long-time collaborator Marshall Allen

    Best known for his long-standing role in Sun Ra Arkestra, saxophonist, composer, vocalist and performer Knoel Scott is a jazz legend in his own right. A celebration of his tight knit relationship with Arkestra leader Marshall Allen, Celestial marks Scott’s first major studio release after more than 40 years at the vanguard of modern jazz.

    Building on a career that has seen Scott record and perform alongside jazz greats such as Sun Ra, Charles Earland, Lou Donaldson and Leon Thomas, the 5-track album is steeped in the composition and performance styles of the African American jazz tradition, from blues and be-bop to the cosmic avant-garde.

    Recorded in mono direct to tape and cut on a Scully lathe at the all- analogue Artone Studios in the Netherlands, Celestial brings together an inter-generational ensemble including bright sparks of the UK jazz scene, Charlie Stacey and Mikele Montolli, alongside Arkestra alumnus Chris Henderson. For Scott and Allen, it represents the culmination of decades of collaboration. The album begins in explosive style with the hard grooving ‘Les Funambules’, a prime example of Scott’s ability to walk a tightrope between hard bop form and raw improvisation.

    The session then orbits around Scott’s composition ‘Celestial’, an interstellar 12-minute space walk that was originally written for the Sun Ra Arkestra with strings but was never recorded.

    Featuring Marshall Allen on the otherworldly EWI (Electronic Wind Instrument), ‘Celestial’ also hears Scott in full voice, reciting lyrics written by Arkestra vocalist and lyricist Arnold “Art” Jenkins. “The song is a testimony and a memorial to Art and his artistry, as much as it is an example of my own,” Scott explains.

    Following the collaborative spirit of the album, Scott’s composition ‘Makanda’ pays tribute to educator and mentor Dr.Ken ‘Makanda’ McIntyre, an associate of Eric Dolphy and a formative influence in Scott’s musical life. A homage to the way McIntyre incorporated various idioms of African American music into his compositions, ‘Makanda’ blends funk, Afro-Cuban and swing styles into a powerful and coherent whole.

    Alongside Knoel’s original recordings, the session features two improvised tracks led by Marshall Allen, which speak to the deep musical friendship between the two. Scott describes ‘Conversation with the Cosmos’ & ‘Blue Blues’ as “a testimony to Marshall's incredible improvisational contribution, and his ability to read and conjure all kinds of music and bring the best out of musicians.”

    His first studio recording under his own name, Celestial is a statement of intent from Scott as a composer and bandleader, and a testament to his rich and lasting relationship with Marshall Allen.

    TRACK LISTING

    A1 - Les Funambules
    A2 - Celestial
    B1 - Conversation With The Cosmos
    B2 - Makanda
    B3 - Blu Blues

    Emma-Jean Thackray

    Um Yang - 2022 Repress

      Emma-Jean Thackray, an outstanding figure in the UK jazz scene, releases Um Yang, her long-dreamed project dedicated to the Taoist philosophy of duality and harmony. A highly ambitious and personal record that sees Thackray leading a septet featuring Soweto Kinch and Steam Down’s Wonky Logic, recorded straight to vinyl.

      An accomplished trumpeter, beat-maker, singer, composer and DJ, Thackray draws on far wider influences than jazz. Her sound is distinctive; in the words of The Guardian like “Bitches Brew era Miles entering the dub chamber with a New Orleans marching band – in a good way”. Since debuting in 2016, Thackray has directed the London Symphony Orchestra, performed at the NY Winter Jazz Fest, played Glastonbury five times in 2019 alone, and launched her own record label, Movementt (in association with Warp).

      Raised in Yorkshire, Thackray inherited a grounding in Taoism from her father, and approaches her music with the same pursuit of harmony between Um & Yang (the Korean Ying & Yang), balancing melody and rhythm, groove and free improvisation, cerebral and physical. For this one-off recording, Thackray has applied this ideology in every sense, even down to the ensemble itself featuring not one but two percussionists. Um commences with ethereal interplay between keys, percussion, and Thackray’s trumpet, recalling the spiritual jazz of Alice Coltrane’s classic records. As the piece builds, an earthy groove emerges. On both trumpet and vocals, Thackray leads the ensemble further out until the piece peaks with an epic breakdown. On the flip, Yang starts on the same cacophonous note but progresses to a joyful groove before returning to a peaceful state again, balance restored.

      When Night Dreamer Records invited Emma to record Um Yang straight-to-disc at Artone’s vintage recording studio in Haarlem, Holland, Emma was excited by the idea of capturing this specific project in one-take, without overdubs or edits. “Recording in (Artone) was such a dream” Thackray recalls. “It had all the fantasy analogue equipment you daydream about one day being able to use. The desk looked like something Uhura would use. All the instruments were natural, woods and metals, no plastic in sight, and everything was to be hit or blown, all analogue. I really needed everything to be natural and real, because the music is about the universe, about the energy of all things, and what is more real than that.” Honest sound to match truly honest music. With Um Yang, Emma-Jean Thackray has created her most personal and defining work to date.

      PERSONNEL:
      Emma-Jean Thackray - Trumpet, Voice, Percussion
      Soweto Kinch - Saxophones
      Lyle Barton - Rhodes
      Ben Kelly - Sousaphone
      Dwayne Kilvington - Percussion
      Crispin Robinson - Congas
      Dougal Taylor - Drums


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