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Caitlin Rose

CAZIMI

    In February of 2020, singer-songwriter Caitlin Rose settled in at Nashville’s Sound Emporium Studios for a week of tracking with William Tyler, Brian Kotzur, Jack Lawrence, and Luke Schneider. After a seven year absence following the release of her sophomore LP, The Stand-In—a self-described Sisyphean nightmare of false starts and career blocks—Rose was ready, with the encouragement of close friend and producer Jordan Lehning, to give the rock a final push. “It happened so fast that there was no time to worry about what could go wrong; all I walked in with was the excitement,” she says. When she and Lehning planned to return for overdubs in early March, neither expected that the world would turn on its head in little more than a week, that a tornado would soon wipe half of east Nashville off the map, or a global pandemic would, as it has for so many others’ projects, further delay completion.

    Paradoxically, though, sitting with her songs a little longer turned out to be exactly what Rose needed. “I had all the pieces,” she says. “It just took a while to make them fit. The initial charge of going into the studio with people I trusted and seeing it through was so inspiring, and then the world just stopped. It was a terrifying shift, but Jordan set the path for us and figured out how to utilize this new uncomfortable freedom of time. It led to a process more joyful than any I’ve experienced making music.”

    The resulting record, CAZIMI, out November 18, 2022 on Names, finds itself released into the world at the exact right time. We’re not quite post-pandemic but we’re certainly post-vibe shift. Things are falling apart, systems are failing in front of us; chaos and danger await us the moment we step out our front doors. The perpetual mood is that of a constant hum of anxiety as we try to cope, with varying degrees of success, with the collective trauma that has consumed us unrelentingly for the past few years.

    Taking its title from the astrological term for when a planet is in such close, specific proximity to the sun that it’s considered to be in the heart of it, CAZIMI finds the listener at the moment with its examination of trauma, chronicling “the slow motion unraveling of somebody’s life” in the aftermath. The thing about cazimi is that it’s fleeting, accidental, even—a moment of exaltation that goes just as fast as it comes. It’s a phenomenon that Rose could relate to: “I was never prepared to take on everything that happened to me in my early twenties. Being all of a sudden thrust into spotlights that I had little business being under was rarely empowering, often more so debilitating, and being in the rush of it all, I never could quite catch up,” she explains. “I was living that ‘combust to the sun’ narrative and the burnout was inevitable”

    A standout staple of Nashville’s rock scene, Rose is “witty, brilliant company” (Pitchfork) and a “promisingly wry lyricist” (The Guardian) with a “wily and impressive blend of melancholy and cheek.” (New York Times) Her 2011 full-length Own Side Now earned her praise for her “sweet, knowing voice and a penchant for lyrics that are far darker” (New York Times), nestled in “simply adorned song-craft which…never seem constrained by Nashville tropes, old or new.” (BBC Music)

    TRACK LISTING

    1. Carried Away
    2. Modern Dancing
    3. Getting It Right
    4. Nobody’s Sweetheart
    5. Lil’ Vesta
    6. Black Obsidian
    7. How Far Away
    8. Blameless
    9. Gemini Moon
    10. All Right (Baby’s Got A Way)
    11. Holdin’
    12. Only Lies

    "To Be Still" is the follow-up to Alela Diane's critically-acclaimed 2006 debut "The Pirate's Gospel" which brought the Nevada City, CA reared musician a passionate following across the Globe especially in Europe where Alela has a huge fan base. Recorded in Nevada City and Portland, Ore, it's a gorgeous sonic expansion of her sparse debut, featuring pedal steel, violin and rustic percussion, with lyrics tangled up in brambles and foxtails and wind-whipped sea cliffs. From the woozy folk flourishes of opener "Dry Grass & Shadows" to the heart-shattering final track, "Lady Divine".


    TRACK LISTING

    1. Dry Grass And Shadows 
    2. White As Diamonds 
    3. Age Old Blue 
    4. To Be Still 
    5. Take Us Back 
    6. The Alder Trees 
    7. My Brambles 
    8. The Ocean 
    9. Every Path 
    10. Tatted Lace 
    11. Lady Divine

    The Earlies

    The Enemy Chorus

      The Earlies follow their critically adored 2004 debut "These Were The Earlies", with the release of their second album, "The Enemy Chorus". Produced by The Earlies and Tom Knott and recorded in Texas, Manchester and Burnley, "The Enemy Chorus" builds on the approach of "These Were The Earlies" with a rich and expansive sound, textured with an original progressive edge. Standout tracks such as "Burn The Liars", "Foundation And Earth", "Enemy Chorus" and "When The Wind Blows" evoke elements of The Flaming Lips, Spiritualized, Brian Wilson and Sigur Ros, yet the Texan/Mancunian quartet remain resolutely individual. The sound here is deep, lush and with a tasty, more electronic bottom-end (Warp Records?) this feels like a more modern record than their debut. The layers and attention to detail are staggering; it's shaping up to be a proper headphone masterpiece, an album to go on a journey with and another mysterious chapter for one of our most trusted bands. They're magicians!


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