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MATMOS

Matmos

Return To Archive

From the ' Sounds of North American Frogs' to ' Speech After the Removal of the Larynx' , Folkways documented the audible nooks and crannies of existence on hundreds of LPs produced by field recordists, scientists, and experimentalists probing the margins of the human soundscape. Seventy- five years later, electronic music duo Matmos have diced, looped, stretched, and recontextualized these recordings on their new album ' Return to Archive' , which was assembled entirely from the so-called non-musical sounds released on Folkways. On just the album's first track, dolphins, beetles, telephones, humans stretching the limits of their vocal cords, a shortwave radio, and metal balers co-mingle in a fantasia of sound both everyday and extraordinary. Each track on Return to Archive morphs its source material into something completely unexpected, honoring and expanding on Folkways' legacy of sonic exploration. Featuring Evicshen and Aaron Dilloway.

TRACK LISTING

1. Good Morning Electronics
2. Injection Basic Sound
3. Mud- Dauber Wasp
4. Music Or Noise?
5. Why?
6. Lend Me Your Ears
7. Return To Archive
8. The Way Japanese Beetles Sound To A Rose
9. Going To Sleep

The incomparable duo, Matmos, have done it again! Their new album, Plastic Anniversary, was created using only plastic. Highlighting the crises of convenience, the Duo make music from our refuse. True to form, the band have assembled a promiscuous array of examples of this sturdy-yet-ersatz family of materials: Dominos, Styrofoam coolers, police riot shields, polyethylene waste containers, PVC panpipes, pinpricks of bubble wrap, pills, silicone gel breast implants and most horrifically synthetic human fat. Where did this idea come from? Drew Daniels and M.C, Schmidts own “plastic” anniversary as a couple.

Matmos glide from the tongue-in-cheek fun of “Breaking Bread” (literally smashing Bread LPs) to Cronenbergian body-horror of “Interior with Billiard Balls & Synthetic Fat.” The album is playful and poppy while conveying a very serious message and on the darker implications of ignoring the havoc we are imposing on the earth all for the sake of convienience

A super special limited edition set will come with a sculptural album, embedded with plastic bottles, that while is the actual album, is rendered viruatlly unplayable by the pastic floating within. This edition also includes the album on a exclusive multi color mashup vinyl, a t-shirt, and a bonus track, all exclusive to the box. All proceeds from this special edition will benefit The Ocean Cleanup.

TRACK LISTING

1. Breaking Bread
2. The Crying Pill
3. Interior With Billiard Balls & Synthetic Fat
4. Extending The Plastisphere To GJ237b
5. Silicone Gel Implant
6. Plastic Anniversary
7. Thermoplastic Riot Shield
8. Fanfare For Polyethylene Waste Containers
9. The Singing Tube
10. Collapse Of The Fourth Kingdom
11. Plastisphere

Matmos

The Rose Has Teeth In The Mouth Of A Beast

The new record by San Francisco duo Matmos. It is a series of 'sound portraits' of a pantheon of people that they admire; a musical attempt at biography. "The Rose Has Teeth In The Mouth Of A Beast" is loose in some places and very literal in others; taken as a suite of stylistically disparate songs, you get a kind of fractured family album, a historical pageant. It is at once Matmos' most melodic and most conceptual record. Matmos read the biographies and re-enacted events from their subjects' lives, making songs out of the sounds of the re-enactments. They gathered objects that were important to these people, made noises with them, and built melodies out of the noises, sometimes with just a tight focus on one detail and sometimes they revisit one event from their life. Sometimes they depict their subject abstractly. French horns, tuba, strings, harp, darbuka, voice, guitar, drums and synths are chopped into tricky rhythmic patterns and melodic motifs. It's a funkier, funnier affair than their last album, "The Civil War", but also a darker one.


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