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KHRUANGBIN

Khruangbin

Mordechai Remixes

    The art of the remix has been around for several decades, from the fervid imaginations of JA pioneers like Coxsone Dodd, Duke Reid or King Tubby to the disco enthusiasts of New York, such as Tom Moulton, who bequeathed us the modern iteration of the remix and provided a template from which most remixers still work.

    Moulton’s first commercial remix, a reworking of BT Express’ appropriately-named ‘Do It ’Till You’re Satisfied’, which stretched it from three minutes to a luxurious five, assisted the band in securing its first Billboard R&B Number One, as well as providing a pathway for remixers like Walter Gibbons, Larry Levan, Richie Rivera and Tee Scott, to completely reinvent the concept of a remix (and in some instances, deconstructing the idea of what comprised a song). It has subsequently been used as a marketing tool, a dancefloor-devastator, a gimmick (both cheap and expensive) or even as a way of reaching a different audience (think Tori Amos’ ‘Professional Widow’).

    Khruangbin are no slouches when it comes to the remix themselves. They’ve been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they’re taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting. They have created this entire universe in which the trio seem to function telepathically in the way the music is composed, arranged and played. To mess with their delicate eco-system can invoke feelings similar to that of an unwanted guest crashing a good-time party. “We write our music to be interpreted; this is another wonderful interpretation of the music,” reassure Khruangbin. “There is something very vulnerable about letting others work on your music. But through the correspondence with the different artists, we gained a bigger connection to the songs themselves.”

    The choice of remixers for this album is neither arbitrary nor accidental. They’re not names picked randomly out of a hat or chosen via a throw of the dice. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled ‘White Gloves’ on a recent mixtape, Natasha Diggs and Soul Clap’s Eli’s are recent buddy-ups, Quantic is a mutual friend of Bonobo (crucial in the KB origin story), while I’ve known Laura for number of years; plus she is also godmother to one of Felix Dickinson’s kids. Doesn’t get much more intimate than that, right?

    Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. The choice is yours. But all were made with love and respect for Khruangbin. “A good remix deconstructs, recontextualizes, or simply extends a good time,” say the band. Amen and out.

    Bill Brewster

    TRACK LISTING

    SIDE A: 
    1. Father Bird, Mother Bird (Sunbirds)
    2. Connaissais De Face (Tiger?)
    3. Dearest Alfred (MyJoy)
    4. First Class (Soul In The Horn Remix)
    SIDE B:
    5. If There Is No Question (Soul
    Clap’s Wild, But Not Crazy Mix)
    6. Pelota (Cut A Rug Mix)
    SIDE C:
    7. Time (You And I)(Put A Smile On DJ’s Face Mix)
    8. Shida (Bella’s Suite)
     SIDE D:
    9. So We Won’t Forget (Mang Dynasty Version)
    10. One To Remember (Forget Me Nots Dub)

    Khruangbin

    Barn Breaks Vol. III

      ‘Barn Breaks vol III’, presented by Owlvaro & Hugu, is the latest installment of oddball samples and loops from your favorite globe-trotting Texan trio, and is perfect for any portablist scratch jam or 7” DJ set... The latest in the series, this skipless 7” contains scratch samples from “Mordechai” - band hits, isolated basslines & vocals, guitar notes, keyboard stabs and drum loops - as well as custom “ahhhh” & “fressshh” sounds.

      It’s funny cos we was just talking about scratch records and DJ tools the other day in the shop and how maybe they’ve kinda been superceded by Serato and digital DJing as it’s now much easier to line up a load of samples onto your USBs or Serato playlist and scratch till your hearts content… HOWEVER!!!! – you can’t beat that tangible feeling of black wax moving to and fro underneath your skillfully poised fingers and its nice to see hip, cool, tastemaking band Khruangbin reignite the fires of this particular format & style! 


      Hot on the heels of ‘Mordechai’, the critically acclaimed third album from US psych-rockers Khruangbin, the Texas trio are set to become the latest act to present their own LateNightTales in the popular, long-running musician-curated album series.

      Having first come to prominence in 2013 when producer and D.J. Bonobo included Khruangbin’s ‘A Calf Born in Winter’ in his own collection of songs for the series, the little known Houston trio had yet to release an album, but have since gone on to become international superstars forming their own exotic, individual sound. “The LateNightTales series is such a special thing to be a part of because we wouldn’t have made it if it wasn’t for Bonobo’s LateNightTales, because that’s how we got into the LNT family – and got a break.”

      With a mind-blowing selection of tracks that cross borders and cultures, Khruangbin’s deep love of global grooves – from Asian pop to Nigerian reggae – Japanese mellow groove to Latina flavas – are steeped in eclecticism; Nazia Hassan’s Hindi-disco ‘Khushi’, produced by British-Indian legend Biddu, South Korean rock band Sanullim who contribute ‘Don’t Go’, a pair of African bangers from Nigerian Maxwell Udoh and Roha Band, from Ethiopia; a diversion to Belarus for Песняры and thence to Madrid for the strident vocal performance of Paloma San Basilio with ‘Contigo’ before hightailing back to Texas.

      Elsewhere, the Lone Star state reps proudly, with David Marez and Kelly Doyle plus, in the LateNightTales tradition, the band deliver an exclusive, horizontally brilliant version of Kool & The Gang’s ‘Summer Madness’, while the mix concludes with a spoken word piece by Tierney Malone, accompanied by fellow Houstonian Geoffrey Muller’s atmospheric banjo rendering of Erik Satie’s ‘Gnossienne’.

      “It’s cool to think about what you would listen to late at night, as a band together, lighting a spliff, kinda vibe. We definitely wanted to cover as much global territory as possible; so it was the globe and then home. We wanted to show the treasures from our hometown, or people from our hometown that the rest of the world probably doesn’t know. That’s what makes Khruangbin Khruangbin. The stubbornness about being so hometown-centric but what makes Houston is this this constant international influence. That’s that gulf stream, bringing it right into Houston. So I guess that’s kind of the theme.”

      The LateNightTales series was established back in 2001 with Fila Brazilia taking to the controls and mixing up the first of what would continue to be the first choice of music connoisseurs worldwide. Since then, the series has seen releases from the likes of The Flaming Lips, Hot Chip, Floating Points, David Holmes, Bonobo, Jon Hopkins, Röyksopp and many more.

      STAFF COMMENTS

      Patrick says: Though I swiftly snapped up a copy of their first RSD single on the advice of my more experienced Balearic brethren, it was an early online mixtape which truly turned me on to this Houston Trio. Awash with Thai funk, Brazilian soul and hazy dub, this set beguiled rather than banged, encompassing that soothing, grooving style which has since become their signature. Naturally I came to this, their first official compilation, and on the excellent Late Night Tales no less, with the highest expectations; all of which were exceeded over the course of this mesmeric mix.

      Through the cascading strings and shimmering harp of Santana & Coltrane’s opener, Khurangbin begin their dream sequence, an uncanny hour of vignettes in a land free from the conventions of space and time. The loved up dub of Houston contemporaries Brilliantes Del Vuelo gives way to blistering disco from 80s Bollywood, a cult art-pop classic from NY’s Downtown follows the sublime Blaxploitation soul of Gerald Lee. Songs separated by distance and decades sit happily side by side, united by an optimistic mood and ever-present groove. More than this though, each of these songs share a transportive quality; listening to the Nigerian boogie of Mawell Udoh, it’s impossible not to picture a Lagos nightspot, or the skyscrapers of Seoul when Sanullim’s soft pop stunner bounds out of the speakers. Even the band's own exceptional cover of Kool's 'Summer Madness' offers a deep concentration of the Khruangbin style, an invitation into their personal Shangri-La.

      In an era in which the race for the rare can leave even the finest diggers blind to the actual merit of the music, Khruangbin's melodies sans frontières is a remarkable feat, each selection superb on its own and sublime taken together.

      Khruangbin around the world and I, I, I can’t fight it baby.

      TRACK LISTING

      CD Tracklist:
      1. Carlos Santana - Illuminations
      2. Brilliantes Del Veulo - I Know That
      3. Nazia Hassan - Khushi
      4. Kelly Doyle - DRM
      5. Sanulim - Dont Go
      6. Maxwell Udoh - I Like It
      7. David Marez - Enseñame
      8. Gerald Lee - Can You Feel The Love
      9. Justine & The Victorian Punks - Still You
      10. George Yanagi - À�祭ばやしが聞こえる」のテーマ
      11. Песняры - Зачарованная моя
      12. Khruangbin - Summer Madness (Exclusive Track)
      13. Paloma San Basilio - Contigo
      14. Roha Band - Yetikimt Abeba
      15. Tierney Malone & Geoffrey Muller - Transmission For Jehn: Gnossienne No 1 (Exclusive Spoken Word Track)

      Vinyl Tracklist:
      A1. Carlos Santana - Illuminations - 4. 23
      A2. Brilliantes Del Veulo - I Know That - 5.20
      A3. Nazia Hassan - Khushi - 4.25
      A4. Kelly Doyle - DRM - 2.16
      C9. Justine & The Victorian Punks - Still You - 7.45
      C10. George Yanagi - À�祭ばやしが聞こえる」のテーマ - 4.02
      C11. Песняры - Зачарованная моя - 5.54
      D12. Khruangbin - Summer Madness - 3.21 (Exclusive Track)
      D13. Paloma San Basilio - Contigo - 4.03
      D14. Roha Band - Yetikimt Abeba - 5.20
      D15. Tierney Malone & Geoffrey Muller - Transmission For Jehn: Gnossienne No 1- 5.00 (Exclusive Spoken Word Piece)

      Khruangbin

      Christmas Time Is Here

      An update on Vince Guaraldi’s timeless “Christmas Time Is Here.” With ambling sweetness and a fresh, beat-driven groove, Khruangbin have taken this oft-covered classic and made it wholly their own.

      "Growing up the three of us all had very different Christmases,” says bassist Laura Lee. “But we recently discovered we all had the exact same favourite Christmas song. When we realized it, we sat down to play it and it came together instantly. In 15 minutes, we had this recorded. It was like the best Christmas present ever.”



      TRACK LISTING

      A1. Christmas Time Is Here
      B1. Christmas Time Is Here (Version Mary)

      Khruangbin

      Mordechai

        Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it’s finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It’s a shift that rewards the risk, reorienting Khruangbin’s transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that’s always defined it. And it all started with them coming home.

        By the summer of 2019, the Houston group—bassist Laura Lee Ochoa, guitarist Mark Speer, drummer DJ Johnson—had been on tour for nearly three-and-ahalf years, playing to audiences across North and South America, Europe, and southeast Asia behind its acclaimed albums The Universe Smiles Upon You and Con Todo El Mundo. They returned to their farmhouse studio in Burton, Texas, ready to begin work on their third album. But they were also determined to slow down, to take their time and luxuriate in building something together. Musically, the band’s ever-restless ear saw it pulling reference points from Pakistan, Korea, and West Africa, incorporating strains of Indian chanting boxes and Congolese syncopated guitar. But more than anything, the album became a celebration of Houston, the eclectic city that had nurtured them, and a cultural nexus where you can check out country and zydeco, trap rap, or avant-garde opera on any given night.

        In those years away from home, Khruangbin’s members often felt like they were swimming underwater, unsure of where they were going, or why they were going there. But Mordechai leads them gently back to the surface, allowing them to take a breath, look around, and find itself again. It is a snapshot taken along a larger journey—a moment all the more beautiful for its impermanence. And it’s a memory to revisit again and again, speaking to us now more clearly than ever.

        STAFF COMMENTS

        Emily says: The international peddlers of smooth, stylish grooves are back, and this time they’ve returned with a slightly revamped sound. They haven’t stopped trawling the globe for sonic inspiration and this could be some of their most eclectic work to date, adding elements of East and West African music to their already diverse sound palette. The vocals are far more present on ‘Mordechai’ than previous albums, but Khruangbin haven’t completely abandoned the deep instrumental format that they started out with. There is plenty of stripped back Cymande style elegance to be enjoyed in tracks like “If There is No Question” and “Father Bird, Mother Bird”. Perhaps one of the prettiest tracks is “One to Remember”, a shimmering dub incarnation of “So We Won’t Forget” which makes for a satisfying self-referential moment. Let’s hope their winning streak endures until they’ve distilled the essence of the entire globe into their singular soundworld.

        TRACK LISTING

        SIDE A:
        1. First Class
        2. Time (You And I)
        3. Connaissais De Face
        4. Father Bird, Mother Bird
        5. If There Is No Question

        SIDE B:
        6. Pelota
        7. One To Remember
        8. Dearest Alfred
        9. So We Won’t Forget
        10. Shida

        Driving anywhere in Texas can cost you half a day, easy. For example, it’ll take you over four hours just to get from R&B singer Leon Bridges’ hometown of Fort Worth down to Houston, where the psychedelic wanderers in Khruangbin hail from. The state is vast, crisscrossed with rugged expanses of road flanked by limestone cliffs and granite mountains, forests of pine and mesquite, miles of desert or acres of sprawling grassland, all depending on what part you’re in. And it’s all baking under the "Texas Sun" that lends its name to Bridges and Khruangbin’s new collaborative EP.

        “Big sky country, that’s what they call Texas,” Khruangbin bassist Laura Lee says. “The horizon line goes all the way from one side to another without interruption. There’s something really comforting about that.”

        On "Texas Sun", these two members of the state’s musical vanguard meet up somewhere in the middle of that scene, in the mythical nexus of Texas’ past, present, and future - a dreamy badlands where genres blur as seamlessly as the terrain. It calls equally to the cowboys bootscooting at Billy Bob’s in Fort Worth, the chopped-and-screwed hip-hop fans rattling slabs on the southside of Houston, the art-school kids dropping acid in Austin, the cross-cultural progeny who grew up on listening to both mariachi and post-hardcore out on the Mexican borders of El Paso. All of these things, overlapping in a multicolored melange, purple hues as vivid and unpredictable as one of the state’s rightfully celebrated sunsets.

        A journey through homesick reminiscences, backseat romances, and late-night contemplations, the kind of record made for listening with the windows down and the road humming softly beneath you. Like the highways that inspired it, "Texas Sun" is guaranteed to get you where you’re going -especially if you’re in no particular hurry to get there.

        STAFF COMMENTS

        Barry says: A mild departure for Khruangbin here, enlisting soulful maestro Leon Bridges on vox duties, adding a silky overtone to their nigh-horizontal grooves. A superb, hazy dream of an album.

        TRACK LISTING

        1. Texas Sun
        2. Midnight
        3. C-Side
        4. Conversion

        "Hasta El Cielo" is Khruangbin's glorious dub version of their second album "Con Todo El Mundo". The full album has been processed anew along with two bonus dubs by renowned Jamaican producer Scientist. The band’s exotic, spacious, psychedelic funk aligns with the dub treatment particularly well. Indeed, keen fans won’t find this a surprising release. Dubs of tracks from their first album "The Universe Smiles Upon You" appeared on limited vinyl releases of "People Everywhere" for Record Store Day 2016 and "Zionsville" on the BoogieFuturo remix 12”. The especially eagle-eared will have caught a dub of "Two Fish And An Elephant" playing over the credits of the track’s celebrated video.

        'For us, Dub has always felt like a prayer. Spacious, meditative, able to transport the listener to another realm. The first dub albums we listened to were records mixed by Scientist featuring the music of the Roots Radics. Laura Lee learned to play bass by listening to "Scientist Wins the World Cup". His unique mixing style, with the emphasis on space and texture, creates the feeling of frozen time; it was hugely influential to us as a band. To be able to work alongside Scientist, a legend in the history of dub, is an honor. This is our dub version of "Con Todo El Mundo.”' - Khruangbin

        Formed of Laura Lee on bass, Mark Speer on guitar, and Donald “DJ” Johnson on drums; Khruangbin’s sounds are rooted in the deepest waters of music from around the world, infused with classic soul, dub and psychedelia. Their 2015 debut album ‘The Universe Smiles Upon You’ was heavily influenced by 60’s and 70’s Thai cassettes the band listened to on their long car journeys to rehearsal in the Texan countryside. 2018’s follow up ‘Con Todo El Mundo’, which received hugely positive critical reactions and radio play around the world, took inspiration not just from South East Asia but similarly underdiscovered funk and soul of the Mediterranean and the Middle East, particularly Iran. 


        STAFF COMMENTS

        Emily says: Khruangbin’s deep, meditative grooves enjoy a generous helping of delay and spring reverb, with two bonus tracks mixed by none other than dub legend Scientist. This time the meandering guitar lines shimmer in the background while the bass and drums take centre stage. Sure to expand the corners of your mind and warm the chambers of your heart.

        TRACK LISTING

        LP
        A1. With All The World
        A2. Sisters & Brothers
        A3. Mary Always
        A4. Four Of Five
        A5. How I Love
        A6. Sunny’s Vision
        B1. A La Sala
        B2. The Red Book
        B3. Order Of Operations
        B4. Hasta El Cielo

        7"
        A1. Rules - Scientist Dub
        B1. Cómo Te Quiero - Scientist Du

        Comprising of Laura Lee on bass, Mark Speer on guitar, and Donald “DJ” Johnson on drums, Khruangbin’s sounds are rooted in the deepest waters of world music infused with classic soul, dub and psychedelia. Their 2015 debut album "The Universe Smiles Upon You" was heavily influenced by 60’s and 70’s Thai cassettes the band listened to on their long car journeys to rehearsal in the Texan countryside. "Con Todo El Mundo" takes inspiration not just from South East Asia but similarly underdiscovered funk and soul of the Mediterranean and the Middle East, particularly Iran. The sultry and humid grooves of their debut are alive and well, enhanced by a little extra funk, the lightly spiced flavours of Middle Eastern pop and maybe a little strung out Americana a la Cowboy Junkies. The hefty breaks on cuts like "Lady & Man" and "Maria Tambien" have that "Jungle Fever" toughness, while the woozy "August 10" and "Como Te Quiero" are classic examples of Khruangbin's languid style. "Shades Of Man" colours the trio's palette with a little country soul, while "A Hymn" preaches a gospel out of Death Valley. The perfect sophomore offering, "Con Todo El Mundo" retains all the tasty ingredients of the original and blends them with a new batch of exotic flavours.


        STAFF COMMENTS

        Patrick says: Shop faves Khruangbin continue their stroll through mellifluous melody with sophomore offering "Con Todo El Mundo", swapping the Thai tonalities of their debut for some distinctly Middle Eastern flavours. Every bit as languid and lovely as their debut, this new LP is different enough to show progression whilst remaining reassuringly familiar.

        TRACK LISTING

        1. Cómo Me Quieres
        2. Lady And Man
        3. Maria También
        4. August 10
        5. Cómo Te Quiero
        6. Shades Of Man
        7. Evan Finds The Third Room
        8. A Hymn
        9. Rules
        10. Friday Morning

        Taking influences from 1960's Thai funk - their name literally translates to "Engine Fly" in Thai - Khruangbin’s debut album ‘The Universe Smiles Upon You’ is steeped in the bass heavy, psychedelic sound of their inspiration, Tarantino soundtracks and surf-rock cool. The Texan trio is formed of Laura Lee on bass, Mark Speer on guitar, and Donald “DJ” Johnson on drums.

        The album was recorded at their spiritual home, a remote barn deep in the Texas countryside where their first rehearsals took place. The band listened to a lot of different types of music on the long drives out to the country but their favourites were 60s and 70s Thai cassettes gleaned from the cult Monrakplengthai blog and compilations of southeast Asian pop, rock and funk. This had a heavy impact on the direction of the band, the scales they used and the inflection of the melodies; which coupled with the spaciousness of the Texan countryside culminated in Khruangbin forming their exotic, individual sound. Although the band was conceived as an instrumental outfit, ‘The Universe Smiles Upon You’ features the first Khruangbin recordings with vocals. Tracks ‘People Everywhere (Still Alive)’, ‘Balls and Pins’ and recent single ‘White Gloves’ show a new dimension to the band.

        “We feel like there is an ease that comes from being immersed in a space, away from the distractions of the city and everyday life. We make our music in a barn, in the Texas hill country, because it makes sense to us. Being there allows us to make music that comes naturally, and that’s what we wanted this album to be. We wanted to make a record that just let the music happen, and we hope that’s what you can hear.”


        TRACK LISTING

        1. Mr White
        2. Two Fish And An Elephant
        3. Dern Kala
        4. Little Joe & Mary
        5. White Gloves
        6. People Everywhere (Still Alive)
        7. The Man Who Took My Sunglasses
        8. August Twelve
        9. Balls And Pins
        10. Zionsville

        Khruangbin

        A Calf Born In Winter

          THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

          EXCLUSIVE WHITE VINYL RSD FORMAT HAND NUMBERED!

          Limited to 250 copies.


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