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JAZZ IS DEAD

Adrian Younge, Ali Shaheed Muhammad & Marcos Valle

Marcos Valle

    The third release from Jazz Is Dead records is features Marcos Valle, one of the greatest and most important composers, arrangers, writers and performers in Brazilian history. A jack of all trades, Valle has produced works in many musical styles, including bossa nova, samba, and fusions of rock, soul, jazz, and more. Composed and produced by Adrian Younge & Ali Shaheed Muhammad and recorded in the Linear Labs analog studio. 

    Adrian Younge , Ali Shaheed Muhammad & Azymuth

    Azymuth

      The fourth release from Jazz Is Dead records features Azymuth, one of the bands in Brazilian history, redefining Popular Brazilian Music. Having released almost 20 albums in their career, Azymuth proves to be a consistent source for an innovative mix of jazz, pop, MPB, and electronic music. Composed and produced by Adrian Younge & Ali Shaheed Muhammad and recorded in the Linear Labs analog studio. 

      Adrian Younge, Ali Shaheed Muhammad & Roy Ayers

      Roy Ayers

        In February 2018, Roy Ayers performed four sold out shows in Los Angeles as part of the Jazz Is Dead Black History Month series. It wasn’t until 2020 that fans of Ayers discovered that in addition to those shows, the legendary vibraphone player had also recorded an entire album of new material with Adrian Younge and Ali Shaheed Muhammad.

        Over the course of its eight original compositions, written collaboratively by Younge, Shaheed Muhammad & Ayers and recorded at Younge’s Linear Labs in Los Angeles, the resulting album sounds both like an unearthed an unreleased album from Ayers’ classic period in the 1970s (which produced the oft-sampled “Red, Black & Green,” “We Live In Brooklyn, Baby,” “Everybody Loves The Sunshine,” and “Running Away), as well as something startling, new and unexpected. Joining Ayers, Younge & Shaheed Muhammad onthis musical journey are drummer Greg Paul, vocalists Loren Oden, Joy Gilliam, Saudia Yasmein, Elgin Clark & Anitra Castleberry, as well as Phil Ranelin & Wendell Harrison of the legendary Spiritual Jazz label Tribe Records.

        The 8 tracks on this album testify to the love not only of a legendary musician’s legacy, but to the vitality & necessity of this music and these sounds in the present era, a thread that will likely run throughout all of the upcoming releases from Jazz Is Dead Records. 

        Adrian Younge & Ali Shaheed Muhammad

        Jazz Is Dead

          Music exists in movement and change, but before any part of it can be pinned down for analysis, it’s often moved and taken on a new face. The transformation is often driven by culture as forward-thinking people avoid the proverbial paths in search of revolution. Even though our pioneers prophesied that the revolution would not be televised, the message has permeated. It’s spreading like wildfire and leaders are defined by those that speak first: Jazz Is Dead. Music is the universal language and we are the interpreter of sound, a message that has been lost in transcription.

          Under Jazz Is Dead, younger artists are elaborating upon conversations started decades ago; jazz icons are utilizing vintage equipment to create new masters with Adrian Younge and Ali Shaheed Muhammad; the same equipment that recorded their coveted catalogs. The vitality embedded in the new masters epitomizes our quest for new life in music: Jazz Is Dead. This compilation features legendary artists Roy Ayers, Gary Bartz, Marcos Valle, Azymuth, Doug Carn, Joao Donato, & Brian Jackson, who will each have their own individual release, working alongside Adrian Younge and Ali Shaheed Muhammad. 


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