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HELADO NEGRO

Helado Negro

The Last Sound On Earth

Helado Negro is the musical project of Roberto Carlos Lange, a South Florida-raised, North Carolina-based artist celebrated for his intimate blend of electronic textures, delicate vocals, and reflective songwriting. Drawing from his Ecuadorian-American heritage, Helado Negro’s music navigates themes of identity, community, and connection, always grounded in warmth and understated beauty.

His new five track EP titled ‘The Last Sound On Earth’ is inspired by the question of what the last sound we hear might be, the songs blend haunting production with lyrical vulnerability, grappling with grief, loneliness, disillusionment, and the search for hope. Through hypnotic rhythms and reflective lyrics, the EP dances with sadness, offering movement and music as a form of resistance and release in the face of emotional collapse.


TRACK LISTING

1. More
2. Protector
3. Sender Receiver
4. Zenith
5. Don’t Give It Up Now

Helado Negro

Phasor

‘LFO’ (which stands for Lupe Finds Oliveros), sung in Spanish, brings together inspiration from Lupe Lopez and the minimalist composer and sonic meditation practitioner Pauline Oliveros for a song about ambient stress and endless scrolling. Oliveros is well-known, Lopez maybe less so. Lopez was a Mexican American woman who worked for Fender Guitar building amplifiers in the 50’s. All the amps were marked on the inside by a piece of masking tape with the amp builder’s name on it. “Lupe’s amps are sought after, her care and touch apparently harnessed a special sound from this design," Roberto Carlos Lange aka Helado Negro explains. "I fell in love with this story and this legacy and the mythology surrounding it. How craft touches us so deeply in the smallest ways. Deep care for the littlest things makes all the difference.”

Some of the seeds for Phasor were planted in 2019 on Lange’s 39th birthday after a 5-hour visit to Salvatore Matirano’s SAL MAR machine at the University of Illinois. A complex synthesizer that creates music generatively with a vintage super computer brain and analog oscillators, it can create an infinite amount of possibilities in sound sequences. “I was enthralled by it,” Lange recalls.

That SAL MAR experience became the bedrock for Phasor. It taught Lange more about himself and became central to his creative process. “It gave me special insight into what stimulates me,” Lange explains. “This pursuit of constant curiosity in process and outcome. The songs are the fruit, but I love what’s under the dirt. The unseen magical process. I don’t want everybody to see it because not everyone cares to see it. Some of us just want the fruit. I do. But I want to grow the fruit, too.”

Phasor is Lange’s tightest collection—deep, atmospheric, meticulously executed. It’s aligned with 2019’s This Is How You Smile which found him incorporating more upfront drums and bass and focused grooves. His 2021 album, Far In, focused on being in quarantine—talking to your mother through Zoom instead of across a room. Phasor, in turn, is a homage to going outside again. It’s a returning-to-life record, remembering what the sun feels like and letting it warm your skin.

STAFF COMMENTS

Barry says: The First thing that struck me about Helado Negro's new LP for indie mainstays 4AD was how sumptuous the production is. It's a beautifully rich, syrupy selection of sidechained shuffling percussion and soulful vocals. On top of that, Lange's vocals add layers of laid-back groove and shimmering, echoing ambience.

TRACK LISTING

1. LFO (Lupe Finds Oliveros)
2. I Just Want To Wake Up With You
3. Best For You And Me
4. Colores Del Mar
5. Echo Tricks Me
6. Out There
7. Flores
8. Wish You Could Be Here
9. Es Una Fantasia

When Roberto Carlos Lange, the musician known as Helado Negro, began writing ‘Far In’ immediately following the release of his acclaimed 2019 ‘This is How You Smile’, he could not have predicted that we would soon need to learn how to stay at home and be the stars of our domestic dancefloors with intimate and online communities.

The titular pair in ‘Gemini and Leo’ stay indoors to discover each other anew with music recalling Lange’s youth growing up in South Florida listening to 80s club songs, and their return sampled in 90s hip-hop.

Visions past and future meet in a euphoria of uptempo drums, Jen Wasner’s (Flock of Dimes) funky bassline, and Opal Hoyt’s (Zenizen) galactic swirl of warm and steely synths and bright backing vocals.

What was a prophesying rehearsal for the musician will, we can hope, soon be our fresh start, a choice to bring that energy home, or go out to meet it.

STAFF COMMENTS

Patrick says: This is lush! I immediately tipped Ryan Horsebeach to it upon listening, as it finds a fine middle ground between Mac Demarco's lazy jangle and the Whitest Boy Alive. #AccidentalBalearic

TRACK LISTING

Wake Up Tomorrow
Gemini And Leo
Purple Tones
There Must Be A Song
Like You
Aguas Frías
Aureole
Hometown Dream
Agosto (Feat.Buscabulla)
Outside The Outside
Brown Fluorescence
Wind Conversations
Thank You For Ever
La Naranja
Telescope (Feat. Benamin)
Mirror Talk

Helado Negro

Invisible Life

Press play on ‘Invisible Life’ and you lose your season. Roberto Lange - Helado Negro - is talking to you in Spanish. He’s talking to you, perhaps with more volume, in the language he’s been teaching us all over the past three years through the lessons of the seductive full length ‘Canta Lechuza’, the sub-narrative exploration EP ‘Island Universe Story One’, and the all-in collaboration, ‘OMBRE’, with Juliana Barwick.

Jon Philpot, The Bear In Heaven frontman, is one of a few key contributions on the album, including more old friends like Eduardo Alonso (Feathers) and Matt Crum (Lange’s longtime bandmate in ROM), as well as kindred and vast spirit Devendra Banhart. Banhart’s guitar on ‘Arboles’ multiplies the whispered dream of Helado Negro into Technicolor parallel existences.

TRACK LISTING

Llumina Vos
Lentamente
Dance Ghost
U Heard
Catastrophe
Arboles
Relatives
June
Cuantas
Catch That Pain

Helado Negro is Roberto Carlos Lange, sometime collaborator of Scott Herren in Savath & Savalas and occasional conspirator with Jaytram of Yeasayer.

Whilst his last full length, ‘Awe Owe’, was a Funkadelican mega-opus, this is a more personal beast, a solo affair built lovingly from live instruments, percussion, and field recordings, all processed through electronics, computers, and synthesizers. It is an album with very defined songs, its song-structure has been laboured over; choruses count bigtime, confident breakdowns and digi-pop bridges are all part and parcel of the greater good.

His voice recalls ‘China Girl’-era David Bowie; a relaxed and tropical Peter Gabriel (or even Peter Murphy).

TRACK LISTING

1. Globitos
2. Regresa
3. 2º Dia
4. Lechuguilla
5. Cenar En La Manana
6. El Oeste
7. Obra Uno
8. Oreja De Arena
9. Con Suerte
10. Calculas
11. Alcanzar


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