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HASSLE RECORDS

Casey

Love Is Not Enough - 10th Anniversary Edition

Originally released in August 2016, Love Is Not Enough is the debut album from the Welsh five-piece Casey. This record quickly established them as one of the most exciting bands in Britain’s alternative scene.”

TRACK LISTING

01. Bloom
02. Little Bird
03. Darling
04. Sleep
05. Happy
06. Haze
07. Passion Flowers
08. Ceremony
09. Cavities
10. Doubt
11. Mourning

Dead Pioneers

Wagon Burner

The Indigenous fronted punk band from Denver CO unleash their third album ‘Wagon Burner’. Dead Pioneers is rooted in a 2020 piece called The Punk Pan-Indian Romantic Comedy, a deeply personal work that dealt with vocalist Gregg Deal’s cultural upbringing. Following an embryonic performance of the piece, Deal secured a grant to expand it to include music created especially for the work. “The idea was to mix spoken-word with punk music” explains Deal, who hooked up with drummer Shane Zweygardt and guitarist Abe Brennan during lockdown and began kicking the concept around.

But what became Dead Pioneers didn’t truly take shape until Deal connected with bassist Lee Tesche, who you may know from righteous Atlantan post-punks Algiers. Unlikely as it sounds, a conversation between Tesche and Deal about Sleaford Mods evolved into a creative connection that’s now three albums deep; the arrival of guitarist Joshua Rivera made the quintet quorate. “Josh is Mexican-American,” says Deal. “He is also inherently indigenous, under a different set of circumstances within colonialism. But I consider him to be my indigenous brother. We spend a lot of time trying to figure out how all of this fits together.”

A miraculous, natural chemistry made this supposed one-off project an actual band almost as soon as they cut what became their 2023 self-titled debut album (“We approached it like I approach my visual art: execute quickly, first thought is best thought,” Deal says), but they didn’t necessarily take it seriously until, unexpectedly, the outside world did. “I was like, we’ve made this record – what should I do with it? Put it online?” Deal remembers. The response was vigorously positive, and soon came demands to commit this noise to vinyl. A first thousand-copy pressing sold out in minutes. “So then we pressed another thousand,” he adds, still marvelling at it all. “And then they were gone, too.”

What followed was “a series of strange accidents” that led to the group signing to Hassle, befriending Jello Biafra and touring with kindred spirits like Pennywise, Propaghandi, even Pearl Jam. “Punk-rock had made everything seem so accessible when I was a kid,” says Deal. “Like, simply having the balls to get up on stage and stage dive and then be carried off by people that become your best friends once they get your feet back on the ground.” Now, punk-rock was reaching out its hands to Dead Pioneers and pulling them onto larger and larger stages. The group returned that favour by simply getting better and better: their second album, 2025’s PO$T AMERICAN, was sharper, angrier, funnier than the debut, a riot riveted with punch-a-Nazi thrills.

And now, Wagon Burner, their fearsome third album. Described by Deal as “more collaborative”, it’s a heavier, harder but also more accessible set, vicious hooks scattered among the punk-rock melee and guest appearances by kindred spirits Cheap Perfume (on the righteous ‘Nazi Teeth’), The Interrupters (on the shout-a-long anthem ‘Never Alone’) and, bringing it back to the group’s beginnings, Sleaford Mods (on the searing slow-burn of ‘The Worst Among Us’). The world might be darkening by the day, but Dead Pioneers are rising to that miserable occasion, casting their empowering light into the gloom.


STAFF COMMENTS

Barry says: Dead Pioneers blaze a path through modern punk-rock with a sound that harks back to the days of 90's west-coast American punk, but with a strong lyrical focus on Gregg Deal's indigenous heritage, and cultural issues in the USA as a whole. A brilliantly hefty, scathing blast of noisy punk rock. Just what we need.

TRACK LISTING

Side A
Dead Presidents
Nazi Teeth (feat. Cheap Perfume)
A Message From Mr. Bell
No Kings
Animals The Roam The Earth
Never Alone (feat. The Interrupters)
The Worst Among Us (feat. Sleaford Mods)

Side B
1. Seeing Red
2. Circle Jerk The Wagons
3. Zealots
4. Nobody
5. LFG

The Black Wizards

Killing The Buzz

Their first new music since 2019, 'Killing The Buzz' sees The Black Wizards entering a new era, with their first release via Hassle Records. Signalling a bold step forward in sound, they shift towards a raw, garage-driven sound, built around direct arrangements, live energy and a strong sense of urgency.

The Porto-based trio lay down a striking first impression on the single: Joana Brito’s wiry, spitfire vocals volley off José Gomes’ gravelly replies, over a chugging, serpentine groove propelled by Helena Peixoto’s restless percussion. “Do you print yourself out pretty to look better in banners?” Brito questions archly, referencing the political signage that dots the streets of their home country, Portugal.

Speaking on the track, Brito comments: “Killing the Buzz came out pretty funny & sarcastic, while talking about a real subject. The song is about being fed up with people in power positions, be it economical, political or social.”

TRACK LISTING

1. Killing The Buzz
2. Turning Blue

Brutus

Unison Life

When times are tough, or you’re feeling worn down, you start longing for a life of total peace. A life where there are no fights, arguments or lies; where there is no such thing as disappointment and your actions have no consequences. Some might call it a “fantasy world”. Genre-jumping Belgian trio Brutus call it the “Unison Life” – a phrase that titles their third studio album. Unison Life is about all the stuff that wears you down in the first place. It’s the ugliness, the pain, and the acts of bravery that get you through it all. Beginning with a portrait of contentment and unravelling from there, the album goes into battle and asks what really counts. In their own words: “Is this Unison Life a hoax? Or a quest?”

Since their formation in 2014, Brutus have made a name for themselves with their restless, emotionally raw rock that traverses the landscape of metal, punk, post-hardcore and beyond – often in the same song. The three members first met in their hometown of Leuven, where they cut their teeth playing in different local bands. Their influences are wide and varied. Drummer/vocalist Stefanie Mannaerts – who grew up above a music shop run by her family – is into a variety of genres from post-metal to electronic music. Bassist Peter Mulders is more of a punk guy, while guitarist Stijn Vanhoegaerden is into country and more melodic rock. Their diverse tastes come together through Brutus to create a sound that’s as heavy as it is unexpected, full of beauty and surprises.


TRACK LISTING

A1 Miles Away
A2 Brave
A3 Victoria
A4 What Have We Done
A5 Dust
B1 Liar
B2 Chainlife
B3 Storm
B4 Dreamlife
B5 Desert Rain



Madmess

Rebirth

Madmess are a band who know the value of doing things the hard way. Having established themselves among the outliers of Porto’s fertile, close-knit underground music scene, by 2017 it was clear that they had the potential to go much, much further. London, and its bigger, more merciless leftfield circuit beckoned. In a city full to the brim with bold and brilliant bands, the bar was significantly raised. Risks were many, but so too were opportunities.

Now, after years of slog – gruelling gigs, punishing recording sessions, not to mention a momentum-sapping pandemic – bassist Vasco Vasconcelos, drummer Luis Moura and guitarist Ricardo Sampaio, have emerged the other side with Rebirth, a debut album of rare intensity, released via Hassle Records. Their stripes earned, their teeth well and truly cut, it’s a record worthy of all that hard work, crushing riffs colliding with sweeping waves of overwhelming noise for a listen both beautiful and brutal.

As the pandemic eased in late 2020, at least temporarily, the band found time to escape to Foel Studios in the Welsh countryside, formerly used by iconic psych rock forebears Amon Düül and Hawkwind among others, to start work on their new LP. They were intent to build on the solid foundations they’d set with their EP the previous year. “We tried to do something more complete, more punchy,” says Sampaio. The sessions ended up being more intense than they were anticipating – the band record everything live, and when you’re playing the kind of complex epics that populate Rebirth there’s not much margin for error. “The shortest track is eight minutes, and they’re almost all more than 10,” says Sampaio with a wince. “The songs on this album are really complex, there were some stressful times, some harsh moments, but we managed to get through it.”


STAFF COMMENTS

Barry says: A hefty collection of grooving guitar riffs and fluid time signatures, at once both incendiary and brain-meltingly loose, Madmess are a band who know how to construct a song. Epic, hugely inventive and wonderfully deep.

TRACK LISTING

Side A
Albatross
Mind Collapse

Side B
1. Rebirth
2. Shape Shifter
3. Stargazer


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