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GODSPEED YOU! BLACK EMPEROR

Godspeed You! Black Emperor (GYBE) returns with its first single LP-length release since the group's earliest days in 1997-99. ‘Asunder, Sweet And Other Distress’ clocks in at a succinct 40 minutes and is arguably the most focused and best sounding recording of the band’s career.

“If Godspeed around the turn of the millennium felt like a band of the moment, now, in a time of rapid cultural turnover and bite-sized music consumption, they feel out of step in a very necessary way.” – PITCHFORK. 

“This Montreal collective still sound like nothing else…The Godspeed ethos of wordlessly eliciting universal truths remains as devastatingly effective as ever.” – THE GUARDIAN. 


Working with sound engineer Greg Norman (Electrical Audio) at studios in North Carolina and Montréal, GYBE slowly and steadily put the new album together through late 2013 and 2014, emerging with a mighty slab of superlative sonics, shot through with all the band’s inimitable signposts and touchstones: huge unison riffage, savage noise/drone, oscillating overtones, guitar vs. string counterpoint, inexorable crescendos and scorchedearth transitions.

Following Godspeed’s return from a long hiatus at the end of 2010 to begin playing live shows again, and with the hugely acclaimed ‘Allelujah! Don't Bend! Ascend! release in 2012 marking their first new release in a decade, the group continued to perform regularly on their own headlining tours (and as headliners at many leading festivals), often including a new multi-movement piece in concert over the past couple of years.

Known to fans and through live show recordings by the sobriquet “Behemoth”, GYBE has gradually distilled this new work down to a fastidious and uncompromising essence in the studio, with the swing-time swagger of the opening unison riff in “Peasantry or ‘Light! Inside of Light!’” giving way to increasing microtonal divergences and an exhilarating immersion in the harmonic power of massed amplified instruments, before collapsing into some of the most visceral and unalloyed noise/drone the band has yet committed to tape on “Lambs’ Breath” and “Asunder, Sweet”.

The album closes with “Piss Crowns Are Trebled”, a 14-minute piece of vintage Godspeed, where ascending and descending guitar and violin melodies intertwine over gut-rattling distorted bass in 3/4 time, segueing into a pummeling four-on-the-floor series of sparkling, soaring crescendos. ‘Asunder, Sweet And Other Distress’ finds Godspeed in top form; a sterling celebration of the band’s awesome dialectic, where composition, emotion and ‘note-choice’ is inextricable from an exacting focus on tone, timbre, resonance and the sheer materiality of sound.

FORMAT INFORMATION

LP Info: 180 gram LP in gatefold jacket includes art print poster and download coupon.

Hard to believe a full decade has passed since the release of Yanqui U.X.O., the last album by GYBE. Never a band to care for conventional industry wisdom, Yanqui was released shortly before Xmas 2003 with little publicity and no press availability, no marketing plans or cross-promotions or brand synergies, with back cover artwork tracing the inextricable links between major music labels and the military-industrial complex. Driven by word-of-mouth from a passionate and committed fanbase galvanized by the group's sonic vision and its dedication to unmediated, unsullied musical communication, the album found its rightful audience.

To suggest that such simple principles and goals have become harder to maintain and enact a decade later is an understatement. For all the contents and discontents – for all the "content" – of our present cultural moment, the idea of circumventing the glare of exposure, the massaging of media cycles and the calculus of identity management appears quaint, if not futile.

But Godspeed is looking to try all the same. The band wants people to care about this new album, without telling people they should or talking about themselves. They want to hold on to some part of that energy that comes with the thrill of anonymous discovery and unmediated transmission, knowing full well that these days, anti-strategy risks being tagged as a strategy, non-marketing framed as its opposite, and deeply held principles they consider fundamental to health as likely to be interpreted as just another form of stealth.

The band has been carving its own path again since 2010, regrouping as the same self-managed collective entity it has been from the outset, making appearances at a tiny clutch of music festivals, and otherwise just touring its own shows. It's been a disorienting time to resurface, but it has felt overwhelmingly right, honest and good. We think Godspeed has made a new record that maintains if not exceeds the standards of their previous work – a high bar, many would agree.

GYBE picked up right where they left off, and after almost two years of practicing, playing and touring, ‘Allelujah! Don't Bend! Ascend! Delivers two mighty sides of music (bookended by two new drones) that the band had been working up prior to their 2003 hiatus, which they have now shaped into something definitively stunning, immersive and utterly true to their legacy. The future looks dark indeed, but on the evidence of this new recording, Godspeed appears wholly committed to staring it down, channeling it, and fighting for some rays of sound (and flickers of light) that feel righteous, unflinching, hopeful and pure.


STAFF COMMENTS

Darryl says: A full decade on from their previous release, Montreal’s instrumental alchemists GY!BE bring us their astonishing new masterpiece "’Allelujah! Don’t Bend! Ascend!" Having taken a hiatus in 2003 the band reformed as a touring entity in 2010 honing their craft again before unexpectedly offering us this new apocalyptic vision. "’Allelujah!" brings us two 20 minute sprawling epics in the form of "Mladic" and "We Drift Like Worried Fire" and two shorter drone pieces. "Mladic" begins proceedings with an Eastern hypnotic vibe which gradually transforms into a raging torrent of intense and menacing guitar noisecapes dipping and soaring to a thrilling crescendo. "We Drift Like Worried Fire" builds from a simple repetitive three note sequence into a monumental storm of euphoric guitars, strings and pounding rhythm section before falling back and rising again to a brutal and majestic peak of cinematic noise euphoria, it’s like Morricone gone punk. These tracks are bookended by two shorter drone pieces that menace with dynamic intensity, the calm after the storm! ‘Allelujah indeed!

FORMAT INFORMATION

LP Info: LP is pressed on 180 gram virgin vinyl and comes in a tipped-on heavyweight gatefold jacket printed in full-colour process plus a spot metallic ink and spot matte varnish. LP dust sleeve is also 4-colour print. Package includes a 7 inch in printed dust sleeve (same audio appears in a different sequence on the CD) and a 12"x48" pull-out poster (printed full colour on both sides) featuring a collage of film stills specially-photographed and captured from the GYBE live 16mm projections.

LP includes MP3 Download Code.

Godspeed You! Black Emperor

Slow Riot For New Zero Kanada EP

    Constellation's second vinyl-only release from Godspeed contains two long songs, and sets the bar for the sprawling compositions that would characterize the group in the years to follow. Side one is cut at 45rpm and features "Moya", a broiling cascade of upward scales that repeatedly explodes beyond its own threshold. "BBF3" on Side two clocks in at 18 minutes, and is the band's most lyrical, multi-movement music to date -- more elaborated melodic figures wind around an angry spoken-word field recording (infamously culminating in the recital of the speaker's poem -- verses lifted straight from Iron Maiden). Both songs were recorded with Dale Morningstar at the old Gas Station studio in Toronto.

    Godspeed You! Black Emperor

    F#a#∞

      "F#A#∞" was recorded at the Hotel2Tango in spring 1997 on a rented 16-track tape deck and supplemented with various field recordings. In the preceding year, the band had taken shape as a quasi-orchestral outfit involving most of the current players and had mounted a number of live performances combining multiple film projections with sense-rattling sonics., This is the first recorded document of Godspeed as a large band and is soaring, fragile, awkward, heartbreaking stuff. The opening monologue on side one (Dead Flag Blues) is taken from Incomplete Movie About Jail, an unfinished film by guitarist Efrim.

      Godspeed You! Black Emperor

      Lift Your Skinny Fists Like Antennas To Heaven

        This two-disc Godspeed You Black Emperor tour de force is considered something of a milestone of the post-rock age. The first disc opens with slowly drifting ambient droning, which gradually begets mournful strings and a distant, pitch-shifted evangelical sermon before an increasingly ominous thudding rock beat, guitars, glockenspiel, distortion, and bass come spiraling in to break things up for an ever-tightening crescendo. The following piece, "Static", is marked by the early arrival of a hauntingly sad melody (yes, an actual melody), followed by slowly accelerating beats and the ghost of a dying bagpipe--one of Emperor's truly majestic moments--which later segues into shopping announcements and more treated distortion.

        The second disc starts off with a sample of an old man reminiscing about the long-lost glory days of Coney Island. The music coasts on through the ashes of time from there, drifting with swooping guitars that sound like Yma Sumac vocals, building into crescendo after crescendo, with drums increasing, pounding, and expiring. The last track kicks off with some bluesy folk crooning that then dissolves into an evaporating haze of strings and guitars. By turns operatic, rocked-out, and mournfully apocalyptic, "Antennas" conjures deep emotions, landscapes, and even socio-political commentary, and some might sincerely argue that it also makes wonderful housecleaning music.

        Godspeed You! Black Emperor

        Yanqui UXO

          "Yanqui UXO" finds Godspeed at their most political. UXO = unexploded ordnance, landmines, cluster bombs. Yanqui = post-colonial imperialism, international police state, multinational corporate oligarchy. As for the music, well it speaks for itself, prime apocalyptic post rock at its best!!


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