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DIVIDE AND DISSOLVE

Divide And Dissolve

Insatiable

    The title for Divide and Dissolve's new album, 'Insatiable', came to Takiaya Reed in a dream.

    The multi-instrumentalist and composer had a vision of a better world, one that gelled seamlessly with the optimism of her take on doom metal: "I saw people committing great acts of harm never being happy, and people committing great acts of love, always being happy," she says. "People are constantly feeding into this genocidal energy, depleting all of these resources in the name of so-called power, just to end up powerless. Whereas people feeding into pathways of love and decolonial energy, honouring loving and benevolent ancestors, experience such a deep sense of fulfilment."

    For Takiaya, this is what it means to be "insatiable"; it's the way we choose either a path of destruction or one of compassion, and experience it to its fullest. "The album's title hits on so many levels," she continues. "It's an album about love, and it feels important to tap into that, now more than ever."

    STAFF COMMENTS

    Barry says: I LOVE Divide And Dissolve. Drone-doom-ambient monoliths forged through distorted guitars and pummelling percussion, and 'Insatiable' is certainly the pinnacle of this juxtaposition. A superbly evocative, intensely heavy journey.

    TRACK LISTING

    1. Hegemonic
    2. Monolithic
    3. Withholding
    4. Loneliness
    5. Dichotomy
    6. Provenance
    7. Disintegrate
    8. Grief
    9. Holding Pattern
    10. Death Cult

    Divide And Dissolve

    Systemic

      Divide and Dissolve’s new album, ‘Systemic’, examines the systems that intrinsically bind us, and calls for a system that facilitates life for everyone. It’s a message that fits with the band’s core intention: to make music that honours their ancestors and Indigenous land, to oppose white supremacy, and to work towards a future of Black and Indigenous liberation.

      Like its predecessor, ‘Gas Lit’, ‘Systemic’ was produced by Ruban Neilson of Unknown Mortal Orchestra.

      You can feel the deep intention in Divide and Dissolve’s music. Their dense sound is overwhelmingly heavy; a dissonant pounding of percussion, guitars, piano, synths and saxophone, interwoven with passages of orchestral beauty that give a feeling of respite. ‘Systemic’ is a thick wash of sound, equal parts beauty and anguish and creates a wholly encompassing experience for even a casual listener.

      For fans of Sunn O))), Low, Southern Lord Records.

      TRACK LISTING

      Want
      Blood Quantum
      Derail
      Simulacra
      Reproach
      Indignation
      Kingdom Of Fear
      (featuring Minori Sanchiz-
      Fung)
      Omnipotent
      Desire

      Divide And Dissolve

      Gas Lit

        Multidimensional duo Divide and Dissolve release their third full length studio album ‘Gas Lit’ on Invada Records, produced by Ruban Neilson of Unknown Mortal Orchestra.

        Divide and Dissolve members Takiaya Reed (saxophone, guitar, live effects) and Sylvie Nehill (drums, live effects) create instrumental music that is both heavy and beautiful, classically influenced yet thrillingly contemporary and powerfully expressive and communicative. Their music has the ability to speak without words and utilises frequencies to interact with the naturally occurring resonance.

        ‘We Are Really Worried About You’ presents a formidable saxophone sound giving way to a surge of crushing percussion and heavy guitar riffs. ‘Denial’ is a potent blend of Takiaya’s ominous and unsettling sax that blows wide open into riff city for almost eight glorious minutes. Both tracks encapsulate the message behind the music: to undermine and destroy the white supremacist colonial frameworks and to fight for indigenous sovereignty, black and indigenous liberation, water, earth and indigenous land given back.

        For fans of James Baldwin, Osa Atoe, Adrienne Davies, the ocean and freshwater, breath/breathing, Toni Morrison, Octavia Butler, Afro futurism, indigenous futurism, indigenous sovereignty, slavery abolition, resistance, the forest, bodies of water, being submerged, the railroad and Ai Ogawa.

        STAFF COMMENTS

        Barry says: At no point throughout 'Gas Lit' do you come away with the impression that they're just having a good time. This is a visceral and intense, but entirely enjoyable fusion of neo-classical timbres with metallic heft and shoegazey walls of sound. Towering and impeccably constructed.

        TRACK LISTING

        Oblique
        Prove It
        Did You Have Something To Do With It (ft. Minori Sanchiz-Fung)
        Denial
        Far From Ideal
        It’s Really Complicated
        Mental Gymnastics
        We Are Really Worried About You


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