Moby’s second album on Deutsche Grammophon following 2021’s Bestselling Album & Chart Success “Reprise”.

Digging further into his catalogue, Moby has reimagined fifteen of some of his most iconic tracks for his new album “Resound NYC”, featuring tracks that he wrote between 1994-2010 while living in New York City, and the new versions feature a vibrant, brass-heavy sound. From the sublime desperation of “When It’s Cold I’d Like to Die” to the manic stomp of “Extreme Ways” (best known as the theme from the “Jason Bourne” film franchise), the reworked tracks burst forth with boundless energy. Guest vocalists on “Resound NYC” include Nicole Scherzinger, Gregory Porter, Ricky Wilson (Kaiser Chiefs), Mylene Farmer, Amythyst Kiah, Lady Blackbird, Dougy Mandagi (The Temper Trap) and more.

TRACK LISTING

LP1, SIDE A
In My Heart (Resound NYC Version) Feat. Gregory Porter
Extreme Ways (Resound NYC Version) Feat. The Temper Trap
South Side (Resound NYC Version) Feat. Ricky Wilson
Flower (Find My Baby) (Resound YNC Version) Feat. Amythyst Kiah
LP1, SIDE B
In This World (Resound NYC Version) Feat. Nicole Scherzinger, Marisha Wallace
Helpless (Resound NYC Version) Feat. Margo Timmins, Damien Jurado
Signs Of Love (Resound NYC Version)
The Perfect Life (Resound NYC Version) Feat. Ricky Wilson
LP2, SIDE C
When It’s Cold I’d Like To Die (Resound NYC Version) Feat. P.T. Banks
Slipping Away (Resound NYC Version)
Second Cool Hive (Resound NYC Version) Feat. OUM, Sarah Willis
Hyenas (Resound NYC Version)
LP2, SIDE D
Last Night (Resound NYC Version)
Run On (Resound NYC Version) Feat. Danielle Ponder, Elijah Ponder
Walk With Me (Resound NYC Version) Feat. Lady Blackbird

Roger Eno is a British composer and musician whose distinctive style as a recording artist has attracted a cult following. Last year he made his debut on Deutsche Grammophon with Mixing Colours, his first duo album with his brother, Brian, which was released to great acclaim.

Now Roger’s latest solo album, The Turning Year, is set for release on the Yellow Label. The Turning Year allows the listener to step through Roger Eno’s looking-glass, filled with glimpses of pastoral scenes and free-flowing, affecting compositions. These pieces are exquisitely realised by Eno as pianist and he is joined on some tracks by the lauded German string ensemble Scoring Berlin.

With a blend of recent compositions and live favourites from Eno’s concert repertoire, the album offers a comprehensive presentation of the composer’s solo work. “The Turning Year is like a collection of short stories or photographs of individual scenes, each with its own character but somehow closely related to the other,” explains Eno. “Listening to it made me think about how we live our lives in facets, how we catch fleeting glimpses, how we walk through our lives, how we notice the turning year.”

STAFF COMMENTS

Barry says: Poor Rodge, hiding in the shadow of his definitely better known brother while crafting such sweet and beautiful modern-classical compositions must be a bitter pill to swallow, it must give him *some* comfort to know that I, a lowly shop worker in Manchester actually listens to and enjoys his work far more often. Surely? This is stunning anyway. Gorgeous, evocative modern classical soundscapes.

TRACK LISTING

A Place We Once Walked
Slow Motion
Introit
Hymn
Clearly
The Turning Year
Bells
Hope (the Kindness Of Strangers)
On The Horizon
Innocence
Something Made Out Of Nothing
An Intimate Distance
Stars And Wheels
Low Cloud, Dark Skies

World premiere recording of Richter’s electrifying ballet music "Exiles". Originally commissioned for Singulière Odyssée (2016) by Sol León and Paul Lightfoot, premiered by Nederlands Dans Theater (NDT). First release of previously unreleased opening piece from Woolf Works - “Flowers of Herself”. Featuring new orchestral-versions of best performing iconic Richter catalogue tracks. Released via Deutsche Grammophon and pressed at maximum fidelity, this is a collectors piece of neo-classical brilliance no home should be without!

STAFF COMMENTS

Barry says: This is an absolutely essential collection of some of Richter's most beautiful rescored back catalogue pieces, as well as the full disc of the title track, written for ballet in 2016. A perfect juxtaposition of this hugely talented artist's various realms of work.

TRACK LISTING

CD tracklisting:
Flowers Of Herself – 08:33
On The Nature Of Daylight – 07:19
The Haunted Ocean – 02:18
Infra 5 – 05:34
Sunlight – 03:55
Exiles – 33:32

Vinyl Tracklisting:
A Side
1 Exiles (Pt. 1)

B Side
1 Exiles (Pt. 2)

C Side
1 The Haunted Ocean
2 Infra 5
3 Flowers Of Herself

D Side
1 On The Nature Of Daylight
2 Sunlight

New album from the UK stalwart on  Deutsche Grammophon (officially the world's longest serving record label don'tchaknow?!). "Reprise" sees Moby revisiting and reimagining musical highlights from his 30-year career. Together with the Budapest Art Orchestra, he has re-envisioned some of his most recognizable rave classics and anthems with new arrangements for orchestra and acoustic instruments. He’s also joined by a stellar line-up of guest artists from across the musical spectrum, including Alice Skye, Amythyst Kiah, Apollo Jane, Darlingside, Gregory Porter, Jim James, Kris Kristofferson, Luna Li, Mark Lanegan, Mindy Jones, Nataly Dawn, Skylar Grey and Vikingur Ólafsson.

TRACK LISTING

01 Everloving
02 Natural Blues - Feat Gregory Porter & Amythyst Kiah
03 Go
04 Porcelain - Feat Jim James
05 Extreme Ways
06 Heroes Feat. Mindy Jones
07 God Moving Over The Face Of The Waters – Feat Víkingur Ólafsson
08 Why Does My Heart Feel So Bad? – Feat Deitrick Haddon & Apollo Jane
09 The Lonely Night - Feat Kris Kristofferson & Mark Lenegan
10 We Are All Made Of Stars
11 Lift Me Up
12 The Great Escape Feat Nataly Dawn, Alice Skye & Luna Li
13 Almost Home Feat Novo Amor, Mindy Jones & Darlingside
14 The Last Day - Feat Skylar Grey & Darlingside

Roger Eno and Brian Eno – together and individually among the foremost innovators in experimental ambient music – will release their first album on Deutsche Grammophon: Mixing Colours.Brian and Roger Eno have revolutionized many concepts of music production and performance, from pioneering treatments of pop music by Brian Eno to younger brother Roger Eno’s ambient synth/piano recordings reminiscent of Erik Satie. These qualities resonate on this new release. Each brings his unerring sense of place and mood to the album. The timbre in each title deepens and opens up with each listening. Specific yet abstract titles guide listeners through the collection created over several years in a unique collaboration by both artists.The result is deep-dive listening and landscapes of sound bearing titles like abstract art: Obsidian, Deep Saffron, or Wintergreen. This debut DG release will reach a wide new audience still unfamiliar with their artistry. The poetic and ambient anthology reveals two celebrated ambient musicians at the height of their artistry.

For almost a decade, Agnes Obel has been one of the most independent and original artists in contemporary music. Now she has returned with new music, releasing the enchanting single “Island Of Doom”, ahead of the release of her highly anticipated new album Myopia–through Deutsche Grammophon, Universal Music Group’s prestigious Yellow Label, and Blue Note in North America.

Following the same principles as with her previous albums (Philharmonics, Aventine and CitizenOfGlass), which she completed as a one-woman project in her own Berlin home studio, Obel has been under self-imposed creative isolation with the removal of all outside influences and distraction in the writing, recording and mixing process. “The albums I’ve worked on have all required that I build a bubble of some kind in which everything becomes about the album.”

“For me the production is intertwined with the lyrics and story behind the songs,” says Obel. This is precisely what makes her music so compelling and the same is true with Myopia. “Paradoxically, for me I need to create my own myopia to make music.” Obel was experimenting with techniques of recording processing, warping and pitching down vocals, strings, piano, celesta and lutheal piano, finding ways to melt these elements together to become one and twisting them in a way that you feel at home within the sound she conjures throughout the record.

Although Obel’s music can often curate a monologue of modern-day dystopian-esque news stories that we are all now subject to, the contents of “Island Of Doom” are much more personal, as she explains: “The song is made up of pitched-down piano and cello pizzicato and vocals, all choirs are pitched down and up… In my experience when someone close to you dies it is simply impossible to comprehend that you can’t ever talk to them or reach them somehow ever again. They are in many ways still alive because in your consciousness nothing has changed, they’re still there with everyone else you know.

“For me Myopia is an album about trust and doubt. Can you trust yourself or not? Can you trust your own judgments? Can you trust that you will do the right thing? Can you trust your instincts and what you are feeling? Or are your feelings skewed?” – Obel.

STAFF COMMENTS

Barry says: Obel's latest opus challenges the backdrop of beautifully played modern classical instrumentation and meditative, soaring strings with a decidedly modern focus on vocal manipulation and production trickery, crafting a delightfully immersive and stunningly beautiful whole.

TRACK LISTING

1. Camera's Rolling 
2. Broken Sleep
3. Island Of Doom
4. Roscian
5. Myopia
6. Drosera
7. Can't Be
8. Parliament Of Owls
9. Promise Keeper
10. Won't You Call Me